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and as a nice touch Peach included a bottle of Dunlop 65 cleaner-polish and cloth!
Well I succumbed, a cherry from GG (who were great by the way)
The set up was pretty good out of the box but a little too much relief. So I reach for my trusty Gibson truss rod wrench and it’s too small?
I thought all Gibson’s were 5/16 but the nut on mine is 11/32. It adjusted fine so all good but thought it a little strange. Anyone else noticed this?
Guitar is an absolute beast though!
Newer production model Les Pauls have lower pickup ring heights. Given the historic spec of the parts, using modern replacements would have a visual impact presumably. I have read some internet wisdom about sanding the pickup rings down but I'm reluctant to do that.
Anyone else noticed this?
My head said brake, but my heart cried never.
My head said brake, but my heart cried never.
I wish I had the funds and ability to snag one of these, but I just don’t. It’s fantastic reading and seeing these guitars rolling in. Really enjoyed @Ossyrocks video too!
How does the VOS finish compare to a non-VOS guitar? I’ve never really understood it. Is it slightly worn, or just the metal parts dulled down a bit? These reissues only seem to be available in VOS, did that put anyone off or is it barely different to a non-VOS model? Do they have marks any like a very light Fender relic or is it just faded down etc?
I understand the various Fender finishes, but I’ve never really understood what Vintage Original Spec (?) means...
Wouldn't hurt to try the sanding thing:
https://www.richtonemusic.co.uk/product/gibson_historic_crme_neck_and_bridge_pickup_ring_set/
On the whole I like the arrangement with the tailpiece screwed down into the body. Although on my Traditional I top wrap and in one band occasionally play behind the bridge, I don't think that's going to work here
Of course with this thread I'm also lusting at LPs too...
VOS = Dulled finish and lightly tarnished hardware
Gloss = High-gloss finish and brand-new hardware
Aged = A few scratches and chips, tarnished hardware and a lot of lacquer checking
I much prefer the look and feel of VOS over gloss - the gloss guitars just look too pristine. It's interesting that real vintage Les Pauls rarely, if ever, have the dulled down look of a VOS reissue. It's its own thing, but I really like it.
This is interesting. A lot people want the ABR to sit as low as possible, for playing comfort and so that the tailpiece can be screwed right down. I've owned and played a bunch of historic Les Pauls with slightly varying neck angles and, personally, I don't think the height of the ABR makes a difference other than possibly in playing comfort.
I realise it’s hard to break old habits though!