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I haven't tried it myself yet but the new Ventoux amp is supposed to be good for both clean and dirty sounds too.
You can download it from here: https://line6.com/customtone/tone/5721543/
Feedback thread: https://www.thefretboard.co.uk/discussion/comment/3575378
Having a massive love/ hate relationship with my Helix at the min. Really liking clean tones I'm getting, mostly using the Twin, but not liking any drive/ crunch/ lead ones...all sound a bit....farty? I've tried all sorts of things...Jason Sadites templates, customtone downloads, paid for IRs etc but still nothing I'm really happy with yet. Perhaps I need to try dual amps with one for clean and one for drive....
I also wonder if it's my Laney LFR that's doing it...just seems to fart out when at rehearsal/ gig levels, yet at home it seems ok. I only play mod and indie stuff so nothing high gain but I had a very frustrating rehearsal last night. Grrrr
I think separate amps for drives and cleans is the way forward....not got too much time before a gig on Sat to play but will have a go next week.
I have mine set up with a boss es5, to be
1) before amp
2) in FX
3) take feed from two notes captor for IR headphone practice.
Complicated to explain but I can take a picture later
Hmm....the only thing is the other guitarist is an amp guy and isn't interested in go down the modelling rote, so would it would well with his more tradtional setup?
At the moment I'm just taking an Orange Dual Terror and using the house cabs/other bands cabs.
Everything about it was better than a conventional setup! I was ready to go before the drummer had even got his stands set up! Annoyingly I had already lugged my LFR from the car upstairs, but it was great to be able to say I can happily just use the Helix as long as there is some kind of monitoring. Which incidentally was just a single 8 inch PA speaker on it's side at the side of the "stage".
You can argue all you like about whether or not a real amp sounds better[1] but nothing beats the convenience of modelling.
[1] I don't personally think anyone in the audience could ever tell the difference
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
The thing is...it doesn't really matter if the guitar sounds amazing or crap; it's whether it fits well in the mix and adds to the sound of the band. With modern modellers, that's more a function of user skill than anything.
I play a charvel with dimarzio tone zone pickup, into helix usually a recto amp with a tube screamer, verb and delay.. Piped out to FOH and a laney lfr112...
Just not smitten with any of the wah models tbh.. Tried reducing the mix...
Doesn't sound too bad at home with m-audio monitors, even with 100% mix.
But in a live situation with drummer etc, just lacks.. Not sure if it's my technique or if I should boost the level...
Ideas?
is it crazy how saying sentences backwards creates backwards sentences saying how crazy it is?
Can't remember what model I've been using but it sounds good to me and I always lower the volume, something I can't do with my regular wah, and that's why I prefer the Helix.
is it crazy how saying sentences backwards creates backwards sentences saying how crazy it is?
Try a few different wah settings. Here's a few different ranges to roughly match up against the various Cry Baby models