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UNPLANNED DOWNTIME: 12th Oct 23:45

Controversial guitar opinions you have.

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  • Moe_ZambeekMoe_Zambeek Frets: 3238
    TTBZ said:
    When Gibson designed the SG, they learned from and corrected all the mistakes they’d made on the Les Paul
    Actually kind of agree with this. It's hard to go back to a LP after being used to an SG. Comfiest guitar ever if it hangs right on you which thankfully it does for me. 
    I consider SGs my spiritual home but IMO it’s harder to find a good SG than a good Les Paul, and another heresy for this thread - I think SGs sound awful, clean. 
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  • stickyfiddlestickyfiddle Frets: 24852
    TTBZ said:
    When Gibson designed the SG, they learned from and corrected all the mistakes they’d made on the Les Paul
    Actually kind of agree with this. It's hard to go back to a LP after being used to an SG. Comfiest guitar ever if it hangs right on you which thankfully it does for me. 
    I consider SGs my spiritual home but IMO it’s harder to find a good SG than a good Les Paul, and another heresy for this thread - I think SGs sound awful, clean. 

    You're wrong. Video should start at 5:10, though going from 3:45 is also acceptable :) 

     
    The Assumptions - UAE party band for all your rock & soul desires
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  • TeleMasterTeleMaster Frets: 9175
    edited August 2023
    TTBZ said:
    When Gibson designed the SG, they learned from and corrected all the mistakes they’d made on the Les Paul
    Actually kind of agree with this. It's hard to go back to a LP after being used to an SG. Comfiest guitar ever if it hangs right on you which thankfully it does for me. 
    They didn't fix the break angle of the strings through the nut into the headstock which causes so many issues for so many, so they didn't correct everything. LP is still the cooler guitar in any case. 
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  • robertyroberty Frets: 10231
    TTBZ said:
    When Gibson designed the SG, they learned from and corrected all the mistakes they’d made on the Les Paul
    Actually kind of agree with this. It's hard to go back to a LP after being used to an SG. Comfiest guitar ever if it hangs right on you which thankfully it does for me. 
    They didn't fix the break angle of the strings through the nut into the headstock which causes so many issues for so many, so they didn't correct everything. LP is still the cooler guitar in any case. 
    That long mahogany neck is prone to dead spots, too
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  • SporkySporky Frets: 23802
    guitarjack66 said:

    A youtube music fella said something along the lines of 'To 'improve' the sound they compress the music and this then causes distortion.' I have no idea if this is true or not though.
    I think it's true for the engineering definition of "distorted", which basically means "altered in a non-linear fashion".

    The potential problem is that many people read "distortion" to mean clipping. 
    "[Sporky] brings a certain vibe and dignity to the forum."
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  • flying_pieflying_pie Frets: 1767
    Sporky said:
    guitarjack66 said:

    A youtube music fella said something along the lines of 'To 'improve' the sound they compress the music and this then causes distortion.' I have no idea if this is true or not though.
    I think it's true for the engineering definition of "distorted", which basically means "altered in a non-linear fashion".

    The potential problem is that many people read "distortion" to mean clipping. 
    Could it also be a synonym for saturation within the mastering stage?
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  • LewyLewy Frets: 3795
    ICBM said:
    Lewy said:
    I'm giving serious consideration to having a Custom Shop strat routed for a bridge humbucker.
    Why only do things by half? Get an original 50s Strat and rout that instead.
    Hmmm...I'm not sure Floyds look good on maple neck strats though. Oh I didn't mention that bit did I.....
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  • SporkySporky Frets: 23802
    Could be. It's another one where a single word with multiple meaning may be be clear and unambiguous.

    It's poosible that was deliberate, given the need to play YouTube's algorithm if you want to earn money there. 
    "[Sporky] brings a certain vibe and dignity to the forum."
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  • FayeFaye Frets: 77
    Loobs said:
    Is that actually your opinion on The Beatles? If so, you're completely whacked. 
    Absolutely. 

    Innovative musicianship? Nope, far more groundbreaking stuff going on in jazz. 

    Greatest songwriting? Nope. Dylan, The Byrds, Zappa... all pushing the boundaries further than the 'fab four'. 

    The Beatles became mega famous because of their image, mainly. People went to their concerts to scream through them, not to listen to the music. 

    It was this commercial success, and the money it brought into the music business as people sought to replicate it, which is their legacy. 
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  • TTBZTTBZ Frets: 2775
    edited August 2023
    TTBZ said:
    When Gibson designed the SG, they learned from and corrected all the mistakes they’d made on the Les Paul
    Actually kind of agree with this. It's hard to go back to a LP after being used to an SG. Comfiest guitar ever if it hangs right on you which thankfully it does for me. 
    They didn't fix the break angle of the strings through the nut into the headstock which causes so many issues for so many, so they didn't correct everything. LP is still the cooler guitar in any case. 

    The only uncool thing about SGs is the ACDC association  

    I guess I've got lucky with mine. No neck dive, tuning issues or dead spots and the headstock has stayed in tact after 10+ years of ownership. Doesn't sound as good or have as much sustain as an LP but I'll take the comfort and playability.
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  • SpoonManSpoonMan Frets: 138
    edited August 2023
    Faye said:
    Loobs said:
    Is that actually your opinion on The Beatles? If so, you're completely whacked. 
    Absolutely. 

    Innovative musicianship? Nope, far more groundbreaking stuff going on in jazz. 

    Greatest songwriting? Nope. Dylan, The Byrds, Zappa... all pushing the boundaries further than the 'fab four'. 

    The Beatles became mega famous because of their image, mainly. People went to their concerts to scream through them, not to listen to the music. 

    It was this commercial success, and the money it brought into the music business as people sought to replicate it, which is their legacy. 

    They made lots of teenybopper pop music that was very popular with screaming teenage girls (the boy band effect). 
    Then they got into lsd.

    They did have a massive effect, just look at all the boy band clones that came after. 
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  • Philly_QPhilly_Q Frets: 20197
    Lewy said:
    I'm giving serious consideration to having a Custom Shop strat routed for a bridge humbucker.
    Me too.  I'm also thinking of getting the neck heel rounded off and using a curved neck plate.


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  • FayeFaye Frets: 77

    I've seen a few comments about The Beatles being overrated but this often boils down to 'I hate Scousers' and becomes water from a duck's back.
    Nothing against scousers, I just think it's daft the way the Beatles have been set on a pedestal which completely exaggerates their achievements. 

    I expect a lot of it is nostalgia for something which seemed to epitomise an era. They'll probably be viewed more objectively when the generations who lived through the 60s are gone. 
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  • Loobs said:
    Middle pickup alone on a Strat is a horrid sound that should never be used.
    Jerry Garcia and Lenny Kaye say fuck you. 
    You’re just convincing me even more now!

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  • robertyroberty Frets: 10231
    SpoonMan said:
    Faye said:
    Loobs said:
    Is that actually your opinion on The Beatles? If so, you're completely whacked. 
    Absolutely. 

    Innovative musicianship? Nope, far more groundbreaking stuff going on in jazz. 

    Greatest songwriting? Nope. Dylan, The Byrds, Zappa... all pushing the boundaries further than the 'fab four'. 

    The Beatles became mega famous because of their image, mainly. People went to their concerts to scream through them, not to listen to the music. 

    It was this commercial success, and the money it brought into the music business as people sought to replicate it, which is their legacy. 

    They made lots of teenybopper pop music that was very popular with screaming teenage girls (the boy band effect). 
    Then they got into lsd.

    They did have a massive effect, just look at all the boy band clones that came after. 
    Not worth arguing over. There's always one :-)
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  • Philly_QPhilly_Q Frets: 20197
    Loobs said:
    Middle pickup alone on a Strat is a horrid sound that should never be used.
    Jerry Garcia and Lenny Kaye say fuck you. 
    You’re just convincing me even more now!
    Robin Trower too, although he probably wouldn't say fuck you.
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  • KrisGeeKrisGee Frets: 1137
    Telecaster is the worst guitar ever made. 
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  • Here are some of mine

    Guitars specifically:
    "Amp in the room sound" is overrated - unless it's a nicely designed and treated room, you just get far too much volume in spikes, boominess in frequencies, and once the volume gets loud enough it just sounds like noise. Give me a tone that sounds like a nicely recorded guitar and amp setup and I'll play for much longer because I sound like the sounds I enjoy and which make me want to play.

    An easier to play guitar doesn't make your playing more interesting. As long as it's not completely untuneable or any kind of intonation is impossible, then a bit of challenge makes your playing just sound more exciting as you're battling it and not just massaging it/your ego.

    The Hot Rod Deluxe drive channel sounds great.

    Very rarely do acoustic guitars played in public sound good, regardless of whether they are a £200 Baby Taylor or £10k posh one. In person, yes I get it, but nobody really plays like that now do they?

    General music stuff:
    Playing with other people can be very overrated if you're just not very musically sociable and are easily ignored. If I do things by myself, then I'm trying to make music that appeals to me and not what pleases some other bloke sat opposite whose opinion is worthless to me.

    Music with some introversion rather than fully extroverted music is just more interesting. It's too easy to sing and play about how happy you are and how that makes you want to dance

    Guitar music sounds rubbish on the radio/in the car. Just squishy noises accompanied by trebly cymbals.

    60s and 70s blues based chord sequences in songs are just as hackneyed as the I-vi-IV-V sequences used a lot these days, but nostalgia makes the current songs seem rubbish and samey compared to the supposed amazing use of I-IV-V with alternative 5th and 6th notes in the chords as back in the day.


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  • Philly_QPhilly_Q Frets: 20197
    TTBZ said:
    When Gibson designed the SG, they learned from and corrected all the mistakes they’d made on the Les Paul
    Actually kind of agree with this. It's hard to go back to a LP after being used to an SG. Comfiest guitar ever if it hangs right on you which thankfully it does for me. 
    I consider SGs my spiritual home but IMO it’s harder to find a good SG than a good Les Paul, and another heresy for this thread - I think SGs sound awful, clean. 
    All guitars sound awful clean.... But I agree it’s harder to find a good SG than a good Les Paul, not that I particularly want to buy Les Pauls, but there are millions of them to choose from.  Whereas SGs only come in a handful of colours, many of them have a weak neck joint, most of them are neck-heavy and 99% of them have skinny necks.
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  • FayeFaye Frets: 77
    Most people's electric guitar tone is way too bright. 

    If you need to 'cut through' a mix, then your mix is probably horrible. 
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  • LewyLewy Frets: 3795
    Philly_Q said:
    Lewy said:
    I'm giving serious consideration to having a Custom Shop strat routed for a bridge humbucker.
    Me too.  I'm also thinking of getting the neck heel rounded off and using a curved neck plate.


    Ah mine's already got one of those, and I just had Dunlop 6000 frets put on it too, so the sacrilege train has already pulled out of the station :) 
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  • KilgoreKilgore Frets: 8107
    Faye said:

    I've seen a few comments about The Beatles being overrated but this often boils down to 'I hate Scousers' and becomes water from a duck's back.
    Nothing against scousers, I just think it's daft the way the Beatles have been set on a pedestal which completely exaggerates their achievements. 

    I expect a lot of it is nostalgia for something which seemed to epitomise an era. They'll probably be viewed more objectively when the generations who lived through the 60s are gone. 
    Their influence in the US is arguably much greater than the UK. I'm on the AGF whose membership is largely made up of aging American boomers. 

    In any discussion about the Beatles there is a common theme: The Beatles appearance on the Ed Sullivan show changed everything overnight. Musically and socially.

    They weren't just a product of social change but were drivers of that change.

     Yes the girls screamed at the concerts but the boys went out and bought guitars and started bands in numbers unheard of before.

    For most of them their cultural impact was far greater than even that of Elvis.


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  • Philly_QPhilly_Q Frets: 20197
    edited August 2023
    Lewy said:
    Philly_Q said:
    Lewy said:
    I'm giving serious consideration to having a Custom Shop strat routed for a bridge humbucker.
    Me too.  I'm also thinking of getting the neck heel rounded off and using a curved neck plate.


    Ah mine's already got one of those, and I just had Dunlop 6000 frets put on it too, so the sacrilege train has already pulled out of the station  
    @Lewy I applaud you, sir.  Mine has 6100 frets (original, but I wish there'd been a stainless option).  And in retrospect I wish I'd gone for 22 frets, but I can't do anything about that.  Vintage-correctness be damned.
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  • StuckfastStuckfast Frets: 2124
    People who claim they can't see what all the fuss over the Beatles is about are just trying too hard.
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  • FayeFaye Frets: 77
    Kilgore said:
    They weren't just a product of social change but were drivers of that change.


    I'd still argue that that's more down to right place, right time, rather than anything particularly wonderful in their musicianship. 

    They were a social phenomenon, which occurred because the economic and cultural conditions were right for it. 

    The Beatles didn't create those conditions, they simply benefited from them. 
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  • Philly_QPhilly_Q Frets: 20197
    If Fender guitars are just two bits of wood screwed together, then Gibsons are just two bits of wood glued together.

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  • TeleMasterTeleMaster Frets: 9175
    TTBZ said:
    TTBZ said:
    When Gibson designed the SG, they learned from and corrected all the mistakes they’d made on the Les Paul
    Actually kind of agree with this. It's hard to go back to a LP after being used to an SG. Comfiest guitar ever if it hangs right on you which thankfully it does for me. 
    They didn't fix the break angle of the strings through the nut into the headstock which causes so many issues for so many, so they didn't correct everything. LP is still the cooler guitar in any case. 

    The only uncool thing about SGs is the ACDC association  

    I guess I've got lucky with mine. No neck dive, tuning issues or dead spots and the headstock has stayed in tact after 10+ years of ownership. Doesn't sound as good or have as much sustain as an LP but I'll take the comfort and playability.
    I never said they're not cool they're just not as cool as Les Paul's, that's all. ACDC are/were cool. 
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  • SporkySporky Frets: 23802
    Philly_Q said:
    If Fender guitars are just two bits of wood screwed together, then Gibsons are just two bits of wood glued together.

    Six, I think? 
    "[Sporky] brings a certain vibe and dignity to the forum."
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  • OffsetOffset Frets: 9212
    Philly_Q said:
    If Fender guitars are just two bits of wood screwed together, then Gibsons are just two bits of wood badly glued together.

    Minor amendment.
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  • KilgoreKilgore Frets: 8107
    Faye said:
    Kilgore said:
    They weren't just a product of social change but were drivers of that change.


    I'd still argue that that's more down to right place, right time, rather than anything particularly wonderful in their musicianship. 

    They were a social phenomenon, which occurred because the economic and cultural conditions were right for it. 

    The Beatles didn't create those conditions, they simply benefited from them. 
    That argument implies that it could almost have been anybody else. Gerry and the Pacemakers, The Merseybeats etc, etc.

    We'll have to disagree on this one. :)


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