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Well my Joe Perry sig standard still rocks but my 2016 standard now feels and sounds cheap compared to the R8 quality and I don’t say that lightly. Everything about it feels cheap now
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youThe plaque for the alternates is in the ladies room
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
That's interesting as I had the opposite revelation. Comparing my R8 to my Traditional I was surprised how well the traditional held up. It was the aggregation of small things that ultimately mkes the R8 a better guitar, but I didn't feel the Traditional was cheap in any way.
Is there anything specific you noticed?
Now where are my aviators?
My Trading Feedback | You Bring The Band
Just because you're paranoid, don't mean they're not after youYou can find really good Traditionals, but you probably have to play a lot of them.
I sold my first Custom Shop Les Paul, because I tried out a pedal in a shop on holiday in the US, and the Traditional I tried it with was better. When I got back to the UK I was intending to buy a Traditional, and when to Guitar Village when they had a blowout on Traditionals at really low prices. Played 5 or 6 Traditionals and a second hand R8. The R8 was different quality, so I came home with that. If I'd been able to get 15 Tradtionals in the room, then I would probably been able to find one that was close to the R8.
I ended up selling that R8 because the neck was too big. It was very comfortable but I was struggling to play things on it. I recorded something with another guitar (in one take), and then decided to see how the Les Paul would sound on it. It took me about ten takes to play it cleanly on that R8. I do have very short fingers and the big neck was too much - even though it was incredibly comfortable.
I'm loving the R9 I bought last week. It's not quite as beefy sounding as the R8 was, but it's very articulate. It's also got a much better neck angle. The R8 was a 2010. I know they removed the sheath around the truss rod from 2013 onwards, so I don't know if that is the reason why it sounds more articulate, or whether it's the wood, or a bit of both. I think the new ones have different pickups as well. It's probably a combination of things.
Some beautiful guitars here but nothing that’s killing my 2005 LP Standard Faded or Slash GAS... if anyone is shifting one to pay for their R8 after the fact then let me know!
Ok I’m lying, I’d kill for one of these R8s but I couldnt justify it.
Interesting about Traditionals... the one I played recently wasn’t very good but I wonder if it’s worth trying a few out?
If you find a good guitar keep hold of it. The grass isn't always greener on the other side just because the internet says it is.
[apologies if I got the numbers wrong, this thread is too long to plough through it looking for the post]
Ring Ring.. Hello Peach?
Logically, rationally, there are much better guitars. But it's deeper than that. Why deny it?
*** Some Teles are cool too. I really like @Alnico's blue one, and the Springsteen hybrid on the cover of Live 75-85 defines cool too.
Speaking of pickups.. the pickups on my new R8 seem really countersunk into the plastic - I haven't seen that on any LP I've ever owned (and I've had a few). is this normal ? are the plastic covers much higher on the historic-spec reissues ?
There are some amazing examples of R8s in this thread! I hope you all enjoy them.
Plus the dented ones from GG
My GG compensation will cover a tiny drop fill four times over, but it's still mad seeing blemishes on what are supposed to be £4.3k guitars
We still want them though, Gibson have us by the proverbials