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Bocote - that's an interesting choice. As for the truss rod cover, I was asking because I am in all probability going to have to make my own (or mod an existing one) for a Vintage VS6. Wanted to have a chrome one, but I don't think I've got the tools to cut it. So I might end up getting a thin wood panel to try and put one together.
My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie
Mahogany body and neck, Ebony board, evo gold frets.
Superb woodwork as always from Graham, that neck joint is gorgeous,
The pickups are excellent too, proper tele DNA in there.
Very happy with how it turned out !
https://www.thefretboard.co.uk/discussion/206218/everyday-electronics-delta-mark-ii
I used McNelly pickups from Canada and had Jonathan at Feline @FelineGuitars tidy up the fretwork and set it up. Sounds and plays as good as I think it looks
just needs some more light ageing and lacquer checking
New coat of LPB nitro from @SteveRobinson which went on really nicely. New Lollar 64 Special pickups (previous know as Blackface which is still written on the back) which are excellent and very Stratty.
Also put the Callaham bridge back on, so all in all I've probably spent more on this Mexican Strat than a new USA model might have cost!
However, it does have a lovely feel and weight so happy to spend a few quid to get it looking and sounding like I want. It's only money!
Had a Tone Zone in the bridge, and Evolution in the neck (HH), which both sounded great if not a little bland. This thing plays like an absolute dream, so wanted something a bit different to the sound.
It was a close thing with the bridge height. I purposely set the neck angle quite shallow and with a low action the bridge is *just* off the deck. Too low to use the domed thumbwheels I bought without modifying the ABR-1.
The neck is set in about 4mm too deep (due an error correction) and so the Bigsby needed a bit grinding off where it meets the bridge.
The reason the neck pickup isn't close up to the neck is another correction of a router mishap!
Pickups are Monty's PAFs.
The bee headstock inlay and TRC were CNC cut by my friend Wal.
Some in-progress shots:
Using my G&W binding jig
Routing the pickup cavities
Ceiling light reflecting in the nitro.
Finished my Custom tele deluxe project today, I'm very pleased with it.
I sprayed the nitro finish over the summer, proves you can get super results from rattle cans if you do it properly, I'm genuinely surprised how good this has turned out.
I drew around the inlay and routed by hand using a Dremel and small upcut bit
Then glued it in and filled around using hide glue with carbon black in before sanding back, spraying over black and scraping clean
That's incredible. I wonder if, with a dremel, I could manage that on my project... Will look at the website!
I actually need to do a bit of work on the headstock, it's not gone a particularly smooth black colour, and the sealer has revealed some scratches I missed so it isn't like I'd be undoing lots of work...
https://www.thefretboard.co.uk/discussion/233872/turning-a-2019-gibson-sg-special-into-a-1963-gibson-sg-special
My Trading Feedback can be found here: https://www.thefretboard.co.uk/discussion/62765/bad-alice/p1
Ill grab a pic
Look forward to the pics
I didn’t make this Tele, but I shaped, finished and “tattooed” the body, sourced the rest of the parts and put it together. Supposed to be vintage inspired. Also, save for the pickups I deliberately avoided Fender parts. It’s a basswood body, but the top was described as “barn wood” and I thought that it screamed Tele. Turned out to be a real pain to treat and stain, due to my lack of experience and the wildly random porosity of basswood. Part of the vintage theme turned out to be a somewhat shoddy stain, but I guess it suits the Tele. I became, for deeply personal reasons, totally overwhelmed by an urge to summarize myself with this build, and the “learning as I go” results are no doubt a part of that summary.
~ 4-way switch, reversed control plate (except I failed to reverse the switch itself, so neck is bridge and bridge is neck)
~ Warmoth roasted maple boat neck (soft v), satin finish, ebony fretboard
~ Gotoh locking tuners
~ Top-loader bridge (could also be string-through, but I didn’t want to put the holes in the body)
~ Wood burning kit applied to back and sides
~ Gel stain with shellac and wax coats
Inspired by Novo and made out of an old oak chopping board.