Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused). Gibson Les Paul Standard - New Custom Colours - Guitar Discussions on The Fretboard
UNPLANNED DOWNTIME: 12th Oct 23:45

Gibson Les Paul Standard - New Custom Colours

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  • robertyroberty Frets: 10231
    BigPaulie said:
    roberty said:

    The height of the stopbar doesn't say whether it's a good guitar or not
    You're quite right. Have a "wiz" on me. I didn't claim that the height of the tailpiece said anything about the quality of the guitar one way or t'other.
    Could have been a bit more clear, sorry. Typing on my phone

    I've played and owned dogs with "perfect" bridge geometry. It's not a good way to choose a guitar
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  • ICBMICBM Frets: 69426
    BigPaulie said:

    Some CS guitars I've seen have beautifully carved tops with a lovely deep recurve.

    It's a feature almost non-existent on most of the modern non-CS Les Pauls I've seen.

    You'd think it would be and easy thing to get right with modern CNC machining.
    … like every PRS.

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Just because I don't care, doesn't mean I don't understand." - Homer Simpson

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  • robertyroberty Frets: 10231
    ICBM said:
    roberty said:

    The height of the stopbar doesn't say whether it's a good guitar or not
    No, not by itself - but the height of the bridge does, in my opinion/experience. This then has a bearing on the minimum height of the stopbar.

    roberty said:
    Jimmy Page #1


    Perfect example. Listen to the Albert Hall recordings and you can hear it’s just not that good a guitar - the Custom sounds far better.

    Joe Walsh didn’t even like it for slide!
    Lol well the neck had been shaved too
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  • BigPaulieBigPaulie Frets: 733
    ICBM said:
    roberty said:

    The height of the stopbar doesn't say whether it's a good guitar or not
    No, not by itself - but the height of the bridge does, in my opinion/experience. This then has a bearing on the minimum height of the stopbar.

    roberty said:
    Jimmy Page #1


    Perfect example. Listen to the Albert Hall recordings and you can hear it’s just not that good a guitar - the Custom sounds far better.

    Joe Walsh didn’t even like it for slide!
    Gibson QC, eh?
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  • Anyone noticed that the majority of colours are only available directly from Gibson? Peach, Andertons and GAK have some of the colours but not all. 

    Sign of things to come once the new UK Gibson Garage opens?
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  • crunchmancrunchman Frets: 10961
    BigPaulie said:
    roberty said:
    BigPaulie said:
    tomajoha said:
    roberty said:
    Put me down for a blacktop. I've wanted one for at least a decade. I'd still rather an R8 version but I'm very glad this is an option
    £300 more gets you a custom Heritage at the moment https://www.andertons.co.uk/heritage-custom-shop-core-collection-h-150-electric-guitar-in-ebony-phrt-011107127-snt-1

    Just saying...
    It’s a shame all those Heritages seem to have overly flat neck angles, the stoptails appear well jacked up 
    Isn't it an over steep neck angle that would require a tailpiece to be raised?
    The carve will affect the geometry as well

    I haven't noticed a correlation between stoptail height and anyhthing else to do with the guitar tbh. I've owned a dozen or more carve top LP types
    It's all related isn't it?

    The carve of the top is precisely why the neck must join the body at an angle in order to have sufficient clearance between the top of the guitar and the strings while maintaining a manageable playing action.

    If the neck angle is sufficiently steep it requires the bridge to be raised creating a tighter break angle over the saddles which can lead to the strings hitting the back of the bridge as they travel to the tailpiece, in turn requiring the tailpiece to be raised instead of being "decked".
    In extreme cases, the bridge has to be raised so high on the posts that it starts to tilt under string tension.  I had that on a 2010 CS R8.
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  • timmypixtimmypix Frets: 1979
    Anyone noticed that the majority of colours are only available directly from Gibson? Peach, Andertons and GAK have some of the colours but not all. 

    Sign of things to come once the new UK Gibson Garage opens?
    I suspect an element of that is no dealer can be expected to stock all 12 colours across both 50s and 60s on top of the standard 3 finishes a piece. Also it allows dealers some exclusivity, the same way different Fender dealers get different FSRs. GAK can be sure that if someone wants one of their allocated colours, they've got to go to them.
    Tim
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  • p90foolp90fool Frets: 29588
    crunchman said:
    BigPaulie said:
    roberty said:
    BigPaulie said:
    tomajoha said:
    roberty said:
    Put me down for a blacktop. I've wanted one for at least a decade. I'd still rather an R8 version but I'm very glad this is an option
    £300 more gets you a custom Heritage at the moment https://www.andertons.co.uk/heritage-custom-shop-core-collection-h-150-electric-guitar-in-ebony-phrt-011107127-snt-1

    Just saying...
    It’s a shame all those Heritages seem to have overly flat neck angles, the stoptails appear well jacked up 
    Isn't it an over steep neck angle that would require a tailpiece to be raised?
    The carve will affect the geometry as well

    I haven't noticed a correlation between stoptail height and anyhthing else to do with the guitar tbh. I've owned a dozen or more carve top LP types
    It's all related isn't it?

    The carve of the top is precisely why the neck must join the body at an angle in order to have sufficient clearance between the top of the guitar and the strings while maintaining a manageable playing action.

    If the neck angle is sufficiently steep it requires the bridge to be raised creating a tighter break angle over the saddles which can lead to the strings hitting the back of the bridge as they travel to the tailpiece, in turn requiring the tailpiece to be raised instead of being "decked".
    In extreme cases, the bridge has to be raised so high on the posts that it starts to tilt under string tension.  I had that on a 2010 CS R8.
    They fixed that with the Nashville bridge though. 
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  • tony99tony99 Frets: 6650
    edited August 2023
    Not long before a new LP standard is £3000

    these are £2899 at Peach


    Bollocks you don't know Bono !!
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  • ICBMICBM Frets: 69426
    crunchman said:

    In extreme cases, the bridge has to be raised so high on the posts that it starts to tilt under string tension.  I had that on a 2010 CS R8.
    That’s why Page’s has the second pair of height wheels tight down against the body.

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Just because I don't care, doesn't mean I don't understand." - Homer Simpson

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  • GoldenEraGuitarsGoldenEraGuitars Frets: 8207
    tFB Trader
    tony99 said:
    Not long before a new LP standard is £3000

    these are £2899 at Peach


    Definitely heading that way. I wonder, at what point, people stop paying retail for these things… then what?
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  • robertyroberty Frets: 10231
    Heritage has low bridge + high tailpiece for anyone curious or worried 

    Looks like you could top wrap and the break angle would be the same. Possibly a design choice


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  • Philly_QPhilly_Q Frets: 20197
    ^^  It's very hard to tell with all the reflections, but on that Heritage it looks (to me) like the strings aren't that close to touching the back of the bridge, so you could set the tailpiece somewhat lower.  They may set it high to (slightly) reduce perceived string tension. 

    Normally you'd expect low bridge + low tailpiece or high bridge + high tailpiece, that's just how it works.

    But yes, you could lower the tailpiece, top wrap and achieve much the same break angle.
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  • OffsetOffset Frets: 9212
    tony99 said:
    Not long before a new LP standard is £3000

    these are £2899 at Peach


    Definitely heading that way. I wonder, at what point, people stop paying retail for these things… then what?
    I'll never start!!!
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  • RobG3294RobG3294 Frets: 365
    ICBM said:
    crunchman said:

    In extreme cases, the bridge has to be raised so high on the posts that it starts to tilt under string tension.  I had that on a 2010 CS R8.
    That’s why Page’s has the second pair of height wheels tight down against the body.
    What Mr Page gets up to in his spare time, is none of our business  B)
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  • BigPaulieBigPaulie Frets: 733
    edited August 2023
    RobG3294 said:
    ICBM said:
    crunchman said:

    In extreme cases, the bridge has to be raised so high on the posts that it starts to tilt under string tension.  I had that on a 2010 CS R8.
    That’s why Page’s has the second pair of height wheels tight down against the body.
    What Mr Page gets up to in his spare time, is none of our business  B
    If the height wheels are under age, I think it's in the public interest.
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  • Anyway… Custom Colours on Les Paul Standards.
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  • AlterlifesonAlterlifeson Frets: 445
    edited September 2023
    Trogly has purchased and unboxed every variation. A good reference for the actual colours compared to Gibsons pictures. Inverness Green looks much too blue to me. I agree with him on the red though. Not a fan of red LPs but there is something muscle-car esq. about that one.


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  • Trogly has purchased and unboxed every variation. A good reference for the actual colours compared to Gibsons pictures. Inverness Green looks much too blue to me. I agree with him on the red though. Not a fan of red LPs but there is something muscle-car esq. about that one.


    That guy is absolutely bizarre. 
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  • duotoneduotone Frets: 885
    Trogly has purchased and unboxed every variation. A good reference for the actual colours compared to Gibsons pictures. Inverness Green looks much too blue to me. I agree with him on the red though. Not a fan of red LPs but there is something muscle-car esq. about that one.


    Poor Gibson QC again on the Cardinal Red @ 9:15mins “I wonder if this one didn’t get quite sanded down as much”.
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  • Inverness Green is a really intense colour. I played a couple of CS SGs in that colour in Seattle. Great guitars and I'd have considered buying one if they'd be cherry or pelham, but the green is too much
    The Assumptions - UAE party band for all your rock & soul desires
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  • duotone said:
    Trogly has purchased and unboxed every variation. A good reference for the actual colours compared to Gibsons pictures. Inverness Green looks much too blue to me. I agree with him on the red though. Not a fan of red LPs but there is something muscle-car esq. about that one.


    Poor Gibson QC again on the Cardinal Red @ 9:15mins “I wonder if this one didn’t get quite sanded down as much”.
    He said straight away that is fine when you’re holding it.
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  • robertyroberty Frets: 10231
    Incessantly cheerful 10 minute advert for the new colours. Looks like a nice facility though obviously the view is highly sanitised

    https://youtu.be/XT1h08WRZ6U?si=9J07U8RUwnEtPi2g
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