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I think the whole thing is a false dilemma. There is huge merit in being able to tune by ear - I'd suggest it's darned near an essential skill - but a tuner pedal is absolutely essential if you're gigging or recording.
You have to have a tuner because you need to know you are in tune without making a noise. But you also need to know the guitar needs to be "in tune" with it's self and just tuning open strings to a tuner won't achieve that. You sweeten the tuning depending on where you are going to be playing, sometimes you want a slightly flat B string to get a nice maj 3rd. Sometimes you want the bottom E flat at rest because it will go sharp when hit aggressively.
I've never learned, as I've owned a tuner at the same time as I had my 1st guitar.
"Can't be bothered", I know I haven't bothered to a great extent, but I'm self-taught, so I only learned things at my own speed and when I needed to. I can hear when something is off, but to the degree that non-guitarist/musician would.
I see people playing guitar, they strum a chord, then grab one of the tuners and tweak it a bit then carry on playing; this I cannot do. I would have to stop and check each string against the next to find out which one(s) were out of tune.
Of course, for my early years, I only owned guitars with floating bridges, so a tuner was essential for me to ensure I was tuned to the correct pitch, rather than in (roughly) tune with itself.
A vibrating tuner that connected to the guitar would be quite a useful bit of kit if it were reliable.
He was the master of distorted chords with great major thirds that didn't sound all dissonant against the root and 5th.
Basically though even a tuned piano isn't in tune. You could tune a piano so it was in perfect tune in one key but it would sound terrible in any other key. The only instruments that are in tune are fretless ones where the player can keep to "Just" pitches by moving their fingers . Any fretted or keyed instrument uses equal temperament which is a little off but sounds reasonably ok in any key.
In the studio we tuned the guitar to the main shape that was being used in the song. The open strings were just a starting point then the strings were sweetened in fretted position they were being held in. Sometimes splitting the recording of the guitar into different sections so the tuning could be resweetened to the different parts.
One thing you don't hear much these days is the slight chorus effect you get when the band are in close to being in but ever so slightly out. It's one of the things that give more width to the sound I think. Nowadays everything is tuned to perfect
In in my experience fitting an Earvana nut (available from Feline Guitars and others) helps a guitar to play more in tune than using a standard nut. It took me a few days to get used to the guitar sound after fitting the Earvana nut, my ear needed tuning!
Not all guitars need an Earvana nut, my CS Strat plays perfectly in tune with the standard nut.
Note: plays in tune. The open strings need to be tuned properly and the intonation set accurately before everything else falls into place.
Nil Satis Nisi Optimum
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/
Nil Satis Nisi Optimum
Eqd Speaker Cranker clone
Monte Allums TR-2 Plus mod kit
Trading feedback: http://www.thefretboard.co.uk/discussion/60602/