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Comments
https://www.thefretboard.co.uk/discussion/191592/neural-quad-core-thing-demo/p1
Personally, I think that the QC sounds good and has excellent potential but doesn't come close to the Kemper for the whole package simply because it's not the finished product. It needs a few years before you can seriously compare it as a gigging product to a tried and tested, finished and refined product. I've owned them all and if I were to have a floor modeller it would be the FM3 every day.
What are you using these days?
Fortunately most of the new breed of modellers are too expensive for me to want to 'upgrade'.
For now at least ;-)
I never understood the obsession with super accurate amp modelling. It's not like a load of different plexi's actually sounded the same! And it seems that under 1% of players have used all the real amps so have no clue anyway.
I'm quite bored with telling metal kids that 'no - the model of a dual rec is actually quite accurate and that amp really isn't that high gain and really is a massive flubby mess in the bottom end... until you hit it with a TS or similar' - I think they believe just activating the model will make them sound like 1990's Machinehead or something.
It either sounds good or it doesn't. The name on the model is irrelevant.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Not that I'd actually buy one at £3000 these days!
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
The QC has nice responding palm mutes. The Kemper slightly less so for my tastes. I've not tried an Axe FX since I had a II with the Quantum firmware. It was cool, but I never really bonded with it.
The QC has great ux. The Helix has great ux. The Kemper ux gets more bashing than it deserves in reality; it's actually pretty well thought out. The Axe isn't thought out at all in my view. Spaff a load of parameters on screen and call it done. Fortunately most of those parameters you never need to touch anyway.
The QC is absolutely ready for the stage, just as much as any of them.
I'm not big on Badonkey tbh. But I love the Helix Revv Purple + Red. They're dope AF.
The capture process is pretty neat too. I have captures quite a few of my pedals and it does a great job at it.
Collision rock band
Maybe one day - but not soon. In just over a year I have to start paying for spawn's university.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
MusicRadar verdict: A pro-quality amp modeller and effects unit that presents its many features in an easy-to-use format, the Neural DSP Quad Cortex is a triumph of design. The sound quality is incredible, the user experience unsurpassed. This is the sort of kit to make a digital convert of the most devoutly analogue player.
https://www.musicradar.com/reviews/neural-dsp-quad-cortex
£1600 too spendy for me though...
But aside from the captures being pretty bonzer, and giving me that immediate amp like feel and instant gratification and all the rest of it.
... I dunno. The rest of the package is leaving me a bit bored. I've just compared it to the Helix, and the Helix has so many amazing sounds in it across all the different effects, and the QC just doesn't compete period.
Also the Helix sounds more transparent to me when used in 4-cable-method and when used as an FX-only platform with other pedals and my valve amp. Could be something I'm doing wrong I suppose, but I don't think so. The QC has lower output, which affects the gain staging throughout.
There is no real advanced switching or control functionality.
Super annoying midi issue.
Assign program changes to the switches.... thinking that I'm setting up scenes mode.
Go into stomp mode... the switch still transmits the program change, even though in stomp mode.. erm... I just want it to change the stomps......
Holy moly.
How on earth is that usable in a live situation!?! christ.