Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused). Giant Steps at 330 bpm - Theory Discussions on The Fretboard
UNPLANNED DOWNTIME: 12th Oct 23:45

Giant Steps at 330 bpm

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  • jdgmjdgm Frets: 807
    edited April 2021
    The whole point of "Giant Steps" originally was to play it and solo as fast and as fluently as possible. That is why the tune exists, no?

    However there are quite a few other guitar versions, from Joe Pass (sensible tempo, beautiful chords) through Pat Metheny to Jennifer Batten. 
    May I direct forum ears to Roland Prince (gone now, alas) whose version has everything it should have.  Prince was from Antigua, as good on piano as he was on guitar, and played with Elvin Jones.











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  • DominicDominic Frets: 15285
    Jimbro66 said:
    I can certainly appreciate the incredible dexterity and technical ability of players like this but the relentless barrage of notes sounds to me more akin to an endlessly nagging woman than anything of musical appeal. Sorry.
    100% agree.

    An utter waste of noise.
    An absolute crock of shit and waste of electricity.I cannot hum or whistle a single note let alone a tune .Therfore to me it simply isn't music .........just annoying noise. It just sounds like a random computer generated soundtrack for a video game when things go mad.
    Zero Music although I'm sure the player knows an Arpeggio or two.
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  • carlos said:

    I want a full transcription on my desk by Monday morning, class!
    And yes, Ben Eunson has joined the Ibanez AZ army.

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  • wizbit81wizbit81 Frets: 414
    Dominic said:
    Jimbro66 said:
    I can certainly appreciate the incredible dexterity and technical ability of players like this but the relentless barrage of notes sounds to me more akin to an endlessly nagging woman than anything of musical appeal. Sorry.
    100% agree.

    An utter waste of noise.
    An absolute crock of shit and waste of electricity.I cannot hum or whistle a single note let alone a tune .Therfore to me it simply isn't music .........just annoying noise. It just sounds like a random computer generated soundtrack for a video game when things go mad.
    Zero Music although I'm sure the player knows an Arpeggio or two.

    Angry old man shouts at things he doesn't understand.
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  • ftumchftumch Frets: 673
    carlos said:

    I want a full transcription on my desk by Monday morning, class!
    And yes, Ben Eunson has joined the Ibanez AZ army.
    We've had a guy down the jam night once with the same approach to lead solo as this, he'd only been playing a week. I realise now he must have been a genius!
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  • GuyBodenGuyBoden Frets: 724
    One of my favs, check out the exceptional harmonic sequences. A bit too complex for most, but I like it.


    "Music makes the rules, music is not made from the rules."
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  • axisusaxisus Frets: 27656
    It's impressive, and I like impressive playing. 

    If I wanted to listen to music I wouldn't choose that sort of thing though.
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  • carloscarlos Frets: 3252
    As some idiot said elsewhere in this forum: "he's just playing scales really fast!"
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  • carloscarlos Frets: 3252
    ftumch said:
    carlos said:

    I want a full transcription on my desk by Monday morning, class!
    And yes, Ben Eunson has joined the Ibanez AZ army.
    We've had a guy down the jam night once with the same approach to lead solo as this, he'd only been playing a week. I realise now he must have been a genius!
    Takes guts to admit someone with a week of practice can outplay you thoroughly. Hope his career takes off.
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  • carloscarlos Frets: 3252
    Dominic said:
    Jimbro66 said:
    I can certainly appreciate the incredible dexterity and technical ability of players like this but the relentless barrage of notes sounds to me more akin to an endlessly nagging woman than anything of musical appeal. Sorry.
    100% agree.

    An utter waste of noise.
    An absolute crock of shit and waste of electricity.I cannot hum or whistle a single note let alone a tune .

    Try whistling really, really fast and in tune, following the chord progression. Do you want me to post the chart? Start at a slow tempo and build it up!
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  • tanihhiavlttanihhiavlt Frets: 659
    carlos said:
    As some idiot said elsewhere in this forum...
    and the award of Miss Congeniality goes to ... 
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  • wizbit81wizbit81 Frets: 414
     tanihhiavlt said:
    carlos said:
    As some idiot said elsewhere in this forum...
    and the award of Miss Congeniality goes to ... 
    Nah I'm with Carlos. It is very irritating when people who absolutely have no clue about serious players and serious music make frankly ridiculous statements, and there are some corkers in this thread. It's precisely the same people who would have said 'all the sound and all of the fury.....ultimately signifying nothing' about Hendrix because they were all busy going mad over Clapton's 5 notes because they could understand that. If we take Ben Eunson playing our instrument out of the equation here but keep Giant Steps as an example, with 'trane blowing over it, would it get the same reaction from the same people here? If so, you're slagging off a gamechanging jazz album which changed the face of Sax playing, with playing from the all time greatest master of the instrument over all new harmonic progressions. If it's just Ben and not the style/tune generating the comments then I think it's pretty obvious it's people being triggered by a player about 20,000 divisions above them, which is sad really. In cases where it's genuinely just not getting it but not actively saying it's sh1t, then no problem, those guys are fine.
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  • tanihhiavlttanihhiavlt Frets: 659
    Trouble is when people define "having a clue" as agreeing with them... the argument gets a bit cyclical
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  • BarneyBarney Frets: 598
    He's a great player and that takes some doing at that tempo...at any tempo really .. other players I would rather listen to but just my personal choice 
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  • GuyBodenGuyBoden Frets: 724
    Technically for guitar, Allan Holdsworth's countdown is exceptional, recorded in October 1994,
    nearly 27 years ago, astonishing really. The player in this post, Ben Eunson, will know this too, Holdsworth is still the pinnacle, Holdsworth paved the way that many try to follow.






    "Music makes the rules, music is not made from the rules."
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  • wizbit81wizbit81 Frets: 414
    Trouble is when people define "having a clue" as agreeing with them... the argument gets a bit cyclical
    True, but it's Dunning Kruger isn't it, opinions are coming from incomparable areas. You may be meaning that as a directed comment at me or you may not, either way the answer is the same. There is a vast, uncrossable gulf between someone like Ben in terms of his knowledge, ear, technical ability, language, time, phrasing etc and some of the people commenting. The thing is though, they know so little they can't actually recognise that. I remember teaching a guy who told me he'd been playing for 30 years and was a solid professional etc etc and couldn't even play in time, but he thought he was able to slag off all of jazz as being nonsense. Classic example is the comment about it being just playing scales really fast, or whoever said 'he may know an arpeggio or two' or the one about someone playing like that at jam night after just learning the instrument for a week. It's just utter nonsense comments that betray the level of the commentor. I like Barney's comment above as that's the sort of thing that's reasonable to say. Not rude, not talking rubbish, not his cup of tea but recognising what the guy can do. Fair play!
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  • GuyBodenGuyBoden Frets: 724
    wizbit81 said:
    Trouble is when people define "having a clue" as agreeing with them... the argument gets a bit cyclical
    True, but it's Dunning Kruger isn't it, opinions are coming from incomparable areas. You may be meaning that as a directed comment at me or you may not, either way the answer is the same. There is a vast, uncrossable gulf between someone like Ben in terms of his knowledge, ear, technical ability, language, time, phrasing etc and some of the people commenting. The thing is though, they know so little they can't actually recognise that. I remember teaching a guy who told me he'd been playing for 30 years and was a solid professional etc etc and couldn't even play in time, but he thought he was able to slag off all of jazz as being nonsense. Classic example is the comment about it being just playing scales really fast, or whoever said 'he may know an arpeggio or two' or the one about someone playing like that at jam night after just learning the instrument for a week. It's just utter nonsense comments that betray the level of the commentor. I like Barney's comment above as that's the sort of thing that's reasonable to say. Not rude, not talking rubbish, not his cup of tea but recognising what the guy can do. Fair play!
    "The Dunning–Kruger effect is a hypothetical cognitive bias stating that people with low ability at a task overestimate their ability. ... It is related to the cognitive bias of illusory superiority and comes from people's inability to recognize their lack of ability."

    The Dunning–Kruger effect sums up the majority of guitarists, including myself and probably you too.




    "Music makes the rules, music is not made from the rules."
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  • tanihhiavlttanihhiavlt Frets: 659
    wizbit81 said:
    Trouble is when people define "having a clue" as agreeing with them... the argument gets a bit cyclical
    True, but it's Dunning Kruger isn't it, opinions are coming from incomparable areas. You may be meaning that as a directed comment at me or you may not, 
    confirmation bias, similar to Dunning Kruger effect - just doesn't require the person holding a different point of view to be intellectually inferior. 

    The advantage is we can apply it to ourselves without shame, we can maintain respect for another person's opinions.

    That playing is not my cup of tea, and somehow, I am not an idiot according to most people's definitions. Noone comes here to be called an idiot.

    Someone who can't hold an alternative idea in their mind for fear of losing their own opinion, isn't going to be able to negotiate or reason with other people - noone is wholly intractable,  but when it comes to values and heroes people don't always know their blind spots. Fan or unmoved observer.
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  • LastMantraLastMantra Frets: 3819
    Nice mop collection. 
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  • wizbit81wizbit81 Frets: 414
    Guy..... no I don't suffer from Dunning Kruger I know exactly what my huge number of gaping inadequacies are on the guitar. I know for instance that Ben Eunson is many, many divisions above me as a player and always will be. 
    Tani, did you even read my post properly? Seems not. I am saying opinions about whether it's your cup of tea or not are fine, I even explicitly said that, and nowhere did I call you an idiot and please don't try to pretend I did in order to take the high ground. I'm saying that critical statements which are patently and provably nonsense passed off as opinions annoy me. 
    If I say Allan Holdsworth is shit it's not an opinion, it's a definitive statement about someone's ability that's complete and patent rubbish, and empirically provably so. If I say someone who has been playing a week sounds just like Ben Eunson, again, it's not an opinion, it's not factual rubbish. Beyond laughable in fact. There's not two sides to this, there's no defensible position to take. 
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  • wizbit81wizbit81 Frets: 414
    Guy what was your point about Holdsworth btw? Just a random comment? Totally agree btw he was playing a different sport to nearly every other guitarist in history.
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  • tanihhiavlttanihhiavlt Frets: 659
    wizbit81 said:
    Tani, did you even read my post properly? Seems not.... nowhere did I call you an idiot and please don't try to pretend I did in order to take the high ground. 
    Oh gosh that is perplexing, perhaps I was referring to the person who did call people an idiot... is such a thing possible?
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  • lysanderlysander Frets: 570
    Threads with technical players should all come with a Boomer trigger warning. 
    Ben is incredible. I prefer his fusion stuff but his jazz chops are insane.
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  • wizbit81wizbit81 Frets: 414
    wizbit81 said:
    Tani, did you even read my post properly? Seems not.... nowhere did I call you an idiot and please don't try to pretend I did in order to take the high ground. 
    Oh gosh that is perplexing, perhaps I was referring to the person who did call people an idiot... is such a thing possible?
    Classic... slow clap for the passive aggressive response. You were quoting me and addressing me directly in your reply, if you were then tangentially referring to someone else in the next sentence rather than me who you were addressing it would be useful to actually say that. 
    If you did say that Ben's playing just sounds like scales played really fast, which if I'm right (could be wrong!) is the thing you're complaining about being called an idiot for... then you're not an idiot, you just don't know what you're talking about. Definitely a difference for sure. That's not an insult either, it's just an obvious fact if you did, because that's not remotely what he's doing, and it categorically sounds nothing like that.

    Lysander.... I've seen a few of his vids but only checked out his album tonight. Loads of cool influences on there, deffo Holdsworth! :D Some really nice blues and pentatonic stuff mixed in with the post bop vocab as well which was surprising. I also like the variety on the album, he's not a one trick pony at all. 
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  • tanihhiavlttanihhiavlt Frets: 659
    edited July 2021
    Yeah, you accuse me of something I didn't do and get self-righteous 
    Lysander assumes anyone who doesn't rate this guy is a boomer 
    Carlos calls people an idiot for not being wowed by some music he really rates.

    That's about the size of it, collectively people expressing their indifference to the player  but enjoyment of the tune have been fan-splained.. 

    So have the last word, it seems pretty pointless trying to express an alternative opinion around you
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  • westwest Frets: 974
    Here we are again on the " un-merry-go-round ... "
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  • lysanderlysander Frets: 570
    The boomer thing is a tongue in cheek reference to the army of armchair guitarists that comment on every popular YouTube video that features a player that can play a bit fast that there’s no ‘feel’ etc. They often start talking about Santana and Gilmour and thus get referred to as boomers - it’s just a cliched response to the cliche. 

    Not liking the music is totally fine - I don’t particularly enjoy the posted video either - but when it comes with a value judgment such as ‘it’s noise’, ‘beginners can do this’ etc then it starts reflecting poorly on the poster.

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  • xscaramangaxscaramanga Frets: 436
    Jimbro66 said:
    I can certainly appreciate the incredible dexterity and technical ability of players like this but the relentless barrage of notes sounds to me more akin to an endlessly nagging woman than anything of musical appeal. Sorry.
    Well the important thing is you managed to get in an irrelevant spot of casual sexism while sharing your opinion.
    My YouTube channel, Half Speed Solos: classic guitar solos demonstrated at half speed with scrolling tab and no waffle.
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  • Jimbro66Jimbro66 Frets: 2394
    Jimbro66 said:
    I can certainly appreciate the incredible dexterity and technical ability of players like this but the relentless barrage of notes sounds to me more akin to an endlessly nagging woman than anything of musical appeal. Sorry.
    Well the important thing is you managed to get in an irrelevant spot of casual sexism while sharing your opinion.
    Really??  Not another taking the moral high ground surely? It gets tedious....
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  • vizviz Frets: 10211
    I love this guy’s playing and think it’s very musical - within a certain definition of musical maybe - but if others don’t like it, that’s totally as valid. I mean, it’s just a fact. Some people like it, some people don’t. I don’t think anyone would question his mastery and caftsmanship, but many would question his artistry. I personally think it’s awesome art. 
    Paul_C said: People never read the signature bit.
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