Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
The CAGED system is not the be-all and end-all of finding your way around the guitar fretboard, it’s just a step on the way. I used it to learn my major scales early on in my playing - it helped me to sight read and to play by ear. I rarely use it now but I still know where all the notes are on the fretboard.
The ‘point’ about communicating with other musicians is completely irrelevant to CAGED, it’s more about musical literacy in general.
But John Frusciante is often said to be a CAGED player, the chap from Anyone Can Play Guitar says he sees the fretboard in terms of CAGED. I have been making a poor attempt at learning the solo from Santeria by Sublime and I can see how that follows a CAGED pattern. So, as an act of faith it works well for some people and that the combination of CAGED and a decent understanding of theory opens the fingerboard up. If you want to be the fastest metal player or the gnarliest bluesman it's probably just a diversion.
You probably don't need it because you have other ways of thinking that work for you. I have my own way of thinking about CAGED but, as you know much more about music than me, I wouldn't feel worthy of explaining it to you
the C - is that like playing an open C chord? And then are you supposed to play a C chord in the A-shape, on fret 3; and then what’s the G shape? Is it 875558? By doing those three chords, and the next two, am I “doing CAGED in C”? And are you supposed to play the bottom E string all the time (apart from the D shaped chord)?
I saw Knopfler using these ideas in a So Far Away live vid.
Starting with the second chord you mention, this fingering is an A chord in the G shape. Theoretically you can add the A notes on the 1st and 6th strings but it’s not necessary.
You then move up to the A chord in the C shape, then the A chord in the A shape until you’re back to the G shape an octave above.
I don't see CAGED, 3nps, thinking in intervals (or whatever floats your boat) as being mutually exclusive. I play a lot of 3nps but still use CAGED as a fretboard roadmap/framework in helping visualise intervals on the fretboard. I just see 3nps as spanning across more than one CAGED zone on the fretboard.
Nil Satis Nisi Optimum