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Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog
I really wish I could LOL ebay ads
https://www.fendercustomshop.com/series/vintage-custom/vintage-custom-1950-pine-esquire-maple-fingerboard-aged-black/
However, the idea that neck resonance can affect the tone of an electric guitar - more importantly than the body and yes, even via the pickups - is not bullshit at all.
I'm sceptical of any claim that string vibrations 'connect', 'transfer' or whatever and thus 'improve' the sound, though - the most you can say is that it might sound *different*.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
http://www.guitarhq.com/fender2.html#sch"Approximately sixty 1950 Esquires were shipped, though Fender had orders for hundreds at the time. And many early examples with no truss rod were returned to Fender for neck and/or body replacements. The reason? Without a truss rod many necks warped (or the owners thought they would warp in the future). "
Some are fine.
Some *really* aren't.
On 'Which is thought to allow the string vibrations to ‘connect’ and resonate more freely through the wood, into the body.'
Many more things will make a more material difference to the tone of a guitar.
What does 'resonate more freely' even mean?
I'd like him to explain this, in scientific terms.
Does it mean that the system moves more freely because of a lack of truss rod?
If so, how does it manage to do that at all frequencies?
All you do by adding or removing a truss rod is slightly changing the resonant frequency and Young's Modulus of the system.
I will explain.
A lot of guitarists misunderstand what resonance is.
It is used as a catch all term meaning some variation on 'good' but resonance is a specific attribute of an object or system.
The key here is 'a system'.
A guitar is not a single object.
It is the sum of many parts, acting together as a system.
Resonance is simply a quality or phenomenon that happens when a system will absorb the energy of an externally applied force that is at the 'natural frequency' (or eigenfrequency) of the object or system.
How does this quality refer to 'better tone'?
Answer: It doesn't.
Is he talking about the Young's Modulus of the system- the measurement of elasticity or axial compression of an object or system?
You can calculate the Young's Modulus of a guitar if you want.
The formula for this is E = σ/ε, where E is the Young's Modulus.
σ = F/A , or F (Tensile strength) over A (cross sectional area).
ε = (l - L0)/L0. ε is the relative change of length.
A low Young's Modulus means that less force is needed to create strain on the system compared to a higher YM (where more force is needed).
Broadly speaking (in acoustic guitars) a low Young's Modulus is better than a higher one, provided structural integrity is maintained.
The system moves more freely, the guitar is louder and deeper sounding.
As a broad description, stiff things sound bright and decay quickly, loose things are lower in pitch and decay more slowly.
You can lower a YM by a number of methods.
The classic one is to shave small amounts of the soundboard away in specific places.
But you could also make the bracing lighter.
OK, so what is the ideal Young's Modulus for a guitar?
Answer: There isn't one.
In an electric guitar, it is a slab of wood that is way, way, way more stiff than the sound box of an acoustic guitar.
You know that because it is much quieter and much brighter.
Doing away with a truss rod in an electric guitar, even if it made a difference to tone, could be mitigated by making the body a bit thinner.
And once you feed it into an amp with EQ and effects pedals, and more importantly, the big fucking filter that is the guitar speaker it makes no real difference.
In my opinion it is total magical thinking bullshit that poisons guitar culture.
Similar ideas (broad, fuzzy descriptions of what constitutes 'tone') allow certain makers and corporations to exploit scientifically illiterate customers who buy into it.
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I can't imagine that they considered Young's modulus or any other scientific principle.
It's the worst kind of advertising bullshit because some poor soul might believe it and be stuck with an overpriced sub-par neck'd guitar.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Are they better? I've never played one so I can't be sure, but I'm happy to call "bullshit" pending further information. Oh, I'm sure they sound pretty good - Martin know how to make a nice guitar - but £8,000 worth of good? Not a chance.
The wood does look like something like poplar.
http://www.maribyredivivus.it/portfolio/electric-guitar-parker-fly/
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson