UNPLANNED DOWNTIME: 12th Oct 23:45
I know a lot of people don't like musicals .....
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... and that is fair enough, but we are often talking about real quality writers of music.
I'm a big fan of Pink Floyd, and the Wall is one of my fave albums ever, but going through the song book there is a lot of C, D, A, G chords etc. Roger gets a lot of mileage out of the simple side of things.
Now I like to bash around on a piano, and I can sight read chord based backings pretty well. If I get out a score from a musical, wow we really are talking about interesting chords and the way they are used. Some of the classics, like You'll never walk alone ( not the best example in some ways as the 'film' version is a bit uggh), the chords are just wonderful and fulfilling. And even more modern stuff - Disney's Beauty and the beast - fabulous chord arrangements. Phantom of the opera, tons of flats but it all sounds superb. Les Mis - stirring stuff. Honestly, if I had a singing voice I could be happy all day running through musical scores. Sadly I don't, but it's great fun to play along to Youtube videos.
Them peoples, they know about chords and music.
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La La Land came out in 2016. I saw a trailer for it with my now late wife at some film we went to watch and 'spiritually' something kicked in for me. For some reason I could not stop humming the tune from the trailer (City of Stars) and of course we then went to see it when it came to our screens. It became my favourite film of all time.
It became the soundtrack to the years leading up to her death in February 2019. Morbid maybe, but my wife's cancer was a terminal diagnosis from some years before and as she got weaker and weaker I watched and listened to La La Land more and more. I must have watched it 20-30 times over a 2 year period. On the day she died I played the CD soundtrack on loop for almost the entire day. It was the soundtrack to my grieving both before and after.
When I look back, from the trailer to my wife's inevitable end it was like 'God' had sent it into my life to help me cope with it all. Spiritually that's how it felt and still does.
For the record, my wife hated it (wry smile about her laughing. Which I can hear now as I'm typing)
I feel almost as strongly about musicals as I do about Jazz.
I love La La Land, at the time I had Odeon Limitless and during it's release I went to see it 6 times in my local Odeon.
Then about 6 months or so later, they played it with a live orchestra in Bristol and I went and watched that too.
It's one of my favourite movies, and I don't usually watch musicals.
I liked La la land, I could do with seeing it again.
Chitty, Chitty Bang Bang, for us kids!
I remember one year she was excited because over Christmas 'Seven Brides for Seven Brothers' was being screened on TV for the first time. We were sort of forced to watch it from memory in a 'It's family time' way. We had a piano in our dining room and a chair where the seat opened up and all her music sheets were in there. I've no idea what happened to it all.
So I guess I am asking whether its there complexity that makes them appear more expressive? is it the type of chords used? Is it that more complex chord sequences don't fit into the conventions of a 'pop/rock' song
I've always wondered - can you take these complex musical type chords and sequences and play them on the guitar @axisus?
- very Good musicals
- good entertainment but average musicality and lyrics
- the other 90%
I was of a similar opinion *until* MrsTT and I went to a London Show many years ago. Les Mis. At the interval, we seriously discussed leaving, but we stayed on and so glad that we did.
It took a while to get into it (hence the interval discussion) but having got there, it was an incredible experience. Since then, we've seen a fair few more and there's not a single one* that I regret watching, even at the prices that London theatres charge nowadays.
Written and then performed by proper professionals at the top of their respective games.
(* the Lion King - MrsTT's choice - not so much a musical as a children's puppet show, so I don't really count that).
Lion Kimg is a riot, Catgeory 2
Fiddler on the Roof
Miss Saigon
The King and I
Sound of Music
Oliver
matilda
West Side Story
This video of director Jennifer Lee losing her mind at a recording session is a wonderful little watch:
https://www.youtube.com/watch?v=3uXhyHzuGMY
This fella is a natural, he has what many will go to college and university to learn.
exhibit a
https://www.youtube.com/watch?v=EtWQGtgrC90
But try playing Floyd Songs using embellished drop2 and drop3 voicings. That’s the difference between a lot of music written for piano vs basic guitar chord progressions. The piano begs for alternative voicings that, to the musically unaware, might look like altogether different chords than what the chart says.
Don't know if it's just that some were written on piano so they seem more interesting playing them on guitar.
The wall was I think the first song book I owned though and I remember being really surprised to see how simple some of the chord progressions were.
On the other hand, i've had to play a fair few musical type songs as part of my wedding pianist side hustle and, just like most disney songs, they are often incredibly satisfying to play on piano. Without the cheesy o-ver e-nunnn-ciiii-ate-ed vocals and production that sounds akin to casio keyboards used in schools in the 90s, the actual chords, melodies, phrasing and structures are actually quite nice. I suspect as others have said one of the differences is that they must largely be written on a piano as the chord shapes and sequences just flow very easily on a piano compared to say, a guitar. Often you barely have to move your hand to get around some of the sequences, more like a bit of a pivot.
The other difference I feel between playing those and more modern stuff (and this is more of a personal perception thing, not really based on any objectivity so I hope it makes sense) is that generally the musicals tunes seem to be written from the point of view of what sounds the best, building the theme of whatever emotion they are trying to sing about, without really caring about needing to sound cool/edgy/insert-identity of frontperson here. The musical aesthetic, I suppose. I find a lot of modern music is more written from the viewpoint of what's cool, what are we trying to show as an image rather than what can we add that's harmonically interesting. Obviously that's two binary extremes and a lot of music falls between them on a scale, and as others have said nice pretty added 2nd chords or tritone substitution is not really going to sound very elegant amongst a djent band, just as repeated notes in the vocal line to fit in the lyrics that the singer wants to say but don't really fit aren't really going to work in the climactic aria ending of a dramatic musical.
Anyway, yeah, I much prefer musical songs if I don't actually have to listen to them
The film version of Evita is great - not something I'd normally watch but I thought it was fabulous. Jungle Book, Chitty Chitty Bang Bang, Aristocats... loads of fab kids' movies that have outstanding sountracks.
However, they are universally shite IMO. Apart from the Blues Brothers obviously.
I really don't like them. The worst I have seen is Rocket Man. How to ruin a good story.
Mind you that whole "two characters suddenly bursting into song out of nowhere" thing in musicals is hard to stomach! Hence my previous comment - they are great as long as i don't have to listen to them
Exhibit A