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Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie
What is the USB input thing for by the way?
And yeah you can't really go wrong with boss pedals, built like tanks and just do what they're labelled to do.
The best I've had is the Neunaber immerse which is immense!
Slightly cheaper but also excellent is the RV6.
I've had a couple of HOF's and alway found them rather disappointing - especially compared to the above.
The Strymon Flint is superb but don't bother if you don't want a trem as well.
The TC HoF 2 is a decent "cooking" digital reverb and does everything pretty well. You don't need to know about Toneprints to get a decent plate, room, hall or spring sound. But if you do take a run through the library that TC provides, there are some very very nice signature reverbs, too - big caverns where the trail develops into a nice shimmering modulation, that sort of thing.
It has the choice of buffered or true bypass, and dry-thru for use in a parallel loop or wet/dry setup. I use mine "true bypass" (it's in a mono loop on a Boss ES-5, so don't need the buffer on) and wet (dry-thru is Edit: ON - I'm not stopping the dry signal, it's coming through, doh!).
I also like the T-Rex valve-driven Room Mate. Sounds good and easy to use. The non-valve Room Mate Jr is decent, too.
And the Boss RV-6.
Is this helping? :-)
However, if you just want basic, simple verb, there's a reason the Holy Grail is on so many pro pedalboards!
And yeah don't need tremolo so Strymon is out the running I feel.
What's that mash feature that the Hall of Fame offers? I hear about it all the time but don't actually know what it is.
Doesn't do well with daisy chained power though...
Don't talk politics and don't throw stones. Your royal highnesses.
Definitely second the Dispatch Master. Again, simple but quality.
I do also like the Hall of Fame (I've got a Trinity which is the same with a couple of different presets). If I listen carefully in isolation I don't like the sound quite as much as the other two but it's so versatile and I like the Toneprint options. Still a good option and I still use it for gigging.
The Strymon stuff is great and very tweakable but these days I prefer single boss size pedals and simple controls, for practical purposes.
On a reverb you might use it to dynamically add extra shimmer. Some reverb Toneprints lets you have a small room reverb when the MASH is unused and turn the room into something cavernous when you add pressure to it.
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
I also have The Dispatch Master. It's superb and, importantly, live, very intuitive to set.
I suggest you don't rule out the Boss ME range of multi-effects (if that format is more convenient for you and brings other things such as phase, flange etc). They are under-estimated, inexpensive when bought used and also intuitive to use.
Hall of Fame has a lot of choices and a sensible price, so strong contender. Flamma and the Dispatch one are the other 2 front runners right now.
And yes I do prefer a smaller pedal size, not one of those massive boxes that takes up about 4 pedal sizes.
I know I'm lying when I say it'll be my last pedal I get, but I can't see myself needing phase or flange. I have most of the other effects like compressor, chorus and delay so reverb will be the last (or will it). But does help to have everything in one unit rather than a host of pedals.