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I have not kept up with recent Fender reworkings of their JM pickups. My money went on Seymour Duncan Antiquity 1 pickups in the white AV65 that I received in an exchange deal with HarrySeven.
The vintage vibrato system can be made to stay in tune and rattle free but this involves setting the neck pitch correctly and, possibly, some investment in StayTrem or Mastery hardware. This done, I find it possible to coax Adrian Belew style stunts from the JM.
I have a Mocha Burst Jazzmaster Ultra. I like it a lot, and have used it a lot since buying it. The relatively flat compound radius Fretboard combined with the Neck shape are just the things that suit me well, plus the variety of sounds from the different Pickup combinations are right up my street. The Tremolo works fine, despite there apparently being problems on other versions of the guitar. I fully accept that I have no experience of other styles of the Jazzmaster, but mine suits me well.
I tried a J Mascis signature in store and was amazed at how good it felt and played. Genuinely felt like a better instrument than the MIM and even the MIJ 'Hybrid II' that I tried. However, the pickups are actually more like P90s so ultimately wasn't what I was looking for tone-wise. As a £500 guitar it genuinely didn't feel too far behind the £1800 American Pro II I tried.
I bit of googling revealed that the general consensus on the 40th anni models are some of the best build quality Squier have ever done, on a par with the J Mascis but a slightly more traditional spec. The satin finish is lovely, has a lovely neck (not too skinny like a lot of Squiers), and the pickups genuinely sound pretty darn good. Was more than £100 cheaper than the J Mascis too, which was nice!
I bought it with the intention of having a good bit of spare budget free for upgrades, but so far the overly floppy trem arm is the only thing that needs sorting in short order. Other than that I think I might just keep it stock!
There are plenty of YouTube vids out there singing its praises, and Chris Buck actually tours with that exact model completely stock...
....not.
I really like the trem, which I believe some people don't because it does feel different to Strats and other units
The body shape is to mind the coolest ever made, and really comfortable.
However I know that there are loads of variants available. I played a Mexican one a number of years ago when I was trying out a pedal, something just felt off to me - later I realised that the wang-system was closer to the bridge than was usual and it was this which was throwing me off. This could be considered an improvement as it increased the angle over the bridge however I didn't like the feel of it
I'm sure that others have some other views, if you have a further idea of what you think you'd like from the guitar I'm sure that others as well and myself will chime in with some suggestions
If you have the cash and the pure Jazzmaster lust, go vintage II or professional II. If you just want to dip your toes and not commit too much, go for a secondhand MIJ. Pick a colour you like and go for it.
I'd love to try the Squiers as well just to see. I played a pink Squier Jag last year and thought it needed a fret polish, it was a fantastic guitar as well as that price point.
But go second hand MIJ. Better colours. Matching headstocks. Mod it without much fear. And you will also likely get your money back if you decide to sell it on.
If anyone can tell me the magic process, do please enlighten…
If the former, I am exceptionally happy with my Ltd Ed MiM Player, with the Pure Vintage 65 pickups. And the In Series switching is a godsend.
I enlisted Wez’s help to recarve and refinish the body and frets, which upgraded it no end. In my experience it will hold its own against many other more expensive variants.
But…it doesn’t have the Rhythm circuit and does have less trad 9.5 radius, MJ frets and blade selector switch. Perfect for me, although others may disagree.
Edit (now at my laptop and able to embed images) @willo - here's a shot of what is one of the best guitars I've ever played/owned.
https://www.thefretboard.co.uk/discussion/253087/2018-fender-american-original-60s-jazzmaster-private-sale#latest
https://www.thefretboard.co.uk/discussion/252776/fs-2018-fender-american-original-60s-jazzmaster#latest
JMs are their own thing but very easy to live with despite what some would say if set up correctly.
Btw - AViis going for £1699 at GAK and Andertons currently - I couldn't resist. Mine is made Oct 22 and has a 'smaller' headstock, so not a new batch, but flawless fit and finish none the less. Best guitar I've ever owned and easily the best JM I've played including 10+ vintage ones I tested while in NYC. An improvement on the quality of my AV65 Jag.
ALL THAT SAID, if I were dipping my toe and wanted to go new, I'd be after a Vintera 60s JM. Will have all the good and bad points of a vintage type, with some mod cons like 9.5 radius. Once you've tried something 'vintage correct ish' you can decide which are the parts you like or don't and change them or eventually upgrade to one of the USA models. Plus ice blue metallic with a matching headstock gives a flavour of another part of the offset appeal - snazzy custom colours! Have seen good things about the top end Squiers too tbf.
Both seem to be fairly authentic to the oddities of JMs, and that's what I'm going for.
The Squier feels interesting - price is great, it's a proper player's guitar, and a maple board is something I don't have. The AVii on the other hand - something a bit special and I'm a sucker for a nitro finish.
Will have a think. But I will say how confusing the overall Fender JM line up is at the moment!