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Based on what you’ve said, I would replace the V30 with a Heritage G12H-30 55Hz - it’s a lot more open-sounding, less stiff and with clearer mids and more top-end sparkle.
This is a known great combination with the Greenback. If that doesn’t give you the right result but is a step in the right direction - I’m certain it will be - replace the Greenback with another Heritage.
The guitarist in my band has just been on exactly this journey and ended up there - he’s finally happy .
The difference between series and parallel is noticeable but fairly subtle compared to differences in the speakers. Personally, I would go with whichever makes swapping the speakers you have easier - if it’s two 16s in parallel, keep it like that.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I'm still also considering the Creambacks ....what difference will I notice if I do use them ?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
(b) I don't think I ever got as far as mixing brands... I probably thought it was a bad idea because of what you said!
I think most everything else has been answered, plus like you, I don't have that much experience (I haven't got as far as trying creambacks or EVs)- but like @ICBM says, I think you're bang-on. I wouldn't say mixing speakers is that complicated, there are a few well-known combos that work which are the usual place to start if you're new to it (Greenback + G12H30, V30 + G12T75 etc.)- but if you don't want to that's ok too.
I wonder if the Vox combo sounded more 3D and like it filled the room because it was probably open-backed?
I'm not sure about the series-parallel thing. The only time I've been able to compare it it also changed the impedance which also could be affecting the tone.
Not crushingly loud, rehearsal volume possibly. But when you do go to crushingly.loud you will be very pleased with how well it stands up. I have one abiding memory of how well the speaker cab worked, playing through a Suhr Riot into a loud clean amp, DrZ EZG, just breaking up, playing 'Slither'. Trouser flapping territory, absolutely wonderful.
However even at lower volumes it's a great speaker.
There can be some really surprising combinations that work - the most obvious is the V30 and G12T-75... logic would say that the V30 is much more sensitive and much middier, so it should totally dominate the mix and at best you may hear the buzzy top-end of the 75 - ie the worst of both worlds. But that's not what happens - somehow the 75 seems to suck out the overly shouty mid peak of the V30, add looser bottom end and sparkle at the top... and even more remarkably, it sounds quite balanced for volume. It works best as an 'x-pattern' in a 4x12" though, not so much side-by-side in a 2x12".
Try replacing one with an Eminence Li'l Texas neo - that's one of the exceptions to my preference for Celestions for guitar, it's a fantastic speaker. (In fact better than the Celestion I replaced with it.) I have a Neo Creamback too, but currently no simple way of testing them together properly, as the Creamback is 16-ohm and the Texas 8-ohm.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson