Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused). Livin on a Prayer & Beat It - how close to originals? - Live Discussions on The Fretboard
UNPLANNED DOWNTIME: 12th Oct 23:45

Livin on a Prayer & Beat It - how close to originals?

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  • stickyfiddlestickyfiddle Frets: 24852
    @Vasselmeyer Ta - I'll look into the HX Stomp's talk box options. Not super keen to add that plus an exp to my gigging board though - I'm meant to be the bassist! 
    The Assumptions - UAE party band for all your rock & soul desires
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  • DefaultMDefaultM Frets: 6724
    Honestly for the setlist I'm looking at (max 25 mins for this gig at least) we'm actually looking at going to D standard for the last 3 songs, and capo up as required for the opening numbers. May be worth a try, but just getting some songs agreed in the first place is the main priority for now
    Well, just for the opposite perspective...if you do play Beat It, then my experience is that the only thing most audiences are listening for is a suitably high-energy solo. It doesn't have to be right (as noted earlier, and even if you have a few guitarists in the crowd they probably won't spot it if you have a few simplifications), but you also can't fuck it up either.

    Basically, if you can't find something to play that isn't on the very edge of your ability to get it right and still fits...you'll save yourself a lot of nerves if you just choose another song for now. As it was, I was sweating bullets when we played it (and mostly hid behind the PA column, just in case).
    The story is that EVH played the solo and asked Michael Jackson what he thought of it and he said 'I love the high bits.' Years later EVH met Slash and asked him what he thought of working with MJ and  he replied 'well Michael said he loved the high bits.' 

    So, needs high bits.

    There's a bit in This Is It where he's telling Orianthi he wants to hear her highest note as well.
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  • EricTheWearyEricTheWeary Frets: 15603
    DefaultM said:
    Honestly for the setlist I'm looking at (max 25 mins for this gig at least) we'm actually looking at going to D standard for the last 3 songs, and capo up as required for the opening numbers. May be worth a try, but just getting some songs agreed in the first place is the main priority for now
    Well, just for the opposite perspective...if you do play Beat It, then my experience is that the only thing most audiences are listening for is a suitably high-energy solo. It doesn't have to be right (as noted earlier, and even if you have a few guitarists in the crowd they probably won't spot it if you have a few simplifications), but you also can't fuck it up either.

    Basically, if you can't find something to play that isn't on the very edge of your ability to get it right and still fits...you'll save yourself a lot of nerves if you just choose another song for now. As it was, I was sweating bullets when we played it (and mostly hid behind the PA column, just in case).
    The story is that EVH played the solo and asked Michael Jackson what he thought of it and he said 'I love the high bits.' Years later EVH met Slash and asked him what he thought of working with MJ and  he replied 'well Michael said he loved the high bits.' 

    So, needs high bits.

    There's a bit in This Is It where he's telling Orianthi he wants to hear her highest note as well.
    There’s a reasonable chance I might have Orianthi mixed up with Slash although I didn’t think so. But either way just very high notes seem to be all that’s required. 
    I’ll handle this Violet, you take your three hour break. 
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  • digitalscreamdigitalscream Frets: 25239
    There’s a reasonable chance I might have Orianthi mixed up with Slash although I didn’t think so. But either way just very high notes seem to be all that’s required. 

    <space for hire>
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  • ICBMICBM Frets: 69426

    I still remember one gig where the band leader announced: "...and now with the Eddie Van Halen solo...".
    Then the brass section parted and turned around to look at me. And there's this guy in the audience who ran to the front of the stage, folded his arms, and stared at me
    At that point you just play a completely different solo with as much tapping as you can possibly fit into it ;).

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

    "Just because I don't care, doesn't mean I don't understand." - Homer Simpson

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  • vizviz Frets: 10211
    Here’s an old one of us doing LOAP - not as good as Danny’s!

    https://youtu.be/oM4oBOupnZs?feature=shared
    Paul_C said: People never read the signature bit.
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  • stickyfiddlestickyfiddle Frets: 24852
    @viz nicely done! 
    The Assumptions - UAE party band for all your rock & soul desires
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  • PolarityManPolarityMan Frets: 7159
    You could sample it?
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  • stickyfiddlestickyfiddle Frets: 24852
    You could sample it?
    Yeah but that’s cheating. 

    Our other guitarist suggested using samples for something not particularly the other day and I almost fired him on the spot..! 
    The Assumptions - UAE party band for all your rock & soul desires
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  • SporkySporky Frets: 23802
    I wouldn't know if you got either right or not. I very much doubt most of the audience would either.

    And anyone who could remember if note-for-note will object that your guitar strap is the wtong length even if you nail it. 
    "[Sporky] brings a certain vibe and dignity to the forum."
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  • vizviz Frets: 10211
    edited September 2023
    Played LOAP this weekend, drummer left a beat out before the solo which put me off, and it’s a bit messy - so NOT close to the original!! But good fun :)

    https://youtu.be/j_UTjg25ddo?feature=shared
    Paul_C said: People never read the signature bit.
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  • Good work sir. Give your drummer a hard stare from me!
    The Assumptions - UAE party band for all your rock & soul desires
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