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Much easier to use different pedals.
Sounds good enough to the audience.
I have - the Mesa Trem-o-verb. But most people wouldn’t be completely happy, because both channels sound like a Trem-o-verb and not like a Fender and a Marshall.
Actually the Peavey Transtube Bandit/Studio Pro does it as well, maybe even better.
Exactly - I only use amp distortion for crunch, I always prefer to add a pedal for lead - it’s more edgy and cuts through better. I never use the pedal to push the amp harder, I set it to give an alternative crunch sound into the clean channel, then the same pedal into the drive channel gives the solo sound.
The only valve amps I’ve ever been able to get a usable solo sound out of without a pedal are Mesa/Boogies with the graphic EQ on the lead sound... which is kind-of with a pedal, if you think about it (the GEQ circuit is solid-state).
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I think amp-like just means avoiding the extremes of EQ lopping-off that many pedals rely on for their effect.
A Rat shedding low end, a TS shedding top and bottom - not "amp like" for the most part, but brilliant for what they can do. Just different.
I prefer stacking pedals and amp drive to just one or the other. Much more aggressive and bite.
I went through about 20-something of them before just getting a Marshall. In a box. No pedal sounds anything like it.
But a Marshall with a boost or a fuzz is *chef's kiss*
Been uploading old tracks I recorded ages ago and hopefully some new noodles here.
My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie
But instead of channel switching I’d be happy just to have 2 amps and A/B them to taste.
• Youtube - https://www.youtube.com/@Goldeneraguitars
The Marshall GV-2 Guv'nor Plus.
The key is the 'Deep' control - which uses a completely different, extra part of the circuit than the gain and standard EQ section - and acts more like a "4x12 simulator" than a normal tone control.
The original Guv'nor is more like an extra channel into a Marshall-type amp.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
There was a thread about “feel” recently. I didn’t get the feel argument until I tried the SPM. The sound wasn’t wildly different from my Timmy, but the responsiveness and feel was. It felt like I had more control over my tone without having to touch the (pedal) knobs.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Or am I completely wrong?
I think I've heard that before. That being said, in the manual on the ZVex website, it says, "The Box of Rock™ is Z.Vex Effect’s first “distortion” pedal, highly specialized to simulate the “everything on 10” sound of a classic Marshall® JTM45 non-master-volume amplifier.You may use the Box of Rock™ effectively with many different amplifiers."
I mean... I think they could be a bit clearer. ("They" being everyone who makes pedals, not just ZVex.)
Last night at rehearsal I used by Bugera BC30 for the first time in years. I've got some nice drives on my pedal board but the drive in that amp really put a smile my face .... there's something about amp drive in a valve amp that's just so good.
Shame it's actually too heavy to ever gig, I might convert it into a head.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
The success of "amp in a box" pedals is quite dependent on the amp you plug it into though. It's all about the interaction of the gain stages (and where/how you EQ in that chain). If you have something like an early octal-pre-amped tweed/valco style amp - it kind of doesn't matter what drive pedal you run into it, you'll get that wild octal character because it can't cope. Hence the whole "pedal platform" styled amps.
Also worth keeping in mind most "amp in a box" style pedals are just that - a pedal styled circuit. It's rare to find one that's truly a pre-amp, hence why they tend to sound a bit crappy into a flat response power-amp/speaker. Something like a Kingsley or an Ethos (which are more pre-amps that can be used as pedals) can be used in this sort of situation.
I'd also add: I've yet to find a channel switching amp that I've actually liked, I understand the promise but to me shaping with a dirt pedal is much better.
Fender Twin and a DS1 does work for metal however
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Maybe I'm being a bit unfair, but I'm basically making the point that most amp-in-a-box pedal manufacturers seem to advertise their pedals as being suitable for where the guitar sound is the main focus, when they're arguably more suitable for the cover band thing. At least if the amp being used is completely different from the amp the pedal is trying to emulate.
I don’t know the original source for that article, but it sounds like that to me - there’s a hardness to it that you don’t get if you overdrive a JTM45.
Elsewhere you can find that his cab had EVs not Greenbacks too - that also makes sense, a lot of pro musicians were doing that at the time (Clapton, Knopfler for two)... their roadies must have hated them .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Clean in this instance is probably up at 5, which is absolutely Not an 80's jazz chorus "clean"
The clean channel with a DS1 is right on the money though.
So there I go, contradicting myself. Or maybe I've just learned from the wise people of this forum :-)