UNPLANNED DOWNTIME: 12th Oct 23:45
Bass thoughts... interesting pickups? Guild, Thunderbird etc
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Situation: I have a homemade P bass that's super-traditional early 60s style - regular Lollar pickup, fat neck, sunburst etc. I also have a CS Jazz Bass care of
@Bridgehouse that's a great instrument but doesn't quite suit me compared to the P. I am also still convinced that a second bass would be a good idea, and I like the idea of a white P bass with a mid-width neck, just because they look great and also because the perfect neck already popped up on Warmoth and it arrived yesterday.
I'm well aware I like classic sounds - think Beatles, Motown, classic rock, etc, but like the idea of not having both basses sound exactly the same and definitey want one to be a #1 do-everything (within reason) gigging bass.
So I'm thinking about building a white one as the perfect all-rounder Precision with the narrower neck and a nice light ash body from somewhere, plus the Lollar from the sunburst. Then put a more interesting pickup in the sunburst...
I note Novak does a Guild/Hagstrom style pickup that could be ace. Has anyone ever played anything with this sort of thing in a solidbody format can chime in?
https://www.curtisnovak.com/shop/bs-ds/ ;
Or something Thunderbirdy...?
So far I'm counting out Ric style on the assumption I'll probably end up with a 4003 eventually anyway...
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This body is mahogany, routed for a screw-on Fender type neck, EMG35-sized soapbar pickups and rear controls. It is drilled for a top-loading F-style bridge.
On the pickup front, I was undecided between EMG35s, Duncan NYC Soapbars or the Fishman Mike Inez signature pickup. (I have one EMG35-J and a neck/bridge pair of NYCs.)
If there is any interest, I shall take some photographs.
To my way of thinking, you will always need a traditional P Bass, even down to its wider string spacing at the nut. That formula is dependable for certain music so, leave the instrument as is.
Put all of the non-traditional ideas into your project bass.
On a PJ Bass body, consider a naughty Oil City Overkill for the bridge/LJ position.
The extra neck pickup option is a good call, and was originally what I was thinking in terms of an extra pickup - that's where the Guild thing came in, though I do wonder if anything in that spot might be too muddy without something much more bridge-focused, but I don't like bridge pickups that much, so I go round in circles. Doesn't help we have bugger all good music shops out here.
bigger lol...
I'm already a P bass guy and that's plenty complicated...!!
Or just fit a Mudbucker .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
https://www.youtube.com/watch?v=X5YCUJtwxZs
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
In any case I'd ruled it out as I figure I may end up with a Stingray down the line anyway but will do a google
The passive dual coil pickup works without a buffered onboard pre-amp but it is unlikely to sound as good.
Some users swear that the earlier 2-band EQ sounds better than the 3-band. When confronted with a 3-band EQ, Tony Levin rolls the mid pot down and the other two up.
The double J pickup on some Warwick basses sounds good. The active version should be okay with just a treble roll off pot.
No, really. It sounds like a P, obviously, but with a second pickup you can do a lot more. I recently picked up one of these FGN basses in this configuration, and its much nicer (to me) than doing something like PJ - all of the sounds are way more usable.
Passive, versatile, little bit different, but still covers the classic tones. Any other boxes you need ticked? :-D
Deviate much from the traditional location and the pickup doesn't sound anything like as good. On many converted Jazz Basses, the P pickup rout is the original cavity, extended towards the neck. This looks good on the pickguard but sounds weak. The Fender Reggie Hamilton model Jazz Bass had the P pickup in the right place. It looked wrong but sounded exactly right.
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Actually, since the pickups in the video are Duncan Quarter Pound models, they probably sound bad wherever they are installed.
Bandcamp
https://youtu.be/JcxqY0aDwN0
And of course there’s this guy… doesn’t even have a tone knob. Joe Dart is definitely taking the Rocco approach to bass lines.
Bass into a compressor and then amp. Using EB Group Flatwounds.
One of my favourite thumpy but articulate sounds ever.
https://www.youtube.com/watch?v=rv4wf7bzfFE&t=259s
And some little demo vids but without his usual amps.
https://youtu.be/9eOF7t4HgjE
https://youtu.be/LQP24rRDxrQ
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
But VP always come across as the most "rich white guys who went to art college on daddy's money and their entire existence is post-ironic smugness" thing in the world. I'm certain it's intentional as they seem like decent guys (LOVE Wong's podcast in particular) but I can't deal with it!
Good bass sounds though...
I realise he's the force behind it, but I can't help thinking that they'd be better without Jack Stratton. All that slogan related bullshit "End govt subsidies for active basses" etc.
And as for him bringing his mum along to do some meditation mid gig...
Maybe they should just tape his mouth shut and let him play. He's a good player afterall!
The newer gigs have been better for that - more singers and less Stratton.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator