UNPLANNED DOWNTIME: 12th Oct 23:45
Downsizing amp from Fender TM Twin Reverb to....?
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So I gave up gigging at the end of last year and was using a TM Twin Reverb, which I do love, but am at a point now where I don't need anything this big, and could do with freeing up some space, and cash. Ideally, I'd probably move to the TM Deluxe Reverb but I don't think that would free up much money in the grand scheme of things, so looking at potential other options.
I know the Blues Junior gets a bit of a bad rep, but there are a number of special editions - some are just cosmetic and some have different speakers I believe. Are any better than others or are they all much of a muchness?
What other options should I look at? As I'm not in a band, I like messing around with sounds and hope to build a bit of an ambient-style pedalboard over the coming months, but also into idie-pop type stuff (think Sam Fender, Coldplay (sorry!). I don't think I'll be gigging again any time soon (until my sisters wedding but that's not until June '24!) so don't need anything particularly powerful.
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You could gig with any of these amps and they are all smaller than a twin and only cost a few hundred quid.
They are really quite expensive now though, so might not save you much money.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Feedback : https://www.thefretboard.co.uk/discussion/58125/
Paid about £100 for mine.
You should be able to pick one up for less than £200, I bought a ltd. oxblood version with a G10M greenback last year.
The Deluxe Plus 112 is nice, loud, but Fendery. Last time I looked one went for £51 on eBay, with the original 4 ohm blue stickered Fender speaker included. Good luck with your search.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
• foot switchable boost, with an adjustment from light clean boost through to pretty snarly overdrive
• effects loop
• separate 1w input for getting cranked valve tones at neighbour-friendly volumes
It's also cheaper too, which is a plus!
Gets rave reviews:
https://www.musicradar.com/reviews/laney-cub-super12
https://www.guitarworld.com/reviews/laney-cub-super12-review
I honestly think it would be way better for building an ambient pedalboard than a 15w valve amp would be.
I held off saying this because I sound like a stuck record a lot, but I agree . Or actually, I think the Studio Pro would do the job just as well and is smaller and even cheaper (although is now rarer).
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
They're all good clean platforms really, but the current 2018-up version has some useful extra features and sounds great, so there's no need to hold out for rarer, more "desirable" models.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
All the better to hype the Bandit's capabilities!
In general I feel that second hand, older analog SS amps are where the true bargains are. For the price of a new Tone Master you could buy several different ones and test them, then sell the ones you don't like.