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Or the amp itself?
"I'm so happy with the thing I already have, that I'm thinking of changing it..."
If you're really happy with what you have why get something else?
But seriously, a Badcat is the closest you can get and pretty cheaply sometimes too.
Had an AC30, replaced it with a Matchless DC30 to find the ultimate Vox AC30 tone. That turned into several other Vox-like amps including another Matchless and a few Cornells.
Many thousands of £ later, it turns out the ultimate Vox AC30 sound is a Vox AC30.
The Matchless sound to be is much harder, more dynamic and less forgiving than an AC30. A lot to do with the massive filtering, the mismatched output transformer and the choice of speakers. I think the only other company that does this is Bad Cat.
A Bad Cat Black Cat 30 (non reverb) is the same amp as a Matchless DC30 and usually goes for considerably less on the used market. Still not a cheap amp though. You'd be looking at £1500+ minimum.
Live they have to be heard to be believed.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I've got an 01 black cat 02 lightning and a Morgan and all sound similar. For not gigging you need pedals which I'm not listing as that's another rabbit hole.
The AC30cc series have a 1x12 model. I got one of those, modded it to run on 2x el84s, put nicer transformers (still rated for ac30 power levels) magical mojo caps and resistors in key areas and left everything else the same. To my mind, that's basically into the matchless camp - oversize transformers and ghosts haunting the coupling caps. I usually compensate for the impedance mismatch that results from pulling half the power valves, but discovered that the impedance mismatch sounds glorious (thought the 1972 celestion silver alnico that produced it might have something to do with it)
The total cost of amp and upgrade parts, excluding the old speaker, was about £650, but obviously does require soldering/ circuit knowledge.
Bandcamp
Spotify, Apple et al
They keep coming up at tempting prices, are they anywhere close to a Matchless?
The advantage of the Genz for me is that it is Vox at heart but is really versatile and with a few tweaks of the voice knob and the EQ you can get all sorts of fender and plexi tones from it too.
There's also a V35 Copper with cab not too far away.
Might see if I can sell any bits I'm not using.
There's a directness and response in the matchless/early bad cat design that's in few others. Some people don't like it but if one is using an emulation it's worth trying the real thing even if to rule it out.
The ability to jumper the two channels on the originals is a huge bonus too. Absolutely glorious amps.
The original Bad Cats go for about half the price of the Matchless used, incidentally, despite being basically the same amp. They're rarer than hen's teeth though. Especially the non-reverb version, which I think is the best version.
PA Hire and Event Management
it was brittle,ice-pick sharp and very hard and unforgiving .
It was also painfully loud and killed my bandmates 50w Marshall.
Brutal thing.
That's kinda the Matchless sound. With my Lightning I 'corrected' the impedance mismatch which helped.more than I'd expect it to. If it had a Vox cut control, I'd probably still have it.