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The only negative that I've read is that the special shimming system for the bolt-on neck is not a thing that your local luthier can do. It needs a Martin dealer, and (supposedly) one that has been trained in the specific details.
I'm open to other acoustic suggestions to be fair, up the the 2k range but this Martin did catch my eye.
Modmins, could you please move this to the acoustic section? Thank you
It also looks much less odd when you see it in the room held in the playing position, than it does vertical against a plain background in most of the catalogue/dealer pics.
(You can move the thread to the acoustic section yourself if you click on the little wheel symbol at the top right and select edit.)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I plan to do a lot of recording with it but I think it may be a balance between mic'd up and plugged in to see which sounds better to suit what I'm outputting
It does possess that natural Martin sound too. I'm not really too bothered about dread loudness but I can imagine you are correct with it being quite short of the output of one of those!
And here is the key point. They are way over priced. £1500-£1700 for a plywood guitar? On what planet is that reasonable?
Browsing Guitar Guitar just now, for the same money or less you can buy a Furch Blue (various models), Furch Green (several models), Taylor 314ce, Martin 000-15M or 00-15M or D-15M, Maton SRS-60C or Performer, Cole Clark FL1, FL 2, Angel 1, and Angel 2. Also, a used Avalon A12, used Maestro Traditional OM, ex-demo Taylor American Dream, used Lakewood, two different used Larrivvees.
All of those just mentioned are high-quality instruments in all solid wood (which the Martin is not), made in First World high-wage countries (which the Martin is not).
You can do better for the same money. Much better.
I'm a huge fan of Queensland Maple back and sides. QM doesn't have the lovely and obvious in-your-face distinctive trademark tone of something like rosewood or Blackwood; instead it simply provides a well-rounded, all-purpose sound which you can do as you like with. It is, in a word, biddable. It doesn't say "I sound like this, do you like me?" it says "what sort of sound do you want today?"
BTW, in my previous comment I neglected to say that I applaud Martin's work with the SC-13. It is really good to see them thinking outside the box and actually doing something they were not doing in 1935. Time moves on, technology advances, and good on Martin for recognising that.
But I wouldn't buy one, they are way too dear.
The model in question is built at their Mexico factory.....
I have to say I'd want all solid if I was spending £1,700.
is way too much for laminate back and sides.
you look at the used market.
If it sounds better from across the room than a D-18, which is overpriced?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
And unless I seriously miss my guess, those all-solid, no-corners-cut guitars from the likes of Furch, Maton, and Taylor will eat it alive.
(I haven't played one, but I've played other "cheap" Martins and come away very unimpressed.)
PS: Of the American majors, the only one which has the knack of making "cheap" guitars (actually still expensive for what they are, but cheaper than the mainstream models) is Taylor.
But ISTR that the same body style is now available in a high-end US-built all-solid version, too. If so, perhaps it will start to filter up and down the range?
(And I see that the one in Classifieds has sold.)
Aren’t they a lot more expensive? The point is that I don’t think it’s overpriced at what it is, which is not a high-end price these days, even though I’ve also heard better guitars which cost a lot more.
Are we sure it’s to cut costs, or is it possible it’s actually a deliberate design choice with this style of body?
I don’t know, but I do know that guitar sounds great, and I wouldn’t even have guessed it was laminate.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
"We’ve started using fine veneer woods for the Road Series, and that does make them roadworthy, because you don’t have to worry about the wood cracking and moving around as much.
We’re also able to offer better aesthetics - such as more figuring and flame in the grain with fine veneer woods, such as the koa in this instance - at a much lower price point than we could with solid back and sides."
But I'll definitely try one as soon as I can. It's the sound that matters.
1700 does seem steep but used prices still seem a bit soft for these so they’re probably a great used buy.
When they came out in 2019 I really admired Martin for expanding the envelope of guitar design even further. It's commercially very brave to go out on a limb with such a radical design and good luck to them because they seem to have sold a lot. Unlike violins, when you're making a guitar you can change many parameters and still end up with something called a guitar! Martin were very adventurous with the SC13E and that's good.
And yes Martin's generally are very expensiveville, but £1.7K no longer seems that expensive for an instrument from a top maker. It's certainly not expensive for a Martin.
I don't go a bundle on that solid/laminate top contoversy either. If a guitar suits your tonal requirements who cares.
Apart from @ICBM whose mate has got one, we haven't heard from anyone on this thread who owns one as yet. It would be great to get some owner feedback.
Interesting read.
As far as laminate guitars, I steered away from them till this came to be. The veneers (3 layers) are done with quality wood. Not a cheap fill layer of wood from the birch or poplar species, which is usually the product from a young soft tree. That change alone makes a big difference. Not to mention there is not excessive glue in those veneers of the Martin like you see in much cheaper laminate guitars. The excessive glue is often the reason for laminate guitars sounding so flat.
This thing sings. I have let some folks play it. Those that new it was laminate were extremely surprised. The others could not believe it was a laminate, especially with the quality of the Koa.
I have two minor nags, which both are dismissive, One, the neck is great with the changing carve, but it is a slight to thin in the first few positions when I quickly sweep up the neck. It is getting better, just takes some getting used to. A ever so slightly thicker neck in the first five positions would be beneficial. Just my take. The other is the pickguard. I do not know if Martin was trying to cling to the purist nature of some of their customer base or history or what. The pickguard would look better if it was plain white, or better yet, none at all. I quickly remove mine. My two cents.
I mat change the electronics later on. After learning the uniqueness of the Fishman that is n it, I have learned to live with it, it is not bad.
Unplugged, it holds it's own with a 814ce or 000-28. Take care.
There's a 314ce Taylor on GG pre-owned and a Maton EBG808 Michael Fix for the same price, I must admit they've caught my eye too. Even the Gibson SJ-200 studio in the classifieds has me tempted. Though then I'd never find out about the Martin SC lol
Also found a ex demo Taylor 414ce for £2k but that's a bit over budget
£1099 Furch Blue dred spruce & walnut
£1099 Furch Blue cedar & Khaya
£1149 Furch Blue spruce & walnut
£1299 (used) Lakewood spruce & Ovangkol
£1299 (used) Larrivee spruce & rosewood
£1299 (used) Larrivee spruce & Sapele
£1299 Cole Clark FL1 Bunya & Queensland Maple
£1299 Taylor American Dream mahogany & Sapele
£1399 Furch Green dred spruce & Khaya
£1399 ditto in an OM
£1399 Cole Clark Humbucker model in all Blackwood (bargain! - these usually cost a lot more)
£1399 Maton SRS-60C spruce & Queensland Maple
£1399 (used) Taylor 314ce spruce & Sapele
£1449 Taylor American Dream spruce & Sapele
£1499 (used) Maestro Red Spruce & mahogany
£1499 Taylor GTe spruce & ash
£1499 Taylor GTe spruce & ash
£1499 (used) Avalon A12 spruce & rosewood
£1499 Cole Clark Humbucker modelBunya & Blackwood
£1499 Cole Clark FL1 all Silky Oak
£1499 Cole Clark Angel 1 all Silky Oak
£1499 Taylor GTe all mahogany
£1539 Maton Performer Bunya & Queensland Maple
£1599 Furch Green dred spruce & rosewood
£1599 Furch Green spruce & rosewood
£1599 Cole Clark FL2 Bunya & Blackwood
£1599 Cole Clark Angel 2 Bunya & Blackwood
£1599 Martin D-15M Sipo
£1599 Martin 00-15M Sipo
£1599 Martin 000-15M Sipo
£1599 Taylor GTe spruce & walnut
£1599 Taylor American Dream 17e spruce & walnut
£1699 Furch Green spruce & rosewood
£1699 Martin D-15M Sipo
£1699 Martin 000-15M Sipo
That's close to 30 good quality, all-solid guitars from quality makers, not counting used ones (some nice guitars there!) and not counting anything made in China.
(Except the used Maestro which I included only for the sake of interest. Maestro are regarded as the real deal, apparently making very good quality instruments which they try really, really hard to pretend are made in Singapore - but which are actually made in China.)
Obviously, I'm going to have to try an SC-13 for myself next time I have the opportunity. (Your report intrigues me. Paul Davids also thinks well of them.) But I have never yet played a laminate guitar which could hold a candle to a good solid one. Taylor have a pretty good crack at it, and one's initial impression of some of their 2 and 3 Series models is very positive, but the early gloss soon fades and they sound very samey after the first few minutes. That wonderful subtlety and variety of tone a good acoustic guitar offers is not there.
I'd actually consider getting one but yeowch, crazy price and it's not even wood binding.
My YouTube Channel
There's an almost new Maton EBG808 Nashville for £1900 that I dare say you could negotiate on.
https://www.facebook.com/marketplace/item/831204827940780/
You know my girlfriend's advice? Just play the guitars I've got for now (of which I have the new parlour and Bhilwara!) and she's probably right. Dunno when this turned from playing acoustics to buying acoustics! Think I will stick to the occasional shop trip and only snag anything if I like it in person at the time.
Sorry to derail
My YouTube Channel
Edit: which also means my reference to the Maton in Scotland is total nonsense as the Op is in Liverpool.
Martin's marketing team think differently.
Sniff deeply. Is that the old familiar scent of Snake Oil...?
Not just any laminate, Martin laminate.......