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1. Told to pick a song of the bands to learn from BandCamp. Learnt one of the two they had on their account. Got to the audition and when asked what I wanted to play, named the song. The response "we don't play that any more. Let's play XXXX" which was not even the other song on BandCamp.
2. Advert said 'casual garage rock band, not serious, play covers, etc.' They turn out to be a group of jazzers who are clearly looking for another free associating jazz mind to play, well, funnily enough, jazz. I did wonder whether I had gone to the wrong audition at one point. The hand made jazz guitars were also a give away (they were stunning though).
3. Being offered a 15 minute slot to audition in. Apparently they were seeing eight bass players that evening.
4. Walk in and start setting up, within two minutes the drummer and the guitarist are arguing over I can not remember what. Snipping between the two went on for the whole audition.
5. Greeted by the lead singer who was slurring and subsequently went through a fourpack of beer in the hour I was there.
1. Are they a band, or just a bunch of individuals playing in the same room?
2. Is one of them a control freak?
3. Do I like them enough to spend time with them?
4. Are they open to learning new material/arrangements?
On the other hand I am allowed up to and over 13 pedals
I can’t remember the song but there was a slight but very polite difference of opinion from me as to the identity one of the chords and rather than simply naming the chord he heard he went through the notes and intervals in the chord instead whilst stroking his chin and looking gobsmacked that I couldn’t break it down like that.
I made my excuses and that was that
’
Practical I suppose, but seemed a bit weird. There were other reasons it didn't happen but it's probably just as well.
It was only afterwards that the singer told me she’d spent the previous 15mins arguing with the control-freq guitarist, her work colleague, who had refused to accommodate her needs. We did the one arranged gig and I bid them adieu.
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I think we all make assumptions when we meet musicians in an audition for the first time.
If I see Neil Peart style drum kits I'm going to assume all the bells and whistles stuff is going to be used.
Speaking of which there's a fantastic bit in the Dave Grohl Storyteller book where he says he used to be a "busy" youngster drummer playing fills everywhere... until one time the bass player got him high and got him to play a basic steady groove for 30 minutes. Grohl describes it as taming a wild horse. He never did it again - and says some players NEVER learn this..
As regards bass players - if I see a Precision style 4 string on a stand I'm assuming the bottom end is going to be covered competently. If there's a mic stand in front of him, that generally cuts out all the early-Flea style lead bass / slap antics.
Red flag is an understatement of what could have laid in wait!
I did source a singing bass player though.
is it crazy how saying sentences backwards creates backwards sentences saying how crazy it is?
I was also guilty of that at the last fretboard jam; taking two guitars, a bass and guitar in drop D. But then only using one guitar and a bass.
At least @roberty appeared to use all of his, and seemed to have a different guitar or bass for every song
If I see a big kit, the red flag for me is that all of it is used all the time. What you want is a drummer that lay down an excellent groove and use those extra parts both sparingly and with some skill.
Same goes for a guitarist. If you're swapping guitars every song and you use every pedal at all times then you need sectioning. I'd be expecting a plain clean or dirty tone 90% of the time.
Any more than that its basically just demoing kit rather than playing songs.
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Edit - auditions that are (and I quote) ‘open to all ages and abilities’ - nothing quite says ‘desperation’ like those six words.
There were lots of red flags at that one - I learned the six songs in advance of it but the frontman played harmonica the whole time he wasn't singing, the trumpeter (oh joy!) played incessantly too and the lead guitarist didn't know any of the songs, he just wanked over the whole lot, vocals included.
The drummer and bassist were ok, but it was like trying to put together a subtle, dynamic rhythm section while three different car alarms were going off.
I saw from the group chat they forgot to remove me from that the drummer and bassist both left within a fortnight.
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4 toms is ok though. Loads of kits have 3 anyway.
Generally I’m not bothered by gear of other players as they don’t get a say in my gear.
Most drummers quickly learn to cut down the gear when nobody else will help them carry their kit.
But when I play with the right drummer and we understand each other… damn! That’s just so enjoyable.
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I always politely suffered all the way to the end of the three hour session...even though I got the measure of the situation before a note had even been played ;-/
Has anyone ever calmly packed up and fucked off halfway through?
Other red flags - no so much. I'm quite easy-going, so issues are most likely to only become obvious after a while. The other way round is more likely! And has been a couple of times, both due to my complete refusal to learn parts *exactly* like either the record or my predecessor... that's just not how I approach music.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
On reflection about my ‘red flags’ I stick to the volume thing but although the large drum kit could have some practical drawbacks for the band as a whole, it’s probably a bit control-freaky of me to disapprove of it - I don’t even play drums so what do I know?