These notes chart my exciting voyages to the remote borders of the World Wide Interwebby Thing. I am intent on seeking out as many different types of string as possible, armed only with an overstretched credit card, a post office box, and a small collection of acoustic guitars. One by one I try them out and write down what I think of them.
"* -----" at the start of an entry indicates strings I have here on hand or at least on order but have not tried yet.
** Sets I particularly like are marked with two stars.
The main price is in Australian dollars rounded to the nearest 50c including taxes and postage. I typically order 6 or 8 sets at a time, mostly from the USA but sometimes from Australia, Europe, or the UK. The sterling price is approximate as exchange rates vary and UK buyers pay less for postage but twice as much tax. It should at least give a rough idea..
Some comment categories are relative. "Tension: medium" generally means "medium for this type of string". A "medium" tension round-core string might have about the same tension as a "low tension" hex core string. In a perfect world I'd measure tension and report in kilograms. Maybe one day I'll look up manufacturer's figures for as many sets as possible and add them in.
The same applies to "Longevity". I expect coated strings to last twice as long as uncoated strings, give or take. A "long-lasting" uncoated string might be one which lasts almost as long as an "average" coated string. I did think of just saying how long each set actually lasted, but this wouldn't work - depending on which guitars I feel like playing, "six weeks before replacement" might be six weeks of intensive play, or six weeks mostly sitting in the case. Sometimes I leave a set on rather past its use-by; sometimes I take them off early. And of course, every player has different technique and different skin chemistry. On balance, it's probably best just to say something like "Longevity: medium."
"Sound", "Squeal", and "Feel" are of course entirely subjective. Make of them what you will. I generally dislike the sound of just-on strings and try not to draw any firm conclusions about a set until it has settled in; sometimes that takes an hour, sometimes more than a week, but mostly a day or two. I don't have a "standard reference set" to compare all others to but I do have a number of familiar favourites which serve that purpose, and because I have several guitars but restring only one at a time, differences between strings tend to be fairly obvious and reasonably consistent.
I play fingerstyle, mixing nails and flesh for the fingers but flesh only on the thumb, where I have a callus in lieu of a thumbpick. Some of the strings I like will sound awful with a pick, and vice-versa. I rely on a bit of friction between my thumb and the windings of the E and A strings to get a useful bass sound and tend to mark down strings which are too smooth-surfaced to get a good loud note out of that way. (Curiously, flats work for me, which seems counter-intuitive.)
String gauges are a moveable feast. In theory, the quoted gauge is the measurement of a string's diameter. In practice, the measurement is nominal and seldom exact, and is usually quoted using numbers which are neither metric not imperial measurements. A typical accoustic first string, for example, is 0.35mm or 0.0126 inches in diameter but is made from AWG gauge 28 wire and is usually called a "12". Acoustic string gauges are best thought of as just arbitary numbers, like a No. 8 knitting needle (actually 3.9mm) or a Size 9 shoe. Note that with wound strings in particular there are many ways to achieve a given nominal gauge (say a 32), ranging from a thick core wire with a thin winding through to the reverse.
Comments
* ----- Picato 80/20 $19 £9.50 12-16-24 32-44-54
* ----- Galli Baritone $14 £7.50 16-24w-30 47-60-70.
** John Pearse 80/20 light baritone USA $18 £10. Tension: medium. Longevity: remarkably good for uncoated brass. Squeal: good. Feel: excellent, light but not flabby. Sound: full, deep, warm, well-balanced. Tried on: Thunderhawk (many sets). Comment: perfect for this instrument. 15-22w-30 43-54-68
Yes, La Bella are good, so are Martin MA-140, although both are not as good on this Dove as they were on my then HD-28.
Newtone Masterclass *can* be good but I've found consistency issues, although they *were* still playable, just not as good tonally.
My technique seems to create a lot of squeak, so I need all the help I can get!
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Not really, @Mellish. I recognise that the EJ16s are good strings, but they are quite stiff and the sound is a bit thin, a bit meh. I'm sure they'd go better on one or other of the Matons, but then most strings do. The cedar-top in particular is very forgiving.
Cheers @goldtop I'm the same as you. I sometimes mind it, sometimes don't, but Mrs Tannin hates it and that keeps me on the ball.
It is one reason why I have bought all those flatwound and quasi-flatwound strings. I don't really like Elixirs (too stiff and they lack character) and not many of the other coated strings offer the same low-squeal benefit. I'm currently very much enjoying the Galli brass flats on my Cole Clark Angel. They don't have the full ring of a round-wound string but unlike (say) Elixirs or D'Addario Flat Tops, they strike me as having their own sound in their own way as opposed to being a not-quite-right version of a conventional round wound sound. I have ordered a set or two of conventional chrome or nickel flats to compare, but I don't expect to like them.
Not much happening strings-wise at the moment. I've been away but they don't seem to have rusted or gone off so I'm still playing strings I put on months ago. The Adamas Composites I put on the Messiah in July still sound good and feel great, which is extraordinary as I'm playing it a lot of late.
Oh, but I went stupid and ordered 13 more sets from Strings and Beyond on Friday, and another 7 from Strings by Mail on Saturday. I might have to open a shop. Or maybe buy some more guitars to use up all those strings.
I hear them as loud and full on this Martin OM28 Re-imagined, just like I did on the Gibson Dove...
Maybe it's cos I'm using them on good guitars
@jdgm they are made in Italy but I get them from Strings and Beyond http://stringsandbeyond.com or sometimes from Strings by Mail http://stringsbymail.com depending on what else I am ordering. Both vendors are in the USA and have good prices and excellent service. Including postage and tax I pay about £13 for a set from Strings and Beyond.
However I am given to understand that the UK now has awkward and expensive import procedures such that buying even a small thing worth a few pounds from another country is not practical. If so that is a real shame. You might have to look elsewhere.
Galli have a website, of course, but it is in Italian which I can't read. Presumably they list their UK distributors there.
Thomann carry Galli but seem to mostly have their odd-bod instrument strings (orchestral, banjo, gypsy jazz guitar, stuff like that).
The LS are lovely strings and quite cheap - possibly my all-things-considered favourite standard string - but there are lots of other good orthodox phosphor bronze strings around. The Galli brass flats are almost unique. Magma make a phosphor bronze flat set which should be fairly similar (I have some here ready to to try out), and Dogal (another long-established Italian string maker, like Galli) make a set of flatwounds in brass gauged 12-46 with an extraordinary wound .016 B string. I have a set of those to try too, though how someone with my heavy right thumb is going to cope with a 46 low E I don't know.
Good luck!
D'Addario EJ16
Martin Authentic Acoustic Lifespan 2.0.
On this Martin OM28 the EJ16s have more volume and punch but (as @Tannin said) they're a bit stiff. The Martin Authentic Acoustic Lifespan 2.0 are easier to play but (on this guitar) lack drive and punch. But they're still ok for home use.
Changed the format a bit, added some useful background information (which nearly everybody reading this will already know), added the country of manufacture.
New strings: Galli RA1254 80/20s are nice enough but I don't love tem the way I do their phosphor bronze ones; Godin's A6 are a nice phosphor bronze set; Dean Markley Blue Steels are sort-of OK. I'd hoped that Savarez A140Ls from France would impress me as much as the Augustines I tried a few months back but they didn't. They were decent, nothing special.
Moonshiners were a nice surprise. These are the house brand of a local music shop and are made by an undisclosed OEM in the USA. (Next time I'm in the shop I'll ask the proprietor who it is. I imagine it's no big secret.) At $10.50 AUD (£5.50) they are crazy-cheap, and it turns out that they are pretty good. I'll buy more. Also John Pierce Pure Nickels. I had high hopes for these as I usually like JP strings and these both the cheapest nickel strings and are also said to be the darkest in tone. They are OK but I prefer the D'Addarios. Finally, a very nice custom baritone set from Newtone in round core phosphor bronze. These ring the bell.
I ordered sets of R. Cocco (£13.23), Cleartone Red (£10.45), Adamas Roundcore (£7.25), Eko ACB1253M (£3.89) (all phosphor bronze 12s) and two sets of the superb Phillipe Bosset for £10.45 each instead of the £19.50 I pay in the USA. Also a very interesting looking set of double-wound Galli Fingerstyle (£10.42) and best of all, a set of Galli Baritone with gauges of 16-24w-30 47-60-70. at just £7.61. Note that wound 2nd string, an essential for baritones in my book.
All of this from the delightfully named Lord of the Strings. @jdgm these might be the people to use for your Galli Jazz Flats - I didn't order any this time as I have several sets on hand already but they stock them at around e20, which is very reasonable.
I tried a set of D'Addario EJ26 (11s) and immediately liked 'em.
I find I'm not losing much volume (if any), less tension (good for the guitar) and better tone.
My Lord of the Strings order arrived from the Netherlands on Tuesday. Great range of strings, including a lot of stuff you can't get elsewhere, delivery on time, and very reasonably priced. I will buy from them again for sure.
Updated today:
D'Addario XT are good strings but I don't care for them. Eko ACB1253s are very cheap and rather nasty; they lasted 3 days before I replaced them with a set of Darco Phosphor Bronze. I see the Darcos are marked "Made in Mexico". Have Martin switched over to a new factory? Or did they just not declare the country of origin them before? And if Darcos are coming out of Mexico, are the identical Martin-branded sets also made there now?
The 85/15 D'Angellico Prohibition Bronze I mentioned previously turned out to be great. Loved them. Can't wait to order more,. John Pierce Pure Nickels are fine but not, in my opinion, a match for my favourite nickel alloys, the D'Addarios.
From Germany, Optima Bronze are fairly high-tension but very nice just the same. Richard Cocco Bronze are another good new one, lovely and soft under the fingers like round cores but with that indefinable sense of precision and tautness you get with strings like Optima Bronze or GHS Americana.
Finally, I tried a set of my old favourite Galli LS on my Red Spruce Guild - always a problematic guitar I usually fit nickel strings to, and they did great things for it.
Newly arrived but untried as yet: Adamas Roundcore (very much looking forward to these after excellent experience with their hexcore sets - however I see that these are made in China where the hex core ones are made in the USA. I hope the quality hasn't suffered), Galli Fingerstyle (double wound strings from Galli - these could be great!), Cleartone Red (already discontinued I see - hope I don't like them!), and Galli Baritone (which ought to be great).
I'm tempted to say it may be that Martin regard them as a step down from their Martin branded strings.
AFAIK they haven't switched string-making to Mexico.