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have you tried acoustics with a split saddle (not sure if your Avalon has one or not). That often helps.
Split saddle easier to adjust as compensated ones have only a thin section for the B. In fact this makes it very difficult to get correct intonation if it's out on the B. Luthier said he could make a custom saddle but that all feels a bit much. So it's a real lottery imo. Few cents off really sucks. I'll never find out if it's fine with gauge 12 as can't be bothered and it's not a gauge I use, but I feel few cents out being audibly jarring is no good for a £kkk instrument.
Acoustics are difficult.
https://www.guitaranswerguy.com/guitar-string-wont-intonate/
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I am sort of GASsing for a parlour and I've not even got the OM40 yet...!!
Must admit I am a total Larrivee fanboy
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The Larrivee ones now going for £1500++ !!
Some used ones not coming with cases which puts me off - the whole point would be to lug it into a small easy to carry case and take it to my partner's place to play. 14th fret accessibility is a must so 12-fret cutaway or 14-fret is essential. Will check that out.. However I think I need to behave myself and not buy anything that I haven't actually played in person.
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The guy tried that plus another I was looking at side by side. Other one was meatier but bigger.
The hardware on that looks great TBH, all wood, Gotoh machine heads, maple binding, bone nut & saddle... made in Vietnam iirc and set up in UK. Smaller, different wood to the mahoganies I've got (rosewood), florentine for upper fret access - apparently low action (good...!) and comes with a nice hard case, too. Looking forward to it.
Two guitars in two days wtf lol...
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But I checked the specs and I'm thinking damn... this is some serious hardware for the money.
It's an unknown name to me and I generally go for American made so will see what it's like. Fingers crossed!
Apparently this one is about 10 years old but in near pristine condition.
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Been reading up some more. Vietnamese guitar building can be hit and miss and their natural humidity is crazy over there, with most wood being air and not kiln dried.. so I'm either going to get a dud or a great guitar here lol...
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I think I can hear something rattling inside. Not sure what. Also the bass E string slightly less strong than others so checked the bridge. No slots for the strings, straight into the pegs but the E bass has a lowish break angle.
Also, the pegs are one up, one down. Thoughts?
I like it. A new GS Mini costs the same or less. Undecided.
https://i.imgur.com/HducKfe.jpg
https://i.imgur.com/qNcejQu.jpg
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I have actually discovered that a 12 fret with cutaway is pretty cool. Future GAS.
Oh, the Larrivee OM40 arrived.
Intonation near perfect... G is almost 1 cent flat but near indistinguishable. This is a completely different guitar to the OM02.. Bass growls more, sound shifts ever so slightly away from Larrivee and toward Martin. It's bright but with time that will get tamed. Lovely tuners and feels solid. Satin feel is lovely. Saying that, I do tend to sway the guitar a bit for natural reverb so a finish makes less noise. So in future... Lacquered 12 fret with Venetian cutaway lol ..
But yeah, different beast and I'm glad for it
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slots in the pin not big enough (ie a restring and pegs not put back in the same place, doesnt always matter but sometimes the slots can be string specific)
if it continues to be an issue, you might need a small slot in the bridge to get that break angle - is the bottom E easy to move over the saddle ?
just because you do, doesn't mean you should.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I think a slot in the bridge is bets bet TBH as that would also give it a larger break angle.
That's a good point about keeping the pins in the same pattern - maybe even number them.
--> I am 50:50 on whether to keep or return as the two Larrivees are a handful and the parlour, while lovely, is not THAT much smaller than the OM body shape.
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Well here are pics of my OM-02 and pre-dented OM-40 (still feel sick about that!)
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If still sitting high, try wrapping the shafts in sandpaper and turning to reduce dia up near the skirt. Recheck after a few turns. You're after the pins sitting with the skirt resting on the bridge when the fit is snug.
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just because you do, doesn't mean you should.
I tried myself on a cedar top, it seemed to work. However I'm not sure if it works if the lacquer is broken.
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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Satin: Pure Acrylic Urethane 10% Sheen Satin Finish (Catalyzed), Over top of a Catalyzed Urethane base coat
WE USE NO POLYESTER ON ANY ACOUSTIC INSTRUMENTS
OK so the lacquer needs to be broken, that makes sense. It does look like it's chipped a bit. Maybe steam can enter there and it'll come up nicely. Hmmmmmm..... Has anybody actually tried this to good or bad effect?
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