UNPLANNED DOWNTIME: 12th Oct 23:45
What can we do to affect tone on acoustics?
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If there’s some tonal aspect of my acoustic I’m not happy with, what are the things I can do to affect it, and in what way?
I figure choice of strings, choice of pick, how close to the bridge you strum for starters, but I’m struggling to get into my head exactly what the change is (especially with strings where it’s hard to A/B). Or some other aspect of technique?
My current guitar (epi inspired hummingbird) I’d kinda like a more polite top end and a less busy/clunky mid range. But really I’d like to get my head around the whole issue.
I’m sure there are things I can change that don’t require a new guitar!
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Also another thought, could you try recording the guitar and listening back? I find a recording can help me to hear stuff i can't hear when I'm concentrating on playing.
I have been playing guitar for almost 60 years and when I was a teenager I was considered lucky to have a guitar at all. There was very little choice of strings, capos etc, all the things we take for granted now. With no Internet, people developed their own style of playing with what was available.
Nowadays I have several high end guitars and two cheapies that I use for gigging and travel and whichever guitar I play, I sound like me. Keep experimenting and I'm sure you'll figure out how to produce a tone you are happy with, there really is no simple answer.
Your tonal issues are probaby just the guitar itself, I'm not a fan of Epiphone acoustics
Leaving out rosewood as is acooped in the mids and brighter up top, here's some nice mahogany guitars:
If you want a similar feel with a smoother top end and just Better, then perhaps a J45 style like an Eastman E10ss. A D18 style by Furch or Larivee will do similar with a bit more clarity and string tension.
If you want much smoother top end then a mahogany Martin 0015 or D15 or Taylor Ad27 (fab guitar) but the midrange will change too.
drill a sound port into the top left side of the guitar
run a Tonerite on the guitar for a few days
try 80/20 strings to brighten it up
*gets coat*
*leaves*
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two places I find really good, top of the stairs facing the wall, and in our "bay window" - its more a recess with window seat as our walls are 2 foot thick, makes a superb "sound chamber"
just because you do, doesn't mean you should.
Those massive perspex ones can sound great in some applications.
*An Official Foo-Approved guitarist since Sept 2023.
I found quite a difference in tone in the different manufacturers.
My fav when i had the guitar were Curt Mangans PB.
I’m sure if you’ve played the guitar a lot recently is important. Unless it’s your ears that have grown accustomed to the sound.
I used to like soft picks for acoustic strummage but when I recorded it and listened back I really didn't like the frappy percussive sound so I started using a hard pick which I found gives you much more control, after a bit of practice.
It's a shame really, because when I go into a guitar shop there are usually none that suit my requirements. For me playability comes first, if the guitar is not comfortable then it really doesn't matter how good it sounds.
I hope this helps.
But for acoustic it needs to play/feel and sound good, and then looks might be secondary, but not too secondary.
2: Change your strings. Most tonal issues of the sort you describe can be substantially addressed by selecting the right strings. There is absolutely no point in saying "switch to phosphor bronze" or "use DR Sunbeams" without knowing what changes you are looking for, and also what strings you have on now.
Assuming that you have the most common sort of strings as your starting point, 12 gauge hex core phosphor bronze, then yes, there are some things that we can do.
(a) If by "a more polite top end and a less busy/clunky mid range" you mean that the high strings (the plain steel ones) are shouty and the middle strings busy, that's one thing. Call it Case A. Or do you mean that the overall strummed sound is harsh at the top and unpleasant in the middle? Call that Case B.
Case A. You can't change the sound of the top two strings - all brands use plain steel and while they are not (as some people claim) "exactly the same", they are very similar. So what you do in change the wound strings so that they are in balance with the plains. There is a bit of trial and error involved. Knowing what you have on it now is the starting point.
Case B. Three possibilities come to mind. (i) Counter-intuitively, brighter strings can balance this out. Yes, it sounds crazy but it often works. Full-on 80-20 brass is probably not such a good idea, but a set of bright standards in phosphor bronze can work wonders. GHS Americana would be my go-to, or maybe Curt Mangans or Newtones. (ii) Well-worn brass strings have a clear, mellow sound that is hard to beat. The only thing is it takes at least a month of playing to reach that mellow place. (iii) A softer string with plenty of weight (i.e., lower tension but not lighter) changes your tone significantly, and in the sort of direction you are thinking about. Any of Dogal round core, Pyramid Western Folk, DR Sunbeams, Galli LS, Santa Cruz Parabolic.
Any individual acoustic, however nice, does not contain within it an infinite number of tones. I know you do not want to, but once you've tried all the alterable things - strings, picks, attack, capo, where you play, electric amplification - you made need to go on a journey for a new guitar. They're not called tonewoods for nothing!
A few things that I can't see have been mentioned yet. Monel strings (less bright and can seem a little more complex than other strings). Try lowering all your strings a semitone (sometimes works by bringing frequencies closer to the resonant frequency of your soundbox). Fingerpicks (very different sound but can be difficult to master initially).
It can take years to get (or find) the tone you're looking for. And can happen by accident sometimes. A bloke in a shop just strummed a mahogany guitar he was bringing me as he walked the guitar over once, and I was smitten!
Tone is so individually subjective. Keep at it!
What boxes do we need to tick when in-store? Body shape and size, neck profile, nut width, woods, and some of us are attracted by looks. But in addition to all of that, don't we have a tone box to tick?
Nut/saddle materials
Bridge pin materials
Strings (pb, 80/20, monel)
Picks
Hope you find the, tone you're searching for.
takes some practice but well worth it in the end
just because you do, doesn't mean you should.
What I would do is pick a single chord, then temporarily forget my usual strumming technique. Then I would experiment with many different angles of attack(if using a plectrum) as well as different velocities, as well as varying between brushing and deeper plucking.
Basically with sole focus on the strum, just try many different methods until I hit on the best tone. Sounds complicated and longwinded, but it could be quite fun and doable/findable in one session,
try different plectrums
grow your nails longer, or cut them shorter
have acrylic nails fitted