Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Martin D16 - A great standard robust guitar, with a neutral tone, perhaps not found in more expensiv Martins.
Furch Cedar 6 string,although inferior in terms of both tone and construction , I personally prefer the sound and feel, which perhaps shows money does not always buy the best.
Also Paul Simons 1966 Guild 12string.
And a Gibson J45 that B,Dylan used for recording in tithe early 60’s
Washburn D28
Yamaha 12 string (with hopelessly high action)
Alvarez baritone jumbo
Moondog single cut
PRS parlor thing
Gretsch resonator
The Washburn is the one I’d not part with
The rest I’d honestly chop up for firewood, if needs be, come the apocalypse
How did you come by it and what do you think of it tone wise?
You can actually taste the salty fearfulness of his inspiration in those tangy strings. For historic reasons I have chosen not to change them, aware that this guitar was there and probably responsible for, many of Bob's break through moments.
How did I come by it.? Well it was gifted to me but Mr Dylan himself. We have a very deep but very private relationship. In fact our friendship is so special: that out of respect for my privacy Bob has decided never to refer to it or even mention it publicly.
So it was given as a confidential token of personal appreciation for our many inspiringing conversations. .
But, sadly I have decided that, tonesome that it is, it is not really the guitar for me.
In fact, if I am honest with myself, I feel the instrument might deseve a more worthy home(subject to a thorough inspection). But it would obviously still be quite gutwrenching to have to part with it.
I am sorry I can't enclose a pic at the moment, because you will understand that the image of this acousyic piece just too special to share on a public forum.
The problem with go through an Essex broker, is that the eventual custodian of this Gibson might for whatever reason come to doubt it’s unique provenance.
That just would’nt be fair on the guitar, Bob or me and especially not on a possible eventual guardian of this historic instrument.
Are you possibly able to make another suggestion, please?
My YouTube Channel
(unless Fret is a person that has a walnut guitar of course )
just because you do, doesn't mean you should.
My YouTube Channel
My YouTube Channel
My YouTube Channel
My YouTube Channel