Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Really surprised they didn't do this in the first run.
I'm also very surprised it has already been Waza-ed tbh. I didn't like the modded DS1 I had for a bit (Allums I think) but it's a classic pedal for a reason.
(*Cobain, obvs)
I've never understood the hate the DS-1 seems to generate, to me it's always been the absolutely definitive distortion pedal. If you can't get it to sound good you've either got it set wrong or you just don't like distortion pedals .
I'm not sure I need a Waza one though - the 40th Anniversary one I've got sounds just like a DS-1 should. The custom mode adds mids and more volume, but I have an OS-2 if I want that...
I don't know why they've stacked it into the SD-1 and not the other way round either - that's by far the worst sound in that demo - but SD-1 into DS-1 is amazing.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Speaking of discontinued pedals though, we need a Waza SG-1
Facebook: @northernstomps // Instagram: @northernstomps // Twitter: @northernstomps
Specialist Retailer Of Handmade British Stompboxes // https://www.northernstomps.com/
Currently Stocking: Hudson Electronic/Raygun FX/Zander Circuitry/ThorpyFX/Rainger FX/Life is Unfair/ Magnetic Effects/Fredric Effects
Also I kind of think of the DS-2 as the refined version of the DS-1
I think it's people not understanding what they do. I think a lot of people hear Steve Vai or Joe Satriani use it and assume it's going to be some kind of Guvnor like Marshall in a box.
They are great for the really horrible Nirvana type distortion. You can't get that with an amp and though it sounds nasty isolated it's great in the mix.
It's also brilliant with the gain fow as a boost. Khruangbin use it this way and you can hardly call their guitar sound "harsh and fizzy"
For something to be both Kurt Cobain and Steve Vai's favorite pedal they must be doing something right!
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
It seems like there is almost a lineage in complexity from DS-1 to DS-2 to BD-2 to OD-3
I find it weird the DS-2 isn't held in higher regard as more of a classic. I think it's easily my favorite distortion.
And then on the other hand I love Peavey Transtube amps, which have all-discrete preamps - so maybe there's nothing in that either .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Today is day 1. Today we can make a stand. Say no to bending notes whilst simultaneously trying to eat your own earlobe.
Facebook: @northernstomps // Instagram: @northernstomps // Twitter: @northernstomps
Specialist Retailer Of Handmade British Stompboxes // https://www.northernstomps.com/
Currently Stocking: Hudson Electronic/Raygun FX/Zander Circuitry/ThorpyFX/Rainger FX/Life is Unfair/ Magnetic Effects/Fredric Effects
They either don't know or forget that the Tone control is super sensitive, essentially a filter that lets through high-end and has a huge impact on the overall sound. Set it to off and add just a touch for some clarity and you are in the right ballpark.
Plus, the distortion knob is basically too much after about 10-12 o'clock for useable drive tones. It is essentially just compression/saturation past 12 o'clock.
I normally turn the Level up to maximum and then control the pedal with the volume knob of my guitar.
FTFY ;-)
TBH, I've tried 100s of times to get the DS-1 to work for me. I used to sell the damned things in the shop I worked in, and I hated them then too. Its a pedal that works for some players, not for all.
The tone control sweep is *wrong* for 99% of people's useage scenarios. Its over bright and fizzy. Yes you can turn it to 'off' but thats compensating for something thats got the wrong sweep. When the pedal was designed, it was designed to sound like a buzz saw - like proper distortion. These days that isn't quite what a distortion box is used as, and the extremes of that sweep are inappropriate for the modern player.
Ditto the distortion knob - as you rightly say above 12 o'clock its pretty much unusable. So why have that? Answer: because Boss were trying to make it sound at launch like extreme distortion (much like a Shin Ei fuzz box) where the sound pretty much collapses, farts out and becomes a square wave. Not a useable sound unless you are playing avant garde mentalism.
Its has a voice that you either like or don't at knob settings much lower than you'd use another pedal with the dynamics of a brick. As a huge Steve Rothery fan, I genuinely don't know how he makes it sound so good as I've tried using his settings using very similar guitar and amp... it still sounded like a jar of wasps being agitated by a bloke riding a Yamaha Fizzy.
I don't like the DS-1 because there are other distortion units that give me the sound I'm looking for - and this one doesn't. Despite years of trying. Perhaps the Waza will be different... maybe
I hate that Shin Ei fuzz box and had loads of them as a kid (car boot sale specials) and they are awful... LOL
Agree with you on all your points and I guess its a 'Marmite' pedal for many.
The ds2 is so damn good. And worth having access to both sides of it.
The Scooped Mids is what puts me off most Distortion Pedals..
I prefer the Distortion Plus over the DS1 and The Rat..
The Rat has it's uses,but sounds cold and Mechanical to me,,Same with the DS1,HM 2 Also..
The Ibanez SD9 is a bit better than the DS1 for me,but still,,
I'd rather have a TS9 or TS 808 or whatever..
Maybe I indeed don't like Distortions..
Apart from the more Amp in a Box Distortions,,Original Guvnor,,Wampler stuff,,plus the MXR Dist +,
I believe the Tumnus is hard clipping,,I like that..
I am definitely more a Fan of Overdrive I think..
Some Distortions are great for Dirty Rhythm,,but Overdrive is best for lead for me..
That scooped Mid thing,,if that is what is doing it,,robs the note of substance / Muscle..
Before Soft Clipping,,I would have used some type of Boost I think..
I find even a Graphic EQ with lightly boosted mids and Volume boost much better than Distortion for Lead Playing..