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I'm doing a lot more straight into Bitwig these days, but that might just be a phase, who knows.
I've bought a Launchpad which gives you some of the experience of working with a Groovebox on the laptop.
I'm still using the Polyend Tracker quite a bit which is a really nice idea generation box.
Bitwig feels a bit more creative and like an instrument compared to most DAWs so that might be part of it.
playing around with using the Medusa and it’s strange Grid through the Syntakt
That's very cool.
I struggle with the more free form ambient stuff.
Here are a couple of sample based things I've done from challenges one from a Debbie Gibson record and one from some old Russian funk record.
Thanks chap, much appreciated.
It's been a bit of a journey over the last year, but I think I've been steadily learning.
I found the Elektron boxes tricky from that point of view. I briefly had a Syntakt and sold it because I couldn't get anything more than a loop that didn't go anywhere. This has probably changed now with song mode.
I'm not an expert at getting to bigger arrangements as I currently struggle to make anything that's much over 2 minutes however what I have learned is that the parts don't need to change that much, it's not like a song where you need to have verse and chorus ,but something always needs to be changing.
You ideally want to have an idea of a bit of an "energy timeline" for the track where you are building up tension or intensity and then dropping it out (or something).
At the most basic that's bringing elements in and out, but also break apart patterns. For example copy your drum loop or synth part and take out some of the notes to make it more sparse or add extra components.
Essentially you always need something moving and changing.
A great tool for this is putting loads of LFOs on everything so all the components are slowly panning, or have changing filters or waveforms which move around over time. On a DAW you can do this even more with automation.
There are a few great videos on YT where people breakdown and analyse tracks by people like Bicep and though it looks like it's just a simple beat and a couple of synths for 6 minutes, once you get right into it things are constantly subtly evolving in all sorts of clever ways.
Getting them to make sounds, bang on things etc and then make it into a track is really fun.
https://on.soundcloud.com/2bCChyvoB5MZxLZT6
https://soundcloud.com/the-axecutioner-837033387/phase-shift
https://on.soundcloud.com/sYyR1xiGhUnU6mKz8
Nice work.
The guitar tone is excellent.
My only comment would be the guitar is very high in the mix relative to the bass and drums.
My music:- https://soundcloud.com/hubobulous
My music:- https://soundcloud.com/hubobulous
This is great!
Cheesy it may be, but it's really well done.
Great work chap.
What did you make it on?
My music:- https://soundcloud.com/hubobulous
Everything I record is in Cakewalk. Synths will have been Omnisphere 2 in the main, certainly that main pad is. Piano will have been one of the NI Komplete ones, poss Alicia's Keys.
All the drums are loops and samples that I cut up in the DAW.
The scratches and the like are all samples too, as are the all vocal parts, and the horns later on in the track, Again, all cut up and faffed with in the DAW. LIke plenty of people, I've got an ever increasingly massive sample library. Hoarder!
The lead bass guitar was played on a Bass Collection 310 bass I've had for years. Since given to my daughter! Through Guitar Rig 5.