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He’s apparently been asked by a major UK retailer to be less honest with their customers when they’ve brought newly purchased Martins to him!
I love my Martin and wouldn’t change it, but having heard this stuff id certainly be quite particular if choosing another.
I just looked and seems I inadvertently LOL'd this post.I have no idea how. Now removed!
I do think it’s worth having a general awareness of these issues though, otherwise the learning curve can be expensive.
Would that stop me buying a Martin? No. They are lovely guitars, happy to take my chances, and if I have to spend extra money on repairs one day, so be it.
(But note: "fair to mediocre" does not mean "poor". Martin is not Gibson.)
All of them have their own style and character (at least all of those I've had the pleasure of playing do, and it is reasonable to assume the same of the others). None of them make (in my experience) quite the same thing as a D-28. On the other hand, no-one except Guild makes anything quite like an F-512; no-one but Taylor makes anything quite like an 814; and so on.
@Mercedes300 suggests Guild as a suitable alternative. Absolutely! Lovely guitars and while having their own character, perhaps closer to the Martin sound than many others. Excellent build quality (at least in my fairly limited experience) but not cheap. For example, a D-55 goes for about $7000 here in Oz; for that money you could buy an D-28 and a nice made-in-Japan Takamine with the change.
I'm a little reluctant to recommend a Guild to someone as a more affordable D28 because there's a risk that they'd always be hankering after 'the real thing', but I'd be very happy to recommend a rosewood Guild as being guitar that's in a similar vein to a D28 but that they might like even better.
The Guild D50, DV52 and D55 are all USA built rosewood dreads with spruce tops. There have been other models too over the years, but these are the most common. You won't have playability issues with any of these models, assuming there's nothing wrong with the guitar, although some eras have slightly fatter necks/wider nuts than others (some of the '80s guitars off the top of my head).
Of these three, my sense is that the D50 and DV52 would be best for Bluegrass. The D50 used to be called the Bluegrass Special, whereas the mahogany backed D40 used to be called the Bluegrass Deluxe.
The D55s I've had/played have all had a lovely balanced/compressed sound that works beautifully for singers and for recording, but they weren't overly loud/boomy. In fact, I bought a '70s D55 from a Bluegrass player who was only selling it because he said that it wasn't loud enough and couldn't keep up with the banjos etc.
The D50s I've played have all been louder, more open and aggressive.
The DV52 I used to have was probably somewhere between the two.
I'm not sure what accounts for the differences in sound between the models. I've wondered whether it's a visual/psychological thing e.g. the more ornate D55 sounds more sophisticated etc, but I don't think it's just that.
If you're not fixed on rosewood and just wanted a louder guitar, I recommend the arched back Guilds like the mahogany D25 or the maple D30/G37 (which is louder still) which can be picked up for £700-800.
You may be able to get a USA D50 or DV52 for less than a grand. There's a D50 on ebay now. The non-USA made Guilds also look good too, and will cost much less but I've never owned one.
Just my two cents, at any rate!
I can't for the life of me figure out what the incentive is to buy one new in the UK in that case.
With that knowledge, I'd be more inclined to save £500 on the new price and look for a good used one that had proven itself to be stable.
If mine develops any early issues in the next few months (or if it had turned out to need a neck reset, new nut or similar from new which thankfully it didn’t) I’d trust it to a known local luthier and swallow the cost.