Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused). Alternatives to Martin D28? - Acoustics Discussions on The Fretboard
UNPLANNED DOWNTIME: 12th Oct 23:45

Alternatives to Martin D28?

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  • ICBMICBM Frets: 69426
    I would get a cheaper Martin. All the models right down to the HPL-bodied, stratabond-neck X series are excellent guitars and actually sound like a Martin, and are well under a grand new.

    I had one of the cutaway electro ones a few years ago, it was fantastic for the money and really did sound very like a D-28. The only problem with it was that as the top is not bound, it was quite prone to dents around the edge.

    "Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski

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  • There's a beautiful Furch D 31 in the classifieds around your budget.
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  • polotskapolotska Frets: 113
    edited December 2021
    I’ve owned an HD-28 as well as a Takamine EF360S-TT and a Yairi DYM70. The Takamine is superb if you like the very thick neck; the Yairi has a more typical-thickness neck along with a lovely modern look. Both are at least as good as an HD-28 and considerably cheaper used.
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  • Hi @daveyh I’ve played more high end dreadnoughts than you can shake a stick at in the last year or so and I can honestly say that, for £1k or so, a 2nd hand Thermo cured Adirondack Eastman is the way I’d go. I played an E10D-TC that someone wanted to trade towards a Bourgeois Country Boy D I was moving on and that was a great guitar for the money. I think it might still be for sale on gumtree tbh. All the best with the hunt
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  • SRD81SRD81 Frets: 287
    I’ve got a 2015 Martin DRS 2 which does a passable impression of a D28. Think I paid about £850 for it new. Worth considering if you can find a used one
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  • DavidRDavidR Frets: 595
    Couple of steps away from D28 but if, as some are suggesting, you try the D18, (mahogany back and sides instead of rosewood) then don't forget Yamaha FG5. Very good solid wood sitka spruce/mahogany dreadnought and a lot cheaper than a D18!

    I have one and the two instruments I play most are a Martin OM28 reimagined and the FG5. FG5 seems lighter and sweeter than OM28 and might not quite have the depth of tone of a Martin but its till just about my favourite. Give it a try anyway if you can. Not really an option though if you want Sitka/rosewood.

    As regards 'cheap' Martins, I had an 000X1 for a while and it was OK but I think there are better guitars around at that price range now, especially if you are prepared to buy acoustics from the Far East. Instruments from that part of the world are not to be dismissed.
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  • About 40 years ago I had a Vega, which was a Martin Dreadnaught style instrument, but not a direct copy of any particular model. I remember it played and sounded lovely. Vega were part of the Martin group, but were made in Holland. I haven't seen another for years, but would probably buy it if one came along. I let my friend borrow my Vega, as he was learning to play. Sadly, he died, and i didn't have the heart to ask for it back, as his widow mentioned that she kept it in the same place he he used to have it, and it seemed to give her some comfort. 
    I retained my interest in Martin's, but actually prefer the tone of a D18, over a D28, as the D28 sounds a little too bright to my ears. I have a hand-made John Hullah in Brazilian rosewood, with a spruce top, and that does sound terrific (it has an action like an electric!). Despite this my 1969 Martin D20 -12 12-string (mahogany, like a D18, still has a nicer tone.
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  • MellishMellish Frets: 945
    @Mercedes300 ; firstly, welcome to TFB :) The D18 is a nice guitar. I tried one in GuitarGuitar about four years ago that really rocked. I've an HD28 that I wouldn't part with. My condolences over your friend and hope you'll like TFB :) 
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  • Thanks for that. He took his own life, so it was a very difficult time for everyone.
    TFB is very interesting, but I guess the dangerous areas will probably be the 'off subject' section, especially of it relates to politics! It seems that in todays P/C. world, so many subjects, and opinions have become taboo.
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  • MellishMellish Frets: 945
    @Mercedes300 ; it can get a bit heated in Off Topic at times...you know, emotions running high. It's understandable, I guess, a topic bringing out strong emotions.
    .... If you have a problem or you get stuck, go to New Members, scroll down to Admin/Mods, pick one and send a PM :) 
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  • I think I'll just keep my opinions to myself. That's what censorship is supposed to achieve, isn't it? Getting back to the subject of acoustic guitars, I think Martin now have such a superb reputation, that they will always be a first choice for most guitarists. after all, nearly all acoustics copy, or at the very least, are influenced by, Martin original designs. 
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  • MellishMellish Frets: 945
    @Mercedes300 ; well you're here to share thoughts, knowledge and ideas, that's what the forum is about. Martin's Re-imagined series can be a bit marmite. I have a friend who just can't get used to the 1 3/4" nut and neck profile, but I love what they've done :) 
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  • MellishMellish Frets: 945
    Apologies @daveyh for thread hijack. Sorry mate :) 
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  • I also love the Martin '00' sized guitars, and have a Japanese 0045 copy that I have owned from new. It has a solid top, but I'm sure the back & sides will be laminate, but i love it. I would dearly like to find a reasonably priced 00-18, or even a 00-21. Everyone insists on a Deadnaught these days, but Bob Dylan and Joan Baez used to fill stadiums, and festivals using 00 sized guitars!
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  • MellishMellish Frets: 945
    @Mercedes300 ; there may be something in Classifieds here, or if not right now then soon. I nearly bought a D-18 from there but someone beat me to it  :/
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  • TanninTannin Frets: 4394
    G'day Mercedes and welcome. I wouldn't get too carried away with Martin's reputation. They are a major manufacturer and the one with more history than any other, but by no means the automatic first choice of most players. There must be a dozen makes at least, probably two or three dozen, which achieve "first choice" status with players in particular styles and particular places. And Martin's reputation for build quality is only fair to mediocre.

    There are three or four old Martin models from the 1930s which have achieved iconic status, but nobody in their right mind actually copies them. For one thing, you can't get the timbers anymore. For another they are, by modern standards, primitive with and clunky with (for example) no truss rod. Even Martin don't use those designs anymore, except for a tiny number of instruments badged "Authentic" made especially for dentists and other collectors. 

    Times have moved on; modern guitars are vastly more practical, playable, useful instruments than the ones of 90 years ago, made with a vast range of techniques from a huge variety of timbers. And yes, I include the current Martin models in that generalisation: present-day Martins are overpriced and overrated, but very good instruments for all of that. I've seriously considered D-28s and D-18s in the past, only to decide that, while good, I can get still better for the same cost or lower in other makes. I've very much enjoyed a CEO-7 but been put off by the short scale (I never like short scale guitars) and the very ugly Gibson-style black sunburst. And to this day I regret not impulse-buying a wonderful HD-28. I've played other HD-28s and rated them "close but no cigar"; this particular one was a gem .... and I went away and thought about it. When I went back to have another look, it was sold. 

    So yes, a top drawer manufacturer, absolutely. But only one of quite a number. 
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  • BigPaulieBigPaulie Frets: 733
    Tannin said:
    G'day Mercedes and welcome. I wouldn't get too carried away with Martin's reputation. They are a major manufacturer and the one with more history than any other, but by no means the automatic first choice of most players. There must be a dozen makes at least, probably two or three dozen, which achieve "first choice" status with players in particular styles and particular places. And Martin's reputation for build quality is only fair to mediocre.

    There are three or four old Martin models from the 1930s which have achieved iconic status, but nobody in their right mind actually copies them. For one thing, you can't get the timbers anymore. For another they are, by modern standards, primitive with and clunky with (for example) no truss rod. Even Martin don't use those designs anymore, except for a tiny number of instruments badged "Authentic" made especially for dentists and other collectors. 

    Times have moved on; modern guitars are vastly more practical, playable, useful instruments than the ones of 90 years ago, made with a vast range of techniques from a huge variety of timbers. And yes, I include the current Martin models in that generalisation: present-day Martins are overpriced and overrated, but very good instruments for all of that. I've seriously considered D-28s and D-18s in the past, only to decide that, while good, I can get still better for the same cost or lower in other makes. I've very much enjoyed a CEO-7 but been put off by the short scale (I never like short scale guitars) and the very ugly Gibson-style black sunburst. And to this day I regret not impulse-buying a wonderful HD-28. I've played other HD-28s and rated them "close but no cigar"; this particular one was a gem .... and I went away and thought about it. When I went back to have another look, it was sold. 

    So yes, a top drawer manufacturer, absolutely. But only one of quite a number. 
    Great, informative, objective post, @Tannin ;

    However, in the interest of the title of the thread, would you mind naming a few of those alternative builders/models?
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  • LewyLewy Frets: 3795
    Tannin said:
     And Martin's reputation for build quality is only fair to mediocre.

    This needs a big opinion warning. It's far from a commonly held perspective. 
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  • Fair enough, Tannin, you make some good points here. However, the other factor that needs to be considered is that if you buy a Martin, and then fancy something else, The Martin will always have a good resale value, and will be easy to move on. The same argument holds true for Gibson and Fender electrics, despite some obscure manufacture releasing details of a Fender, or Gibson beater every month! All our guitar heroes continue to use Fender's or Gibsons (or Martin's!). and there must be a reason for this. Of course, if you were Eric Clapton, Jimmy Page, or a reincarnated Jimi Hendrix, you could probably play anything, and still sound good, but that is an unlikely scenario for most of us. Anyway, most guitar gods still favour the  brands I have mentioned, despite the fact that they could have anything they fancied.
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  • LewyLewy Frets: 3795
    edited January 2022
    Tannin said:


    There are three or four old Martin models from the 1930s which have achieved iconic status, but nobody in their right mind actually copies them.

    Yeah nobody wants those vintage Martin-patterned instruments any more.....



    Seems he's getting something from his Pre War Guitars vintage Martin replica that he can't get from his Matons....funny that....

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  • TINMAN82TINMAN82 Frets: 1844
    edited January 2022
    Lewy said:
    Tannin said:


    There are three or four old Martin models from the 1930s which have achieved iconic status, but nobody in their right mind actually copies them.

    Yeah nobody wants those vintage Martin-patterned instruments any more.....



    Seems he's getting something from his Pre War Guitars vintage Martin replica that he can't get from his Matons....funny that....

    In fairness he plays Maton 99% of the time and wouldn’t rely on one of these as a main touring guitar.

    I had my Martin 00028ec in with a luthier recently for installation of a K&K trinity pro system, strap button and general check over. Thankfully he thought it was a good, structurally sound guitar.

    I won’t name the luthier however he is award winning and Andertons acoustic demo guy Ben owns one of his guitars.

    His opinion of Martin in general however is low. He reckons above a certain price point eg pushing £4K like my Clapton, they tend to spend a bit more time and get it right. He says he’s constantly receiving new D28s with high action requiring neck set to remedy it as the factory often messes that up. Apparently if you look at production figures from the factory there’s an exponential increase over the last 10 years, which is (in his opinion) linked to a downturn in quality control. 
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  • LewyLewy Frets: 3795
    TINMAN82 said:
    He says he’s constantly receiving new D28s with high action requiring neck set to remedy it as the factory often messes that up. Apparently if you look at production figures from the factory there’s an exponential increase over the last 10 years, which is (in his opinion) linked to a downturn in quality control.
    Logic would say that as he isn’t going to see the ones that don’t need that, then regardless of his qualifications, his view represents base rate fallacy.
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  • LewyLewy Frets: 3795
    edited January 2022
    TINMAN82 said:
    Lewy said:
    Tannin said:


    There are three or four old Martin models from the 1930s which have achieved iconic status, but nobody in their right mind actually copies them.

    Yeah nobody wants those vintage Martin-patterned instruments any more.....



    Seems he's getting something from his Pre War Guitars vintage Martin replica that he can't get from his Matons....funny that....

    In fairness he plays Maton 99% of the time and wouldn’t rely on one of these as a main touring guitar.

    Exactly, so it’s about use-case. If he wants an exquisite acoustic sound into a microphone for a listening audience, then a lightly braced Martin-style guitar made of the classic materials and the classic construction is what he wants. Plenty of people want that.
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  • TINMAN82TINMAN82 Frets: 1844
    Lewy said:
    TINMAN82 said:
    He says he’s constantly receiving new D28s with high action requiring neck set to remedy it as the factory often messes that up. Apparently if you look at production figures from the factory there’s an exponential increase over the last 10 years, which is (in his opinion) linked to a downturn in quality control.
    Logic would say that as he isn’t going to see the ones that don’t need that, then regardless of his qualifications, his view represents base rate fallacy.
    Definitely, major selection bias and very unscientific. 

    However, there will be some truth in it no doubt, especially given the rapid rise in production numbers.

    Likewise, plenty of people will persist with their guitar without realising there’s an “issue” or due to cognitive bias having spent a lot of money. I’ve seen this first hand as my dads 2018 D28 has almost no saddle left and negligible break angle in order to have a playable action. Impossible to lower further without a neck reset (and probably affecting tone)….but he’s happy with it!

    Put it this way- I’d still be very careful when selecting a new D28.
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  • LewyLewy Frets: 3795
    TINMAN82 said:
    Lewy said:
    TINMAN82 said:
    He says he’s constantly receiving new D28s with high action requiring neck set to remedy it as the factory often messes that up. Apparently if you look at production figures from the factory there’s an exponential increase over the last 10 years, which is (in his opinion) linked to a downturn in quality control.
    Logic would say that as he isn’t going to see the ones that don’t need that, then regardless of his qualifications, his view represents base rate fallacy.
    Definitely, major selection bias and very unscientific. 

    However, there will be some truth in it no doubt, especially given the rapid rise in production numbers.

    Likewise, plenty of people will persist with their guitar without realising there’s an “issue” or due to cognitive bias having spent a lot of money. I’ve seen this first hand as my dads 2018 D28 has almost no saddle left and negligible break angle in order to have a playable action. Impossible to lower further without a neck reset (and probably affecting tone)….but he’s happy with it!

    Put it this way- I’d still be very careful when selecting a new D28.
    Yes, this is true. I've seen this on the Collings forum of old where someone who's guitar definitely needed a neck reset was told "people generally don't buy a Collings to have a low action".

    And you can definitely find tales of woe about Martins needing early-in-life neck resets, and there were some binding issues on the early Authentics too. But I reckon if you spent a day calling every repairer and trawling every forum, you'd maybe amass 50-100 such tales. Compared to production numbers, I doubt it's statistically significant. Still, I'd be very pissed off if it was my Martin that needed an early reset.

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  • BigPaulieBigPaulie Frets: 733
    I've heard that if your Martin needs an early reset, and sometimes not so early (20 years plus), you can have it done under warranty if you're the original owner and play hardball with the warranty team.

    That would give me some confidence to buy a new Martin.
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  • TINMAN82TINMAN82 Frets: 1844
    BigPaulie said:
    I've heard that if your Martin needs an early reset, and sometimes not so early (20 years plus), you can have it done under warranty if you're the original owner and play hardball with the warranty team.

    That would give me some confidence to buy a new Martin.
    I gather this is useful if you live in the USA, not so much overseas. The luthier mentioned above previously worked at the authorised Martin repair centre in London. He said UK warranty requests were very frequently rejected on the basis that a guitar was still “within factory spec” or not kept at precisely 45% humidity etc.
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  • LewyLewy Frets: 3795
    edited January 2022
    TINMAN82 said:
    BigPaulie said:
    I've heard that if your Martin needs an early reset, and sometimes not so early (20 years plus), you can have it done under warranty if you're the original owner and play hardball with the warranty team.

    That would give me some confidence to buy a new Martin.
    I gather this is useful if you live in the USA, not so much overseas. The luthier mentioned above previously worked at the authorised Martin repair centre in London. He said UK warranty requests were very frequently rejected on the basis that a guitar was still “within factory spec” or not kept at precisely 45% humidity etc.
    Dave King's been the only UK authorised Martin service centre for about 15 years. So actually that's quite a good quantitative measure. Warranty repairs on all the Martins sold in the UK keeps one luthier busy for some, but not all, of their time.

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  • MellishMellish Frets: 945
    edited January 2022
    Martin's purchased in the UK have a one year warranty. The care manual says 45-55% humidity so within that won't void the warranty  
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  • LewyLewy Frets: 3795
    When it comes to warranties and related service, I have to shout out to Collings - those guys really look after you if you’re the original owner regardless of whether you’re In the US or not.  They even went halves with me on a refret once (not even covered under the warranty). 
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