Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
I had one of the cutaway electro ones a few years ago, it was fantastic for the money and really did sound very like a D-28. The only problem with it was that as the top is not bound, it was quite prone to dents around the edge.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I have one and the two instruments I play most are a Martin OM28 reimagined and the FG5. FG5 seems lighter and sweeter than OM28 and might not quite have the depth of tone of a Martin but its till just about my favourite. Give it a try anyway if you can. Not really an option though if you want Sitka/rosewood.
As regards 'cheap' Martins, I had an 000X1 for a while and it was OK but I think there are better guitars around at that price range now, especially if you are prepared to buy acoustics from the Far East. Instruments from that part of the world are not to be dismissed.
I retained my interest in Martin's, but actually prefer the tone of a D18, over a D28, as the D28 sounds a little too bright to my ears. I have a hand-made John Hullah in Brazilian rosewood, with a spruce top, and that does sound terrific (it has an action like an electric!). Despite this my 1969 Martin D20 -12 12-string (mahogany, like a D18, still has a nicer tone.
TFB is very interesting, but I guess the dangerous areas will probably be the 'off subject' section, especially of it relates to politics! It seems that in todays P/C. world, so many subjects, and opinions have become taboo.
.... If you have a problem or you get stuck, go to New Members, scroll down to Admin/Mods, pick one and send a PM
There are three or four old Martin models from the 1930s which have achieved iconic status, but nobody in their right mind actually copies them. For one thing, you can't get the timbers anymore. For another they are, by modern standards, primitive with and clunky with (for example) no truss rod. Even Martin don't use those designs anymore, except for a tiny number of instruments badged "Authentic" made especially for dentists and other collectors.
Times have moved on; modern guitars are vastly more practical, playable, useful instruments than the ones of 90 years ago, made with a vast range of techniques from a huge variety of timbers. And yes, I include the current Martin models in that generalisation: present-day Martins are overpriced and overrated, but very good instruments for all of that. I've seriously considered D-28s and D-18s in the past, only to decide that, while good, I can get still better for the same cost or lower in other makes. I've very much enjoyed a CEO-7 but been put off by the short scale (I never like short scale guitars) and the very ugly Gibson-style black sunburst. And to this day I regret not impulse-buying a wonderful HD-28. I've played other HD-28s and rated them "close but no cigar"; this particular one was a gem .... and I went away and thought about it. When I went back to have another look, it was sold.
So yes, a top drawer manufacturer, absolutely. But only one of quite a number.
However, in the interest of the title of the thread, would you mind naming a few of those alternative builders/models?
I had my Martin 00028ec in with a luthier recently for installation of a K&K trinity pro system, strap button and general check over. Thankfully he thought it was a good, structurally sound guitar.
I won’t name the luthier however he is award winning and Andertons acoustic demo guy Ben owns one of his guitars.
Likewise, plenty of people will persist with their guitar without realising there’s an “issue” or due to cognitive bias having spent a lot of money. I’ve seen this first hand as my dads 2018 D28 has almost no saddle left and negligible break angle in order to have a playable action. Impossible to lower further without a neck reset (and probably affecting tone)….but he’s happy with it!
Put it this way- I’d still be very careful when selecting a new D28.
That would give me some confidence to buy a new Martin.