UNPLANNED DOWNTIME: 12th Oct 23:45
Solo of the Month (SotM) #77 - Challenge
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This is the 77th solo of the Month (SotM) Challenge.
The challenge is now open and ends at midnight 24th December 2021.
Discussion:
This backing track was kindly provided by
@maharg101, and also happens to be the winning entry to Riff of the Month #69.
I've reduced the level a bit to allow headroom for the solos.
You can download backing track from Soundcloud below:
https://soundcloud.com/thefretboard/sotm77-2021-12-maharg101-cruise-control?si=a51f1503dba1465c94159772c2d048c4
Record your solo over the top of it and then submit it (ideally in mp3 format) to solos@theFB.co.uk
Also, feel free to comment on how you approached the solo, which will add a bit more interest and maybe we can learn something from each other.
Title: Cruise Control
Tempo: 77
Chords:
E (with sus4 trill) - E9 - A - C - Dma(add4)
There should be headroom to record your solo. Try to set a level without excessive master limiting, because we want to avoid loudness wars.
Voting will start soon after the submission deadline, with each voter selecting their 1st, 2nd and 3rd choice.
First choice gets 5 points - Second choice gets 3 points - Third choice gets 1 point
The order and scores of the top three entries will be announced soon after the voting ends.
No prizes. It's just for fun.
As people submit their entries, I'll post them below to hopefully promote some discussion on approaches used for the solo:
https://soundcloud.com/thefretboard/sets/sotm77-2021-12?si=8abb23ff1883498dbfed0b03cd713955
It's not a competition.
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Comments
Here's a warts and all video.
Definitely not. I spent quite a while developing ideas first. There are places where it didn't quite go to plan and one obvious fluff, but I decided to leave it.
It was the trusty Strat again into a Garageband cranked Vox model with a virtual flanger, fuzz and a phaser
At the moment I'm looking for Watson, SS2, Vintage S, T62, Vanguard.
Please drop me a message.
At the moment I'm looking for Watson, SS2, Vintage S, T62, Vanguard.
Please drop me a message.
Telecaster bridge with the tone rolled off
VFE Standout > VFE Fiery Red Horse Fuzz / VFE The Scream (one section).
MJW Electra
Ox Big Deez 2x12 with a bit of plate reverb
EQ, delay, touch of chorus in Reaper
Trading feedback here
That makes 3 in the playlist.
Trading feedback here
Ibanez AZ2204 bridge pickup
Then, the following plugins in Reaper:
Neural DSP SLO-100 using the 'SLO Lead' preset. I just raised the gate level a bit.
Valhalla Room reverb on the default setting
edit: I edited this post but somehow ended up deleting my message to @stratman3142 ; ;
Great playing....I have an irrational hatred of Ibanez but have to admit you got some good tones out of that one.
The Brian May feel was something I picked out of the backing as well - I’m enjoying building the solo along those lines as it’s so feel good and majestic!
At the moment I'm looking for Watson, SS2, Vintage S, T62, Vanguard.
Please drop me a message.
Thanks - to begin with I just had the chord progression without the Dadd at the end. As I added the drums and bass it started to feel like something Pearl Jam might do, I could envisage an Eddie Vedder vocal over it. I think I lucked out with the drum pattern as this was pretty much my first go with power drum thingamabob in Reaper, but I love the feel of it.
Trading feedback here
maybe I need a rethink!
At the moment I'm looking for Watson, SS2, Vintage S, T62, Vanguard.
Please drop me a message.
Trading feedback here
It's in the playlist.
I'd better get the Hamer Ukulele out...
How long have I got to do this thing?? - not long enough by half, thats how long!
At the moment I'm looking for Watson, SS2, Vintage S, T62, Vanguard.
Please drop me a message.
Trading feedback here
Bloody fingers hurt after doing that one.
You and me both....you'll probably hear on mine the moment I switched from Jag to Strat towards the end
It's in the playlist.
I can't remember when I last broke a string. It must be years ago. I obviously need to put a bit more effort in.
My approach:
I wanted to focus on riding the volume with as least gain as poss, playing as cleanly as I could, and initially pinching the string between pick and thumb to twang it and build up the intensity across the track
Once I'd worked out the structure of my piece I decided to start with neck pup volume on about 1.5.
As I got to half way through I nudged neck volume up to 5 and flipped to the mid position hastily but incrementally upping the neck volume to 10 with the playing getting more frantic until I reached the end at which point I wanted to select the neck pup again and wind the volume down to 1.5 for the final E major chord strum but in the excitement I only made it down to about 3 so the final chord isn't quite as clean as I was aiming for.
Practised it loads but this was the first and only recording I took.
Overall quite pleased with the feel of it but there are a couple of bits that could've been a bit neater.