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Check out my YouTube channel for videos of luthier-built and vintage guitars!
Luthier Stories - My series of interviews with some of the world's greatest guitar makers
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Comments
finger style can benefit from wider nuts and longer scale length
also ease / mellow tone, rather than “strangled” tone on some parlours
As GTC said I also like 11s - with a medium action I don’t find the loss of tone or volume a lot of people say you get with anything lighter than 13s on one.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I imagine if you're a more sophisticated fingerstylist then it might all be a bit indelicate with a dread.
I am now quite comfortable with a 000 size but can't ever me see me going back to a dreadnought.
You can do anything!
Check out my YouTube channel for videos of luthier-built and vintage guitars!
Luthier Stories - My series of interviews with some of the world's greatest guitar makers
Check out my YouTube channel for videos of luthier-built and vintage guitars!
Luthier Stories - My series of interviews with some of the world's greatest guitar makers
Davey Graham
John Renbourn
Ralph McTell
Pagey
John Martyn
My favourite of the lot, Bert Jansch, did play OM style models in the 60s, but of course later on and since the 80s played a stock Yamaha dread. I have never heard such beautiful guitar music or guitar tone.
I guess it's not so much what you play as the way that you play it.