Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
As he didn't have much experience, I'm glad he brought the guitar back to the shop, I'm just curious to know if the issue was ever resolved or if he was offered a replacement.
@malcolmkindness - I'd forgotten all about this thread...again!
So after a few weeks, the shop called me to say the guitar was back from Martin having been in their drying room. I'm glad to say it's back to being in the same perfect shape as when I bought it originally. Sounds and plays great so a good outcome in the end. I was without the guitar for a while but not the end of the world as I have others.
Whatever anyone else's opinion, I'm certain that for me, returning it to the shop to deal with was the right thing to do.
Action going from factory spec to over 5mm in such a short time while in a room with other guitars that didn't budge seems very unusual to me. In fact, I've never heard of such a thing EVER. Has anyone else encountered a similar problem?
I find the solution of merely popping the guitar in a drying room just as strange. So strange, in fact, that I'm inclined to be sceptical of their description of the repair and/or the original fault.
I mean, what is unique about this guitar that it should behave in such a strange fashion, and what's to stop it happening again?
As for what's to stop it happening again - probably nothing. Let it get over-humidified again and the problem will likely come back. So don't do that is the answer.
Generally speaking, a lightly braced guitar will be more susceptible, but a lightly braced guitar will be more desirable in almost every other respect to most players. So that's the trade off.
Bandcamp
Spotify, Apple et al
Martin guitars are well-known, one might almost say notorious, for neck-angle problems. I think it is fair to assign part of the responsibility for this to a light build, but only part. A lot of Taylor models (just to name one example, there are others) are every bit as lightly built and responsive as a Martin, but they don't seem to have anything like the same need for adjustments and expensive neck resets.
Also, I wouldn't be so quick to claim that a lightly braced guitar "will be more desirable in almost every other respect". A more solid instrument has several advantages beyond the obvious one that it tends to last well and not need repairing all the time; among these, it has more natural compression and in consequence is more playable (depending on the player's technique and chosen genre), and it copes much better with amplification if you play live.
(Disclaimer: I have seven guitars. Two are very lightly braced, two are quite solidly built, and the other three are somewhere in between. I love them all. I can play anything on any one of them, but in general I tend to reach for one that is going to work the best for the particular style of music I'm about to play. Horses for courses.)
of the others:
my 35 year old cheap Fender F3 made no difference (it has very low action) and my 40 year old classical also made no difference.