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Also, K+K pure mini has no wires flapping around to batteries, just one short one to the socket
I had guitars being spoiled by wires rattling against the sides
you can still add IR to the sensor output, and it sounds less piezo-y
You can get undersaddles without an internal battery. I've got an old Headway undersaddle in one guitar (probably been in there for 20 years or more). That doesn't have any internal stuff other than the pickup and a wire to the jack socket. It has an external preamp that you can put on your belt, or the guitar strap. These days you could replace the preamp with something that has all the digital trickery.
A lot of those digital things seemed to have been designed around input from an undersaddle, and seem to work best with them.
I have two acoustic guitars, each with an L.R. Baggs Lyric. Each of them sounds like what it is. The posh fingerpicking guitar sounds posh. The mid-price, solid top, laminated back and sides guitar sounds kinda soft around the edges.
IMO, the simple and obvious way to get your idea of suitable EQ to any venue sound engineers is to run a pre-amp/pedal device between your guitar and the balanced XLR signal feed. Tommy Emmanuel runs an AER combo for his onstage sound. He entrusts the D.I. signal to the house sound crew.
In the end I did indeed go for the L.R.Baggs Anthem system AND the K&K Pure Mini feeding two outputs:
This is how the two systems look installed. I put the three Pure Mini transducers in the recommended precise positions on the bridge plate directly under the saddle and also took advantage of the modest leeway suggested in the Anthem technical information on alternative positioning of the condenser mic:
From the soundhole point of view, it's a bit of a 1990's hearing aid look, but relatively discreet and convenient to use:
I haven't tried all of the permutations and combinations yet, but already have come to a number of conclusions - some that surprised me:
* No surprise based on many of the above views - the Pure Mini has a very natural sound. Especially through my electric guitar amp (which is a very pleasant surprise).
* I was quite surprised just how loud it is, though. Through both electric guitar and mini PA, it is louder than the 'out of the box' settings for the LR Baggs
* Also reflecting the wisdom expressed by some of you folks above, the Anthem system is indeed, very flexible and some very nice sounds coming out of it. The piezo seems relatively un-piezo sounding and there are some nice blend settings on both amps
* A surprise, though. While I haven't tried it yet through the big PA, on my mini system the Pure Mini (direct into the amp and not through a DI box) retained its treble, while the Anthem dropped to the more familiar 'PA muddy' tones. I was expecting it to be the other way round. Nevertheless, the Anthem - with a few blend tweaks - was still not as muddy as some...
* Overall conclusion - for what I was looking for, ie, a competent sound through various audio systems and usable in live and studio work, this combination bodes well: giving Matt (the prospective owner) the ability to choose between either system to best suit the venue and equipment or using both together. Plugging both systems through my mini PA gave me a sound as close to mic'd acoustic as I have ever achieved in the past
I'll get someone to do some proper demo audio files as soon as I can.
https://youtu.be/-Bckzvnup7I
https://youtu.be/4qQ9iHK22IE
What settings/IR's did you use on the Helix? I tried to get something I liked out of it with a K&K Mini Pickup through a Helix LT and ended up going back to just using a LR Baggs Anthem because I couldn't get anything I liked from the LT. I used the Sigma3 IR's, but from what I understand they are designed for Piezo style pickups which the Mini isn't, and I personally couldn't find one that I thought was better than some general Eq'ing
Feedback can be found here http://www.thefretboard.co.uk/discussion/comment/908933#Comment_908933