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Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
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Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Auto-Bounce by Tom Salta
Dreamhost Web Hosting
James Hetfield doesn't and is hasn't harmed him.......
I'd say learn them, much easier to work out chords, and scales etc if you can analyse what notes you're playing. And you'll be able to transpose into different keys more easily.
Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21)
Sure, you can get by without knowing your notes but why would anyone do that? This is our language, it's the way we communicate swiftly, accurately, and easily to others.
Studio: https://www.voltperoctave.com
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Me: https://www.jamesrichmond.com
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Quite clearly that wasn't what was being said though was it? With any skill the 'need' is completely relative to the requirements of the individual or the task. If you never plan on jumping in to water then you probably don't 'need' to know how to swim, however it is still a worthy skill to have.
Do you need to know all the notes on the fretboard? If you want to sit in an orchestra pit in the West End then almost certainly yes. If you want to play in your own band playing your own compositions then it's not a necessity. If you are auditioning for Mark E Smith then is probably a major disadvantage.
I put a good deal of work into learning each note and scale position on my guitar, then when I found out how useful it was I learned them on all of my other guitars as well. B-)
Some people seem to take pride is their lack of musical knowledge - but as @Octatonic said, this is generally down to laziness.
My musical knowledge is not immense. I'm self-taught but have tried to widen my knowledge base as much as I can. For example, when playing over a blues progression in A, I found playing a B flat over the E chord sounded really good - which was fine but I wanted to understand why, as it is clearly not a note that forms part of the tonic scale.
The answer is that it is the flattened fifth of the 'five' chord, hence, in the context of a blues, it 'should' work. I don't think developing an understanding of these things has any down-side. I certainly don't subscribe to the view that 'feel' players are somehow diminished by knowing more.
Being able to to communicate musical ideas quickly and straight-forwardly with other players is an important skill when it comes to being a rounded player. This is best done by being able to use the 'language' of music....
Provided the rest of the band are using the same method then it doesn't really matter.
It's not like these guys were dufii either, in fact very very much the reverse - you'll know three of them straight away and the fourth is a local jazzer of good repute.
.. so what am I doing wrong?
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@frankus What worked for me was the "E-F-G" test IE pick 3 note ( eg E-F-G hence the name) and find them across the fretboard on each successive string. I'd start with no sharps or flats and 5-10 minutes per session.
I normally do E-F-G then A-B-C then C-D-E.
Ringleader of the Cambridge cartel, pedal champ and king of the dirt boxes (down to 21)
I've never sat down and "learned" the notes on the fretboard, it just kind of sinks in after playing for so long. I don't know them all straight away, but the ones that don't come instantly are easy enough to work out in a couple of seconds or so.
I don't really see it as something that is learned as an academic exercise, just part of the knowledge that you amass with experience.
@mike_l ta, I'll give that a try - tbh Austin Panda Car (I'm not about to namedrop) showed me that and insisted I used a metronome - but I was crap at practicing it. I've got enough metronomes around the house to try that again.
Bandcamp
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