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What body shape/size are you definitely after (do you want to stick with a dread or would a 000 suit)? Are there any particular woods you favour and how will you use the acoustic (strumming, finger style)? Narrowing those choices down will make your decision making process down. Good luck.
https://www.dawsons.co.uk/blog/acoustic-guitar-body-types
It isn’t definitive but will give you a rough idea.
From personal experience a 000 which is smaller than a dread (though not the tiny Ed Sheeran size) is great for fingerpicking, the dread less so but excels when strummed. I try to always have one of each available (the electric equivalent might be having a LP and a tele/strat).
https://www.thefretboard.co.uk/discussion/155097/ngd-eastman-e1-om-ltd#latest
To be honest my first thought is that your budget is pretty close to the retail price of what you have at the moment. Whilst you will get a bit of a lift by going second hand there may not be a massive jump.
Having said that I’m all for buying a guitar just for the sake of it. .
Martin 15 series
Eastman SS
Harmony 1260 with change
A few decent examples
Of course there are guitars which are very good but will be different, like MIC Guilds, Eastman to name a few
This seems like a good idea. I'd recommend taking your Faith to a luthier for a good set up if you've not already done so. A good one makes a lot of difference.
Thanks for the suggestions chaps.
My gigging electro is a Faith Venus which is impeccably made and works perfectly, but I vastly prefer the acoustic tone of my £1,000 second hand Gibson J-35, although it isn't necessarily better built.
I think before you spend money you need a target to aim at, or you'll be paying money to stand still. My goal was a typical pre-war American tone which the J-35 answered, but if I preferred a more modern tone I would've been better off with my existing Faith.
Perhaps a visit to a well-stocked dealer is in order. Play everything - play ones you can’t afford - at least it will help you work out what you really do like/dislike. Maybe you’ll find that you’re actually happy with what you’ve got...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I think I’ll probably end up fitting a pure mini for time being and maybe invest in a nice preamp pedal.
So on Sunday I tore all the guts out of it and wired the undersaddle piezo directly to the jack, then tried it through my Zoom AC-3.
At last night's gig it's the best it's ever sounded, and I no longer have to worry about batteries. Wish I'd done it years ago.
I can't understand why having the pickup *only* in the guitar and an external preamp is not the accepted way to do it - it's better in every way.
I was going to say every way except not having the controls at your fingertips, but actually that's an advantage too... nothing is more infuriating for a soundman than having the player adjusting the sound of the guitar mid-song.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
And if the latter do you notice any difference in sound when playing?
@drofluf I left the preamp out as it happens to have a separate surround which acts as a hole tidy.
The hole does definitely act as a sound port, though obviously that's totally inaudible on stage.