UNPLANNED DOWNTIME: 12th Oct 23:45
Oh dear Taylor. Lowdens got you beat
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This weekend just gone I spent the a few days in Belfast. As per most of my visits to new places i tried to find out if there were any music/guitar shops within walking distance of where I'll be staying. Low and behold I come across matchetts guitars and the Google description says Taylor guitar retailer also stocking Martin, Tanglewood and Lowden. The place was relatively small with somewhat apprehensive staff. In all honesty who'd blame them for being dubious of a youngish bearded Welshman asking to play the 3 grand Taylor in the corner (I forget the model)? But they did and what a pile of shit that was. No offense to the Taylor owners on here I'm sure your guitars are lovely but this was naff. For a dreadnaught it lacked punch, volume and body. It was just soul less. Then the man says " if you think that's good! Try this!" And hands me a Martin D28. That's better! Rich, clear, plays nicely and generally a joy to play. Then he hands me a Lowden O25 cedar/rosewood. Thats when my life changed forever. What a thing! Just sheer perfection in every way. It was beyond a doubt the best acoustic I've ever played or even heard played. It was clear as a bell, resonated beautifully and played better than I thought possible. The sound it made was intoxicating. I then went on to play a further 6 lowdens. O22, O23, O35c, OM55 and a few exotic wood varieties that other than being bite the back of your hand beautiful, didn't sound any better to the others.
So cut a long story short I now have insufferable GAS for a O25.
If you need me I'll be routing through my house looking for a stocking, a sawn off shotgun and a back marked £
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Lowdens are tonally very different to other makes; Richard Thompson (who's one of my favourite acoustic players) sounds wonderful on one. I recently tried his signature model and didn't get on with it all.
At this level, I genuinely don't think there's a definitive 'best' - it varies from player to player.
O22's are cedar and mahogany. Not rosewood back and sides. I thought the mahogany and cedar combo sounds more open off the bat than spruce and rosewood.
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As @richardhomer said, Lowden do have their own sound so if you like that then go for it but it's great fun to go and try a bunch of really nice acoustics.
I played some Lowdens at the Olympia Acoustic show last year. They were absolutely lovely. The problem is I'd like a slightly narrower neck. The guys on the Lowden stand said that I could get one with a narrower neck as a custom order. If I had 3 grand I'd seriously consider it.
I completely agree with you on that. I've yet to try any collings acoustics buggy are anything like their electrics they will be something special. I've played quite a few high end Martins and they are nice. The custom shop ranges do warrant the price difference due to the sound and quality being superior. I've played Santa Cruz and Avalon and they are beautiful but didn't make me want to steal it immediately.
Ultimately if you like the Lowden that much then try to get the funds together.
Just be a bit careful if can't get that particular guitar though. Some are a bit more special than others. I remember trying a Martin HD28V about 12 or 13 years ago that was amazing. I went back to the shop a couple of weeks later intending to buy it and they had sold that guitar. They had got another one in but it wasn't as good. If it takes you a while to ge the funds together then you might have to see what's available when you have the money.
I played each of them many years apart and was blown away with all three; vastly better than any Collings I've ever played (and I've played a lot more of those).
I may have got lucky and happened to play three particularly fine SCGCs - but they really were exceptional.
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"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
I went out to try some replacements recently and none of them did anything for me - Martin, Collings, Moon, Taylor...nothing else really sounds like the Lowden. My plan now is to keep it and pick up something like a GS mini for songwriting sessions where space and comfort are at a premium.
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My GAS is now moving across to acoustics after many wilderness years. I own a Taylor 614ce Ltd 30th and it is a truly beautiful instrument. I ordered it from new and it is tobacco sunburst.
Taylors are more about the 'throw' of the sound for me perosnally, as well as the excellent ES system... I play ed mine at church frequently and it was faultless. I remember the guy from the Acoustic Department at PMT saying it was one if the best guitars he'd ever heard...
Actually, though, I feel like a change. Maybe im maturing, but i fancy a Lowden... Im a big Richard Thompson fan too and love the sound of them...
A trip to Coda is on the cards maybe.
http://i1160.photobucket.com/albums/q493/Warren3333/919661b90827e98a044a66a8444a8dad.jpg
So after I'd played them all with and without a plectrum I decided they suited both styles so up yours cock face!
I'd say that they're not even competing in the same niche of the market.
*An Official Foo-Approved guitarist since Sept 2023.
Lowden O25 was priced at £2650. That's pretty close and I don't mean to over egg this but I wouldn't cross the street to play the Taylor again
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson