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I must admit I fancy a change acoustically. Since my pedal gas has been reduced, I know find it's acoustics and amps that draw my attention !
Ive loved my Taylor. It's a very rare Tobacco Sunburst 614ce Ltd (Fall) Edition 30th Anniversary. I custom ordered it from new.
But Ive always fancied a Lowden (I guess inspired by Richard Thompson). The sustain and chime on some of them sounds incredible...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
https://www.facebook.com/photo.php?fbid=1290445380969818&set=pb.100000131046063.-2207520000.1460804671.&type=3&theater
not sure if these links work ...... when i had some work done on it george told me it used to be a wardrobe lol could have been blarney though ....
I have played loads of Taylors of all price brackets, none have come close to this F50. Had a few other lower spec Lowdens as well, and they are all 95% as good really. To me, they are pure fingerstyle guitars though.
I have a J45 Legend that finger picks almost as well, but does everything else far better, hence me selling the F50. Was still painful to sell such an amazing instrument though......
Still a mistake which I regret after twenty years...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Noise, randomness, ballistic uncertainty.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
The benefit of Taylor's is that they have an adjustable neck which makes correcting this easier. Taylor's have low, electric-like action anyway.
And I believe they come from the factory with a higher action to allow the customer to adjust to taste. Easier to drop action than raise it (i.e. new saddle). Many fingerstyle players like quite a high action as certain techniques really move the strings, more so than with a pick.
Can't imagine why resonance would really necessitate a higher action.... Lowdens can be setup really low, just like any other guitar. Certainly the ones I have had were easy to get very low actions on, due to the incredible build quality, straight neck etc., and certainly no issues relating to resonance.
I got mine in many years ago.
Lowdens and Taylor make great guitars and I don't see them as in competition - better / worse.
Sure they are both 'steel strung flat topped guitars' but if you look at how they're used (typical players) you'll see they fill different niches.
my O25, actually 'L25' back then - latifolia = Rosewood, cost me £740 - almost 30 years of pleasure and still a 'reference' for assessing other guitars by.
Nigel makes superb instruments - if I was 'in the market' for a fine guitar I'd be 'chapping his door'.
I got mine in 1988 Serial No. 717
can I say, Lowdens and Taylor make great guitars and I don't see them as in competition - better / worse.
Sure they are both 'steel strung flat topped guitars' but if you look at how they're used (typical players) you'll see they fill different niches.[/quote]
Has it aged well?
The problem I have is that I've played tens of Taylors of all different models, wood varieties, price brackets all whilst using different playing techniques. I've never played one that spoke to me or felt remotely inspiring. To me it's like they've built it to be efficient rather than sound quality and charactor. It's like owning a classic car or motorcycle. Yes they break down, leak oil but they are just more fun than the average Eurobox. It's a daft debate to be fair because everyones opinions will differ and we are lucky enough to be able to pick and choose to our needs
Bo
as I say above Bo,
"still a 'reference' for assessing other guitars by." - structurally it's in very fine condition, just the normal wear and ding mark's u'd expect. I had the frets stoned and re-profiled in the early 2000's after a decade of gigging activity - still going.
They are, made in a 'Small Shop' environment where the team care about what they do - make musical instruments, to the best of their abilities, I know a couple of the team.
As I alluded too above - note the artist who use them (and what kind of music they play) - speaks volumes, they don't get them for free as Thomas Leeb points out in one of the Lowden videos - .
ourmaninthenorth
Newtone master class and DR Rares have been my choice for all my guitars for decades - if u don't have 'devil sweat', there hard to beat - v/high quality bronze alloy used in the winding.
Ive played a LOT of acoustics, and Im just about to sell my gorgeous rare Taylor... I will say this; mine is a 2004 Ltd 30th and ive yet to play ANY recent/new ones that come close to it. Maybe they were better made back then...
I spent around 3 hours with Doug at Coda last week; tried everything.
The om/000 body style seems to suit me. Loved every Lowden I picked up, and was tempted by the very high end stuff - it was gorgeous !
Martins generally disappoint but there were a few nuggets there. But in the end, i brought a Collings OM1 Mahogany Custom. A simply stunning instrument, with a gorgeous aged sunburst.
http://i1160.photobucket.com/albums/q493/Warren3333/FullSizeRender_15.jpg