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Anybody got any experience with this product?...
http://www.ikmultimedia.com/products/irigacousticstage/
Good points... bad points?
Thanks.
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My only concern would be that my experience of using things live based on impressive sounding DI'd demos hasn't always been a happy one.....
I've totally fallen out of love with piezo pickups on acoustics (well... I was never in love with them... I tolerated them... but not anymore)... so I'm interested to see how this pans out.
F**k it I might just have to get one.....it's just cheap enough to take a punt and will probably be good for something.....
That could be a valuable addition to my live performance. End each song with the mic-ed up bubbling sounds of a pint of Fosters.
sounds good on my fender dreadnought
but the revelation is what it has done for my Kramer Ferrington - piezo is soooooooooooo bright and tinny, but using this and blending the two sources is great.
havent tried it live yet.
downsides
- signal is not strong, but just require turning up the amp
- I cannot believe the thin cable and connection will last a lifetime
- it doesn't fit very well on my classical because the soundboard is quite thick - one would have thought the designers might have worked that one out
still think reasonable value at the mome t
@sev112... Thanks for the info. Is the one you bought the new model that was announced at January's NAMM show i.e. the Stage version (with the separate pre-amp / DSP)?
With your Kramer... what does it sound like if you just use the iRig mic (with no output mixed in from the piezo)?
Kramer just using the iRig Mic is much much better sounding. But I find that a little bit of the piezo gives it a reasonable bit of brightness but not too much.
The feedback reduction works quite well and only using the bright setting generated high frequency feedback that it couldn't improve.
Theres a mic-like ambience to the sound - that's what is going to require further testing at volume to see if it stays sounding nice or whether gig-level volume reveals any honky nastiness.
In terms of build, the cable is very thin but no different to the cable on something like a DPA 4099G. The preamp is plasticky and cheap. Doesnt feel like it would survive its first stage mishap.
Will report back after louder testing.
https://soundcloud.com/david-woodhouse/untitled/s-9LIpp
@Lewy and @daveww. What's it like to attach to the guitar? Is it easy to attach... is it fairly firmly held in place? Does it get in the way of playing?
@daveww Thanks for the recording. Sounds good... and nice playing.
@daveww Thanks for the info.
No need for nerves... as I said, nice playing. :-)
- The feedback buster works but it doesn't take any prisoners. There's quite a lot of sonic collateral damage when it goes after the offending frequency so in practice you'd want to use normal feedback reduction techniques and use the button as a panic button if needed rather than relying on it from the off
- It's sensitive to how you play - if you calibrate it to soft playing with fingers and then switch to a pick, it can sound a bit honky
- Handling noise seems less than a normal clip on mic
- Once EQd and calibrated, it sounds very good. Better than a K&K or definitely any piezo
- But....you do need to EQ it properly which means you need to think about your use case(s). I wouldn't turn up to an open mic with this because I think there's a lot of potential to get a miserable sound at the hands of a disinterested house band member plugging you in and going straight to the bar. But if there's time to soundcheck properly it's a viable option and I do like the fact that the sound is so good for something you just clip on.
@Lewy Thanks for the info. Interesting that you regard it as being better than a K&K. K&K Pure Mini was my original plan. Maybe not, now though.
In my very limited experience, I find piezos harsh sounding... that's why I was interested in one of these.
Re. EQ adjustments, what were the main issues that resulted in the need for EQ adjustment? Boomy-ness... tinny-ness?
Thanks.
Regarding the comparison with K&K - it does sound better in terms of pure sound quality but I'd still go with a Pure Mini if I was going to be plugging in in a variety of scenarios and ease and quickness of getting a good sound was ever going to be a factor.
One other thing I detected - and I'm not 100% sure and need to play with it more - but for fast picking I felt some latency which would probably stop me using it for bluegrass, for example (and I'm not "quick" by any measure).
Thanks again. Interesting info.
I'm off to see where I can get one.
Now, live, I would just use the undersaddle plus the TC BodyRez as the iRig is very flimsy - agree with the downsides mentioned above by @sev112 ; surprising as it is marketed for stage use but I can't see it surviving many open mic sessions let alone a full gig.
But for recording this iRig is great! When calibrated I get a lovely woody but clear sound that really picks up the nuances of my left and right-hand technique way better than the undersaddle pickup does. With a touch of reverb it is really inspiring to play.
The signal is very weak though so needs to go through a preamp.
I'll put up some sound samples next week.