UNPLANNED DOWNTIME: 12th Oct 23:45
What's Hot
Howdy Everyone.
I have just recently joined this Forum, and would like to pick some brains.
I have been playing guitar....mainly acoustic....for a number of years and l am mainly
a finger picker. A few years back l bought a kinda cheap Gretsch Jim Dandy short scale
12 Fretter and really enjoyed the experience and comfort of the short scale and small body.
A year later l bought a Eastman E10P Parlour.....now that was a big improvement on the cheapo
Gretsch and it's a Superb Guitar.
The thing is, although it's a great guitar, l find it just a bit too "Polite " for fingerpicking Blues.
I want to upgrade again to a guitar more suitable for blues and kinda narrowed it down to these 3.
All short scale 12 Fretters - Collings Waterloo, Gibson L1, Martin 0017s.
So, l would very much appreciate any thoughts / advice any you guys could give.....if you
own one of these 3, and can pass on any knowledge, even better.
I'm just trying to do some homework, l can't afford to make an expensive mistake.....
I'm not a rich guy, and would probably have to sell my Martin D18 to help me along the road a bit...
Many thanks
McS
0 LOL 0 Wow! 0 Wisdom · Share on Twitter
Comments
IMO, the Ladder Braced Collings Waterloo can't be beaten for playing ragtime style blues, but that is the 14 fret model. The Waterloo Kel Kroydon looks superb as well and there's a new Stella repro which I know nothing about; which is ladder braced and in 00 size.
FWIW, I'd stick clear of the Martin 00-17S, nice looking guitar but the string spacing at the saddle IMO is too cramped for fingerpicking.
http://atkinguitars.com/guitar/l-1/
How about a Recording King ROS 616
or an Epiphone EL 00
Or get an expensive OM and play aggressively
I'd agree with that - such guitars are quite unique in sound and I wouldn't sell a nicer-sounding dread or something to fund one in this day and age.
Recording King goes for the Martin look, but The Loar (part of the same company)go for more of a pre-war Gibson aesthetic. I've been really pleased with my Loar LH-200 - it's stunningly well-made for the £200 I paid for it. Nice woods, thin finish, bone nut and saddle...You won't find a bad review of them, unlike the Epiphone equivalent (I don't think that's an Epi in the Robert Johnson cover). They also make a solid back and side version (the LH-200 has laminated back and sides). The only drawback is although they're small-bodied "blues boxes" they are actually full scale 14-frets to the body.
Collings have a reputation for having great after sales care so if there was a problem they'd sort it out.
I can't find any info of a new Stella reproduction anywhere.......??
http://www.waterlooguitars.com/wl-s/
http://www.waterlooguitars.com/wl-s-deluxe/
John Martyn who we've recently been discussing on here played 'blues' on a D28 and a Guild
heres Ry Cooder on a Martin D45 ! -
oh Stella repros -
Fraulini Guitars are the ones.
But if ya need 'cardboard' sound - get an old European plywood guitar.
Great video clip, but as try as I may, I'm no Ry Cooder or John Martyn - for dreadnought sounds, I have a D18 and do my best with that.
I already have a couple of 2 Bob rocket cardboard sounding guitars, and even though they cope alright with some bottleneck stuff, they are pretty awkward to play fingerstyle.
I just keen for a better made, small body, short scale 12 fretter......