UNPLANNED DOWNTIME: 12th Oct 23:45
Left Hander Playing Right
I've been playing for some 45 years. I picked up a 12 string owned by a folk guitarist, Ian Campbell, when I went to my best friend's house for munchies after school. Long story short, when he saw me eyeing his acoustic axe he grumbled in a broad Scottish dialect "So you want to play guitar". "Um, yes," I mumbled, totally intimidated. He was right-handed, I was left.
And I've never changed, playing right-handed left. It does offer great bass and open chord possibilities but there are challenges when I need to see the dot fret markers on the side of the board.
So, the question: any advice how to apply some non-permanent fret markers?
I don't wish to devalue my guitars by a permanent fix (with a professional luthier's costs, or otherwise) but I'd like to see the buggers when I'm fast shifting. It's not so bad with the prominent mid-fret inlay on my HD28 and such but I frequently ride a Faith and the only indication is the logo on the 12th fret.
Tips and suggestions most welcome.
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Comments
I've seen a few people do this on YouTube. Never tried it personally. I guess if you start that way, it must feel normal to you.
I am left handed but play as if I was right handed.
I don't have an issue checking out a guitar because I simply take a right-handed acoustic and turn it upside down. I have always played this way. It does mean there's little point in buying cutaway instruments (unless they play well) but I tend to play mid-range fretting and lower finger picking so no big deal. Oh, and welcome to the forums.
speaking for myself I think difference is that though we use both hands to play, it makes intuitively more sense as a beginner to use the hand you can coordinate easier as the one that produces tone, in the first instance. Some folk have a more severe imbalance with handedness than others - hence why some lefties can pick-up it up right-handed easily, with difficulty, or not at all (and absolutely have to play lefty, like myself).
that most folk use the weaker hand for fretting is a perfect indicator for me of where the 'hard work' actually is - alot of the time folk get obssessed with fretting hand stuff, to the detriment of the importance of a strong, dynamic and articulate picking hand (I'm as guilty of this as anyone).