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I'm thinking of keeping my main gigging rig but having the Kemper as a bit of a all in one solution for home use, recording and maybe gigging if I can get used to not having a proper amp/FRFR.
So the Kemper wouldn't have been used all that much, and would've just sat there. So I sent it back. Still kinda want one, but can't entirely justify having it.
Everyone seems to be getting the Kemper-loose-track-of-time moments. It seems that people love them just for being able to turn it on and not have to tweak - just straight into the playing with inspiring sounds which sounds grade a to me. I used to have the time to tweak and I loved that but I just don't anymore with one thing and another. I want my playing time to be about playing not tweaking.
Good advice on the 30 day money back guarantee though, I think I will definitely go with that.
The other concern I have is about patch changing and how instantaneous it is - I can't actually remember!! Plus I think performance mode is still in progress.
This is the video I was referring to. Some absolutely killer tones in there.
Studio monitor or PA type speaker drivers essentially. They don't (or aren't supposed to) colour your tone like a guitar speaker does.
I heard one last year although it was a slightly bigger gig than your usual pub. The sound out front was a lot better with the Kemper than it was when I saw the same band the year before and the guitarist had a Marshall half-stack.
I borrowed one for a weekend a couple of months ago. I was impressed with the sounds in it. It's much better at that edge of breakup stuff than any other "modeller" I've used. Didn't try doing any of my own profiles though. Definitely want to get one at some point. Need to sell some things first though.
For those who have a 'good' valve amp does the Kemper feel the same and do the amp profiles (either those that come with it or those that can be downloaded) feel and sound like an amp should when playing clean. I think, though I might be wrong, that modelling is better able to fake an amp with loads of distortion than a clean amp just on the edge of distortion.
And how much of a compromise is it to put the Kemper through the output section and cab of a valve amp? What puts me off is all the extra gear it is suggested you need in order to get acceptable results, midi controllers, FRFR amps and cabs etc. If I thought I would get good results through the output section of my Dumble clone and 2x12 I might be more inclined to give it a go.
I have noticed a few people have Kempers in this place, and I wondered how they worked through headphones? I'm guessing that in theory they pass as FRFR.
I just wondered if the Kemper came across as harsh or fatiguing through headphones?
If I had one, I'd end up using it like this for quite a bit.
*An Official Foo-Approved guitarist since Sept 2023.
Thanks @PVO_Dave that's encouraging.
Funny, as a high gain player I think the opposite.
Clean sounds are usually pretty responsive to me - different tones from the pick attack.
High gain is where modellers let me down (never tried axe FX or kemper or the one Andy James used for a while).
Then again, I heard a demo of a strat through a dumble on tgp people were wetting themselves over and to me it was a very boring, plain tone. Maybe different types of players "get" different things.
Whilst I probably do sound like a fan boy harping on about my new toy I stand by what I've said before on here.
Live the Kemper is the dogs bollox - sounds superb when properly EQ-d up gig volume.
Only negative I can think of when using it through the PA is that I can't fookin hear myself so have to use a monitor.
This thing about 'feeling' like an amp or not; I've now done two gigs with the Kemper direct into the PA. When I play with my band I can never actually hear my amp that well over the drums and bass so invariably have it coming back through the monitors at me.
That is the sound you expect to hear from the Kemper. So to me it sounds jsut as good as the amp I normally hear through my monitors except I don't have to bring 'my amp'. The sound guy also finds it easier to mix and I have 100's of amps to choose from and have fun with - cushtee!
'Feeling the amp' really depends on what you are used to, 'back in the day' I switched from using two 100W Marshall heads and 4 4x12 cabs to a JMP-1 and a 1x12 monitor, it obviously felt different. If your normal amp is a princeton reverb set at 2 and mic'd up it's not going to feel that different at all
Nothing to stop you using a Kemper through a power amp and 4x12 for your on stage sound and direct to FOH for the audience if you play venues big enough