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Set your eq to a high q (narrow bandwidth) and maximum boost/gain. Then, while playing the track, sweep it through the frequency range until you home in on the frequency (or frequencies, you may want to do a couple of passes) which sounds the WORST. Once you've found an ugly frequency, set the gain to zero and then start CUTTING that frequency until the offending frequencies are reduced sufficiently. You may well want to WIDEN the q slightly as well.
I find this a very effective technique which allows you to identify the problem frequencies by exaggerating them until they are obvious.