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So if I've got a bag of sand to spend on a nice new bit of kit..
Do I underspend to get the 68 DVR, cos I love the sound... or pony up a couple of ton more to get the Kemper?
Gigging not a requirement here..
What would you choose and why?
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Comments
It's going to be a biased viewpoint either way for most. I can't see past the amp but the I have never been able to get past the (albeit miniscule) latency of digital stuff. I have never tried the Kemper but there are plenty of folks like @Drew_FX who are equally precious about their tone who seem happy with it so maybe it's an exception.
I suppose your needs and facilities have a massive impact of the choice too. If you need a multitude of tones and need to record in silence then maybe the Kemper is perfect.
I've got my recording set up sorted and have a bunch of amps and mics.
I was always cynical of amp simulations, but after a lot of research i ended up buying S-Gear which is very impressive.
This got me thinking that using modellers for recording was viable. My heart says go for the amp as there is something magical about playing through a Fender like the 68', but my head says Kemper for all the obvious reasons.
In the long term I imagine the Kemper, like PCs, devaluing quickly as software alternative start to appear (like the Bias Grid stuff).
(That's just an observation).
I would take the DR over the Kemper any day...much more pleasure in a proper valve amp with knobs, valves and a speaker than a box of parameters and patches...
but then...buy both, profile the DR and send it back under the 7 day returns...
Now... when I had the Axe FX I struggled to get live tones that were as good as my valve amps. This was with a solid state power amp as well as going into the return of my valve amp. I wasn't happy with that. But with the Kemper, I took some direct profiles of my valve amps, and those through the FX return of the valve amps... nigh on indistinguishable when compared to the valve preamp. I most definitely would be happy with the tones, but I feel it requires a valve power section still.
Where I am not so sure that I would be happy is with the rig switching speed. It doesn't feel quite fast enough at home. I've not tried it in a band situation, because at the time I didn't have a viable midi controller.
So.... I dunno really... I think the Kemper sounds absolutely brilliant. Better than a lot of valve amps in some cases, because of the lack of noise and the built in adjustment features. When taking direct profiles of my amps, I've been able to get it to the point where no-one in the band could hear the difference between Kemper and valve preamp. But because I have these valve amps, I'm not quite prepared to utterly jump ship just yet.
It's a piece o' piss to use and sounds and feels the closest to a real amp to me.
The deluxe reverb is a lovely amp, it does a couple of sounds really well, and could well be an amp you keep for decades. The only thing I'd change would be once the amp was out of warranty I'd get a tech to remove the digital tremolo board and replace it with an optocoupler.
The Kemper will do lots of sounds well, will need additional kit if you want to use it live, and would be perfect for studio use, but you're unlikely to be using it 10 years down the line.