UNPLANNED DOWNTIME: 12th Oct 23:45
GAS: Taylor 2014 Koa Fall Limited - 324 or 326? *EDIT* Almost-NGD!
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Looks like I may be buying one of these after trying the 324-CE K yesterday in Denmark St! Rather stupidly though, I didn't try the 326-CE K they had next to it, and after reading up on them last night I'm wondering if it might be even more suited to my tastes as a hard-hitting player for mostly strumming, and a growing amount of fingerstyle.
Anything else I should consider before splashing out £1.5k for an all-solid Koa guitar? The only things I'd really have changed would be a slightly chunkier neck profile, and a gloss finish; neither are dealbreakers though!
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The spruce/Sapele 300s punch well above their weight (they are the cheapest solid wood models) and the cedar/mahogany 500s are exceptional. The cedar adds real warmth to the signature Taylor clarity, without loosing it all together.
I think they have to be approached a bit like (say) a Lowden - in other words, don't try to bench-mark their sound against a Martin - treat them as having their own 'thing' going on.
They suffer a bit like PRS, in that they are 'guilty' of not having been around when many classic acoustic albums were recorded. To be fair, they have appeared on lots of more recent albums (Mary Chapin Carpenter's 'Come on Come on', Suzanne Vega, etc) and Gilmour used a 712ce on his 'In Concert' DVD - notably on the acoustic version of 'Shine On'.
I've owned a Martin D28 for over 20 years but I'd love a 512ce to go with it, when money allows.
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IIRC, the pure black stuff represents only about 10% of the ebony which is cut - so 90% of it went to waste - yet apart from its appearance, is just as good.
I'd far rather have a streaked ebony board on a lower price guitar than a substitute such as Richlite.
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