Query failed: connection to localhost:9312 failed (errno=111, msg=Connection refused).
It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
EDIT: and it's definitely not just Fender and Gibson. In fact, the only Gibson I've got (and it's not an expensive one - a Melody Maker Special) had the nut pretty much right for my taste. A Hagstrom and a Tanglewood acoustic were far too high.
Manufacturing always has tolerances, and since the nut being too low is an outright fault - causing buzzing at the first fret - they always set the centre of the tolerance range too high. Depending on how wide the tolerance is, the nut height will thus vary from very slightly too high to quite a lot too high.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
(Most of the instruments I tried were Fenders. I also tried out two or three PRS Silver Sky SEs where the set up was pretty much spot on. In the past I’ve owned a couple of Yamaha guitars which were absolutely spot on. However they were bought from Yamaha London who I believe set up all their guitars before putting them on display.)
Most people don't actually realise how well a guitar can play and still not rattle with the nut cut properly to the right height, because almost all guitars have it too high - many even after a set-up, if not done by someone who's very fussy about it. Most of the intonation problems players complain about at the first few frets are caused by the nut being too high too - although there's a physics reason (string flexibility at the nut) why a compensated nut can still improve things further, it's still important to have one of those set properly low enough too.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
There is absolutely a correct action height at the first fret.
If you barre across the first fret (use a capo) and measure the action at the second fret, the action at the first fret when the strings are open should be the same. Any lower is definitively too low. Any more than 0.1mm (insert archaic Imperial measurement here) higher is too high (unless playing exclusively with slide).
The issue of too high an action at the nut is the single factor that is most responsible for beginners giving up.
I prefer the fretting at the third fret method to check height - it’s more accurate and independent of the relief or action. When fretting at the third and checking the gap between the string and the first fret, it should be tiny - between about 1/4 and 1/10 of the string diameter, ie only .001” or .002” on the top E string, up to about .005 to .010” on the low E.
It’s very rare to find any guitar with a factory or shop set-up that low.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
My reasoning is that if you play with a capo on any given fret the effective "zero fret" height is the same across all strings. I like the nut slot height to feel like a "zero fret". I am splitting hairs, however. The tolerances at this height are nigh on un-measurable.