UNPLANNED DOWNTIME: 12th Oct 23:45
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So my Thomann super-cheap Squier 40th Anniversary JM turned up today. I have to say... its rather lovely:
Observations: the strings are pooh. Too thin, meaning it struggles to keep in tune - so I'll be replacing the strings tonight. The sweep on the volume and tone pots (main ones) are a bit pants - the tone control especially is a bit all-or-honk and the action of the pots is a bit... cheap. As is the feel of the knobs too. I may well junk them in favour of some CTS unit.
However, aside from a high action as delivered, and the starting of sharp fret ends the factory set up was OK. The neck profile is really nice and there was none of the scratchy fret issues I had on the Squier Jaguar I picked up a while back.
It sounds good! I'm surprised by how reasonable the pickups are - truly, it sounds like a Jazzmaster. The bridge pickup is a little overwound, but actually it didn't sound awful when I plugged it in briefly at lunchtime.
The trem seems to be behaving (shite strings aside) and I'm going to give rocking bridges another try. Normally, a Mastery is the first thing I do but this feels OK... aside from the tippy/poor intonation thing... hmmm, we will see.
The satin finish Desert Sand body has gained a lot of "nice finish" comments. I'm still not convinced by the anodised gold plate... I've got a spare black (three ply) plate at home and I may mock it up to see what that looks like. Its a bit three-shades-of-beige currently (neck, body and plate)...
In all though, for less than £300 delivered, this is a bargain. Is it better than an AVRI or a CS? Hmmm, not really. However, I've played a few Jap and Mexican ones that weren't as resonant and good to play straight out the box/as delivered. Will this be the JM I keep? Who knows... so far so good.
Never Ever Bloody Anything Ever.
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Comments
Agree with your thought process that you can change the parts and turn a 1.1 Focus into an XR3i with a few changes as required
According to the Mike Adams YouTube review, the Squier has an angled neck pocket floor. Hence, no faffing about with shims.
I did like wise on a 1971 Tele the other week and it has certainly improved the tone imo - no spiky shrill like clang
My trading feedback: https://www.thefretboard.co.uk/discussion/210335/yorkie
Not really, Alpha mini 1 Meg pots on my 40th Anniversary JM Squier had really smooth taper, no problem with swells. I swapped them for 1 Meg CTS regular pots just in case, and it's the same.
@impmann - lovely guitar. And that anodized scratchplate really does the job, I have zero problems with noise.
https://www.youtube.com/channel/UCg_imQDC4eUOjuBBRl2mBwA
https://www.youtube.com/watch?v=LyQgllCIpqY
https://rozaliftwave.bandcamp.com/
Regarding the pots - I’ve had a fair number of Jazzmasters, and I Meg pots do have a slightly more abrupt sweep than 500k, in my experience. But they still have a sweep - yes you could do swells with the factory volume pot but it’s not great, and as I say the feel isn’t nice.
I ride the volume and tone controls on all my guitars, so it’s likely I’ll swap them long term.
I spent an hour or so on the fretwork last night - it was nice and level (for a cheaper guitar) but the frets were dull and a bit scratched. Some time with micro mesh pads has yielded a much nicer playing feel - well worth the effort. In conjunction with a restring in a more suitable gauge (why do they fit 9s to these?) and it’s now playing wonderfully.
The metal guard is still making my teeth itch a bit *but* I will say this is the quietest, in terms of hum, I’ve ever encountered. Truly brilliant for studio work… a couple of high end ones I’ve had were less good in that regard.
the final thing is the Trem arm - it clinks and clonks in use. I’m torn on this - normally I’d just wang a Staytrem in there but with the aged finish on the hardware, it may look odd. I’m going to try bending the end with a hammer and see if that solves it.
Genuinely though, this is a superb Jazzmaster *at any price* - the fact it cost less than £300 makes it an incredible deal.