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Is it a vintage style trem or modern 2 post fulcrum trem
The trem is a Mann made 6 screw type, about 4 or 5 years old.
I don’t seem to have any sticking at the nut if I bend the string behind the nut.
1. Sticking at the nut.
2. Movement at the bridge saddle.
3. Backlash in the machinehead.
4. Faulty string. (Very unlikely with a plain one.)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
saddles are pretty well wedged in there.
Q1 - Is the string post perpendicular to the headstock face? (No leaning towards the nut.) Hex nut fastenings should be fully nipped up. Push-in bushings should not be lifting out of their holes.
Q2 - Is the height adjustment mechanism locked into position?
Q3 - How many turns of string do you have around the string posts?
Q4 - Do you use coated strings? Some locking mechanisms struggle to grip coatings properly.
Q5 - Are the pivot screws smooth shafted at the mushroom head end like a Fender or notched like PRS?
If the screws are notched, it is critical that the notches be perfectly aligned. Otherwise, return to pitch is unlikely.
(My 2002 PRS was like that initially because the bridge was slightly curved!)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Although you tried the G sting on the top of the nut the issue may be with the other strings !
I would check the three wound strings as the winds on the string can hitch up in the nut also if they are the strings that need
to be stretched in the most this is because the winds once again go around the core of the string.
The other thing that is worth doing is if you can lay your hands on some of those small brushes that are used for eyelashes
just brush out the slots in the nut because sweat from you hands will travel along the strings and settle in the nut so the
nut gets clogged up so keeping the nut clean is important. I know there are products out there made to lubricate the nut
but my own experience is it just collect dust and debris so I don't use anything like that.
It's also worth checking the trem springs are seated properly as well.
The other thing to check is as it's a Mann made trem just check the six screws are level.
I hope some of this will help. Good luck.
Similarly, even if the saddles are set correctly, each saddle's height adjustment grub screws should be in good contact with the baseplate.
If the stringing holes through the baseplate have non-countersunk edges, a string can snag there.
If the string anchoring holes on the underside of the sustain block are worn, this can affect tuning stability.
Strings are new ish and non-coated but it happens with new strings too. It’s only ever the G string that gets stuck, everything else comes back to pitch more or less exactly.
For gentle more Shadows type of trem though all the strings should return more or less right but the G string does seem to be the one string more sensitive to pitch problems
Warning - Don't adjust any of the 6 bridge 'notch' screws when at pitch - de-tune significantly first, as this can damage/ware out the fulcrum point at the notch on the screw
never quite sure why, but sometimes with such an issue I can turn the G string (or appropriate string) screw an 1/8 of a turn, either way and solve it - And/or turn it to/fro and return - I find it hard to know if all 6 notches are perfectly aligned, which they need to be
Tuning and Setup Hints
If the guitar is returning sharp after using the tremolo arm, put a little lightweight machine oil under the head of each screw (do not loosen the screws). This will effectively oil the knife-edge of the tremolo. The correct adjustment of the six brass screws, which act as a pivot and anchor the tremolo system, is level with each other so the bridge floats 1/16″ off the body. These 6 screws are factory adjusted and you really should not have to adjust them at all. If it becomes necessary to adjust the 6 notched screws, make sure the guitar is detuned or you will ruin the knife-edge. Adjust the screws incrementally so the notches under the screw heads are fitted with the corresponding hole in the bridge. These holes serve as the knife-edge on which the tremolo unit rocks. Again, this is a very tricky adjustment and could ruin the knife-edge if done improperly.
The bridge saddles should be low in the range of adjustment to keep the action low and leverage of the bridge in good working order. They should be adjusted so that the height of the string at the top of the 12th fret to the bottom of the string is 2/32″. If the tremolo bridge is not floating 1/16″ off the body, remove the tremolo back plate. Adjust the claw screws about 1/4 turn at a time until the bridge floats perpendicular to and about 1/16th off the body. Tune to pitch and check, re-adjust until the bridge sits properly. When the tremolo is adjusted properly and the guitar is in tune, the tremolo arm will raise the low E string pitch to F#: no more, no less. The intonation may be adjusted by moving the (6) Phillips-head screws facing the tail end of the guitar in and out with a Phillips-head screwdriver. Match the octave (fretted) note of all six strings with their corresponding 12th fret open harmonics by shortening or lengthening the strings with the adjusting screws. Remember to tune and retune until the process is complete.
https://www.google.com/search?q=Johnmann+tremolo+tuning+stability&sca_esv=567523571&rlz=1C1SFXN_enGB499GB499&ei=hFENZfLcI4q_hbIP4MShoA4&ved=0ahUKEwjyrvXI572BAxWKX0EAHWBiCOQQ4dUDCBA&uact=5&oq=Johnmann+tremolo+tuning+stability&gs_lp=Egxnd3Mtd2l6LXNlcnAiIUpvaG5tYW5uIHRyZW1vbG8gdHVuaW5nIHN0YWJpbGl0eTIFEAAYogQyBRAAGKIEMgUQABiiBEjNM1AAWKAhcAB4AZABAJgBugGgAeUIqgEDOC4zuAEDyAEA-AEBwgIGEAAYBxgewgIEEAAYHsICBhAAGAgYHsICCBAAGIoFGIYDwgIGEAAYHhgNwgIIEAAYBRgeGA3iAwQYACBBiAYB&sclient=gws-wiz-serp#fpstate=ive&ip=1&vld=cid:8ac96114,vid:cHA_xu844Rs,st:0
If you have eliminated the nut (and most issues are nut related) then you need to look at the string and its contact with the saddle, even its exit point from the trem block - Is the string snagging on the saddle - Might be a burr/rough bit on the saddle or you do hear of issues with the ball end in the 'base' of the trem block
Try a drop of oil on the 2 point fulcrum notch/contact - Try and clean any debris/rough contact on the saddle itself, where the string makes contact - Try a drop off oil on this contact - Even try an appropriate drill size bit where the ball end makes contact in the trem block - Do it gently, but can the string sit 'smarter' in the block
The nut is generally the chief suspect, but if you looked/tried my initial comment earlier, then that should imply the nut is not the issue
If you tune up your guitar and then bend the G string a good three semitones do you find it it comes back flat?
With the PRS I had, the whole bridge was subtly 'dished' - a casting shrinkage flaw I think - so the notches being in a straight line then made the bridge bind. I solved it by carefully turning each of the four middle screws until I could feel it come slightly loose against the plate, so they were then in a matching curve to the bridge. Although that technically shouldn't work, over the small angle the bridge moves through it does.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Last nights experiments: tuned to pitch, strings stretched, bend string behind the nut laterally: stays in tune. Bend behind the nut away from headstock face: stays in tune. Drop tuning with the trem: comes back sharp. Pull up on bar afterwards: stays sharp. Pull string away from pickups/ comes back to pitch.
What I have noticed is that sometimes when the string is sharp turning the tuning peg makes no noticeable difference for a short period of rotation then starts to change the pitch. Might be psychosomatic.
I've got a Suhr with a 2-post Gotoh 510 where this kind of thing was happening...I just developed a nervous tick to tug on a string when it needed to be brought back in-line A few months ago, I got a set of Wilkinson WLS130 saddles...newfangled locking type...they've really improved things.
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Does the machinehead lock each string with a ball bearing or with a metal pin? Sometimes, a defect on the end of the pin impairs grip.
Try doing the opposite of the normally correct practice of tuning up to the note - tune down to it just on that string - and see what happens.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson