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Could you rent?
Too Many Strats, A few Les Pauls, A couple of PRS and a Brian May Red Special, Oh, I nearly forgot an Ivison 58 Double Cut
It is an option, but if I can spend £250 buying, then sell for £250 it's effectively £150 less than renting. A 7D looks like about £100 or less, and the original 70-200mm f4 looks like it can be under £200 if I'm careful so that would work. Don't need IS as it's going to be tracking.
I'm not charging for the shoot, it's just for family. If I was charging I'd hire and pass on the cost.
Do you really need fast AF? What about pre-focusing, pre-planned DoF and burst mode from tripod with cable release?
Something like this guy does:
https://petapixel.com/2022/01/31/photographer-captures-dogs-jumping-over-branches/
Easier to compose the shot and be assured of good subject/background separation that totting a big lens and spray+pray AF shooting.
The 7D came out immediately after Canon's disaster with the big pro model 1D III. The 1D III had a subtle but serious flaw in the AF system and Canon lost a huge amount of face over it. So the 7D Mark 1 absolutely HAD to be right to rescue their reputation. And it was. Indeed, Canon's subsequent AF systems in their better cameras right up to the 5D IV all have AF systems that follow in the 7D's footsteps. (The pro model Canons - 1D IV, 1DX and so on use a different system.)
The one and only significant issue with the 7D is high ISO noise. At 400 ISO it is great, but once you push past there it doesn't come close to more recent cameras (such as the 7DII). These issues are less pressing than they were back in the day because modern raw converts are much, much better than the ones we had back when the 7D was new. DxO's extraordinary twins PhotoLab and PureRAW set the nose-handling bar very high, but other converters are also much improved these days.
If you are working with half-decent light, a 7D Mark 1 is very close to just as good as any late-model SLR (such as a 7D II).
Almost all SLRs focus better with faster lenses. F/2.8 is good to have even when you are shooting at (say) f/8 because it allows the camera to use the faster, higher-precision AF points. Against that, different lenses AF at different rates. Some are famous for fast AF (the old 400/5.6 prime is an example, as are all of the big white ones - 500/4s and suchlike), some are notorious for slow AF (e.g., the 85/1.2). I'm not familiar with the 70-200s - it's never been a length I've used, all my stuff is either wide and normal length or long (100-400, 600/4), but it should be easy enough to find that out once you have a particular lens in mind.
PS: if I had that job to do I'd probably reach for my ancient 1D IV or the 7D II, though I might decide to accept half the frame rate and use the 5D IV anyway.
That is a fantastic idea! I'll see if I can set this up. Longest lens I have is an 85mm for the Panasonic but with a decent burst I may manage. Composition is hard because the cockapoo is... Pretty stupid.
But saves me money and I like that!
I’ve not used the 7D, but most Canon DSLR’a Center focus point is the best one anyway, avoid using any of the outer ones and you should be able to do it with a few tries.
or you can do what goldtop suggest, pre-focus lock into a zone, and then as the dog runs through that zone you spray and pray.
In any case, action photography isn't really my niche, so feel free to ignore my "advice".
I meant April. ~ Simon Weir
Bit of trading feedback here.
mine outperforms my 7D in most situations.
* Surfing the Internet: yep.
* Sending an email: for sure.
* Fitting in your pocket? definitely
* Chewing through batteries and going flat: for certain.
* Playing games: absolutely.
* Taking photographs: not a hope in hell.
Does anyone rent pro gear where you are?
Now compare the two using similar-generation software and with similar levels of post-processing. The phone is, of course, miles behind. In the end, that's just physics. In low light, the one intractable issue is shot noise, and that is just physics. The ONLY way around it is a bigger, more efficient sensor ands a fast lens.
Too Many Strats, A few Les Pauls, A couple of PRS and a Brian May Red Special, Oh, I nearly forgot an Ivison 58 Double Cut
But in terms of pure IQ though, i still prefer my camera. I can take an okay photo with it and it looks good on a phone but when i look closer, the file kinda breaks down a bit.
The sensors on them are so small, though, that they are never going to deliver high IQ or give you depth of field without a software gimmick.
Megapixel count is irrelevant as the bigger the MP count the smaller each photosite in the sensor has to be. Image quality, signal to noise ratio and dynamic range are all going to suffer.
I meant April. ~ Simon Weir
Bit of trading feedback here.
There is no way around this. No improvement in optics or sensor technology or hardware or software can do anything about it. The ONLY way to fix shot noise is to capture more photons. If you do this, the random variations become too small to notice. You capture more photons by (a) using a longer exposure, or (b) using a faster lens (which captures more light but is necessarily large, heavy, and expensive), or (c) using a larger sensor (for which you need something bigger than a phone), or (d) adding more light, typically by using flash.
There is also the usability and handling questions. Phones can't go anywhere near what an SLR can do in those regards. On the other hand, and SLR can't make calls and doesn't fit in your pocket. Different task, different tool.