UNPLANNED DOWNTIME: 12th Oct 23:45
Is it mad to self-build an acoustic?
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I've done a few electrics, and am *thinking* (vaguely) of having a go at an acoustic.
For the electrics, I know that I could buy better than I can build for a given price, even ignoring my time - a second-hand PRS SE will always be cheaper than the cost of the parts I'd buy to make something. But the difference is only ever a few £hundred, and I see that as the price of the building hobby. Plus, I'm generally reasonably sure that the finished product will be perfectly playable.
(I only build for my own satisfaction, not to sell the finished product).
But an acoustic feels like a different proposition. There'll likely be some more tools to buy, I foresee some side-bending-snapping materials wastage, decent materials seem to be more expensive than for electrics, the time investment will be far greater and the quality of the final product is more dependant on the builder's woodworking skills, so I'd not expect the first one (or two or three) to be anywhere near as good as a shop bought (for considerably less cost) option.
So, should I venture into acoustic building, or should I aim for the satisfaction to come from learning to play the ones I've already got (bought) better, and confine my building to the simpler electrics?
I know, I know, only I can answer that one. What would I be aiming to "get" from an acoustic build!
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I get the feeling you will always have this nagging feeling if you don't at least give it a try. All the best.
Buy and read this book first, (it's not the only way to build an acoustic but Thorough) then decide if you want to go for it.
Guitar Making: Tradition and Technology - A Complete Reference for the Design and Construction of the Steel-string Folk Guitar and the Classical Guitar https://amzn.eu/d/82w9Ber
Building by the numbers can get you something that sounds very good, without the need to worry too much about the more advanced tone shaping processes.
It does take a lot more jigs, molds etc, but most can be made.
Check out radius dish uk for some cheaper kits, materials and jigs.
https://www.radiusdishuk.com/
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On the other hand, it doesn't have to be perfect to sound pretty good. I've not built an acoustic from scratch but I did make a new top for an old Hondo 12-string a few years ago. It's almost certainly over-built because I wanted to err on the side of caution with it being a 12-string (and the original top had caved in with the tension) and I did it all with minimal tools, but even so it sounds better than it did with the original laminate top. Obviously making molds and bending your own sides is going up another level - I "cheated" and reused the original back and sides.
If you think you'll enjoy the build then I'd say go for it.
And I've already got that book and have access to Mark Bailey's step-by-step video course, so that aspect should be covered.
That might actually end up being the reason that I do it - because I'd always wonder if I didn't!
Thanks - i've seen those guys get mentioned before (probably by you!), so will take a closer look.
I'm also wondering how much I can cheat with the CNC, though that'd probably be more if I made a pseudo-acoustic using piezo / internal mic and IRs to generate the sound rather than the soundboard. In theory, I should be able to model a gently arched top and cut that out to a ~3mm thickness, with combined internal bracing, from a standard guitar cap piece.
That thought is probably influenced too much by the Kawai R'n'R star design (though that was magnetic pickups only).
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https://www.thefretboard.co.uk/discussion/253884/fs-book-guitar-making-tradition-and-technology
Plus you get bragging rights on here and your fret count will increase when you put a thread about the build on here
I think it's a personal challenge to build something that looks at least 'acceptable' and sounds reasonably good. I think it would undoubtedly be cheaper to buy a good guitar though.
I have a small CNC mill/router. I'd have maybe liked to use it for radiussing the fretboard, cutting the fret slots, and maybe doing some fancy inlay, but it hasn't got enough travel for a full length fretboard - I could always index it, but am wary of errors creeping in. I'll probably use it for roughing out the bridge blank, and maybe for the headstock inlay, cutting rosette segments, etc.
The side bending is what scares me most - I've cobbled a hot pipe bender together and had a play with some scrap - it may be more manageable than I thought.
Do it. Do it Do it....